Analysis of An Essay on Man in Four Epistles: Epistle 1

Alexander Pope 1688 (London) – 1744 (Twickenham)



To Henry St. John, Lord Bolingbroke
     Awake, my St. John! leave all meaner things
    To low ambition, and the pride of kings.
    Let us (since life can little more supply
    Than just to look about us and to die)
    Expatiate free o'er all this scene of man;
    A mighty maze! but not without a plan;
    A wild, where weeds and flow'rs promiscuous shoot;
    Or garden, tempting with forbidden fruit.
    Together let us beat this ample field,
   Try what the open, what the covert yield;
   The latent tracts, the giddy heights explore
   Of all who blindly creep, or sightless soar;
   Eye Nature's walks, shoot folly as it flies,
   And catch the manners living as they rise;
   Laugh where we must, be candid where we can;
   But vindicate the ways of God to man.I.

Say first, of God above, or man below,
   What can we reason, but from what we know?
   Of man what see we, but his station here,
   From which to reason, or to which refer?
   Through worlds unnumber'd though the God be known,
   'Tis ours to trace him only in our own.
   He, who through vast immensity can pierce,
   See worlds on worlds compose one universe,
   Observe how system into system runs,
   What other planets circle other suns,
   What varied being peoples ev'ry star,
   May tell why Heav'n has made us as we are.
   But of this frame the bearings, and the ties,
   The strong connections, nice dependencies,
   Gradations just, has thy pervading soul
   Look'd through? or can a part contain the whole?

Is the great chain, that draws all to agree,
   And drawn supports, upheld by God, or thee?II.

Presumptuous man! the reason wouldst thou find,
   Why form'd so weak, so little, and so blind?
   First, if thou canst, the harder reason guess,
   Why form'd no weaker, blinder, and no less?
   Ask of thy mother earth, why oaks are made
   Taller or stronger than the weeds they shade?
   Or ask of yonder argent fields above,
   Why Jove's satellites are less than Jove?

Of systems possible, if 'tis confest
   That Wisdom infinite must form the best,
   Where all must full or not coherent be,
   And all that rises, rise in due degree;
   Then, in the scale of reas'ning life, 'tis plain
   There must be somewhere, such a rank as man:
   And all the question (wrangle e'er so long)
   Is only this, if God has plac'd him wrong?

Respecting man, whatever wrong we call,
   May, must be right, as relative to all.
   In human works, though labour'd on with pain,
   A thousand movements scarce one purpose gain;
   In God's, one single can its end produce;
   Yet serves to second too some other use.
   So man, who here seems principal alone,
   Perhaps acts second to some sphere unknown,
   Touches some wheel, or verges to some goal;
    'Tis but a part we see, and not a whole.

When the proud steed shall know why man restrains
   His fiery course, or drives him o'er the plains:
   When the dull ox, why now he breaks the clod,
   Is now a victim, and now Egypt's God:
   Then shall man's pride and dulness comprehend
   His actions', passions', being's, use and end;
   Why doing, suff'ring, check'd, impell'd; and why
   This hour a slave, the next a deity.

Then say not man's imperfect, Heav'n in fault;
   Say rather, man's as perfect as he ought:
   His knowledge measur'd to his state and place;
   His time a moment, and a point his space.
   If to be perfect in a certain sphere,
   What matter, soon or late, or here or there?
   The blest today is as completely so,
   As who began a thousand years ago.III.

Heav'n from all creatures hides the book of fate,
   All but the page prescrib'd, their present state:
   From brutes what men, from men what spirits know:
   Or who could suffer being here below?
   The lamb thy riot dooms to bleed today,
   Had he thy reason, would he skip and play?
   Pleas'd to the last, he crops the flow'ry food,
   And licks the hand just rais'd to shed his blood.
   Oh blindness to the future! kindly giv'n,
   That each may fill the circle mark'd by Heav'n:
   Who sees with equal eye, as God of all,
   A hero perish, or a sparrow fall,
   Atoms or systems into ruin hurl'd,
   And now a bubble burst, and now a world.

Hope humbly then; with trembling pinions soar;
   Wait the great teacher Death; and God adore.
   What future bliss, he gives not thee to know,
   But gives that hope to be thy blessing now.
   Hope springs eternal in the human breast:


Scheme ABBCCDDEEFFGGHHDI JJXXKKXXLLMMHXNN IX OOPPQQRR EXIISDAA TTSSUUKKNN VVEXWWCI XXXXXXJA YYJJZZXXDDTT1 1 GGJXI
Poetic Form
Metre 1101111 0111111101 1101000111 1111110101 1111011011 111011111 0101110101 0111011001 1101011001 0101111101 1101010101 0101010101 111101111 1101110111 0101010111 1111110111 11000111110 1111011101 1111011111 1111111101 1111011101 11110111 110111100101 1111111 111101110 0111001101 1101010101 110101011 1111111111 1111010001 0101010100 0101110101 1111010101 1011111101 0101011111 01001010111 1111110011 1111010101 1111010011 1111011111 1011010111 1111010101 11101111 110100111 1101001101 1111110101 0111010101 1001111111 111110111 01010101011 1101111111 010110111 1111110011 010111111 0101011101 0111011101 1111011101 1111110001 0111011101 1011110111 1101110101 1011111101 110011111001 1011111101 1101001101 11110101 1101010101 110110101 11001010100 1111010101 1101101111 1101011101 1101000111 1110100101 1101111111 0101110101 110101011 1111010111 1101011101 1111111101 1111010101 0111011101 1111011101 110111011 0101111111 1101010101 1111010111 1111011111 0101010101 1011001101 0101010101 1101110011 1011010101 1101111111 1111111101 11010001011
Closest metre Iambic pentameter
Characters 4,376
Words 764
Sentences 38
Stanzas 10
Stanza Lengths 17, 16, 2, 8, 8, 10, 8, 8, 14, 5
Lines Amount 96
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 317
Words per stanza (avg) 76
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Submitted on May 13, 2011

Modified on March 05, 2023

3:59 min read
268

Alexander Pope

Alexander Pope (1688-1744) is regarded as one of the greatest English poets, and the foremost poet of the early eighteenth century. He is best known for his satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, as well as for his translation of Homer. more…

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