Analysis of The Troubadour. Canto 2 C (The Ladye Adeline)



Sudden a flood of lustre play'd
Over a lofty ballustrade,
Music and perfume swept the air,
Messengers sweet for the spring to prepare;
And like a sunny vision sent
For worship and astonishment,
Aside a radiant ladye flung
The veil that o'er her beauty hung.
With stately grace to those below,
She bent her gem encircled brow,
And bade them welcome in the name
Of her they saved, the castle's dame,
Who had not let another pay
Thanks, greeting to their brave array,—
But she had vow'd the battle night
To fasting, prayer, and holy rite.

On the air the last tones of the music die,
The odour passes away like a sigh,
The torches flash a parting gleam,
And she vanishes as she came, like a dream.
But many an eye dwelt on the shade,
Till fancy again her form display'd,
And still again seem'd many an ear
The softness of her voice to hear.
And many a heart had a vision that night,
Which future years never banish'd quite.

And sign and sound of festival
Are ringing through that castle hall;
Tapers, whose flame send a perfumed cloud,
Flash their light o'er a gorgeous crowd;
With a thousand colours the tapestry falls
Over the carved and gilded walls,
And, between, the polish'd oak pannels hear,
Like dark mirrors, the image of each one there.
At one end the piled up hearth is spread
With sparkling embers of glowing red:
Above the branching antlers have place,
Sign of many a hard won chase;
And beneath, in many a polish'd line,
The arms of the hunter and warrior shine;
And around the fire, like a laurell'd arch,
Raised for some victor's triumphal march,
The wood is fretted with tracery fair,
And green boughs and flowers are waving there.
Lamps, like faery planets shine,
O'er massive cups of the genial wine,
And shed a ray more soft and fair
Than the broad red gleam of the torch's glare;
And, flitting like a rainbow, plays
In beautiful and changing rays,
When from the pictured windows fall
The colour'd shadows o'er the hall;
As every pane some bright hue lent
To vary the lighted element.

The ladye of the festive board
Was ward to the castle's absent lord;
The Ladye ADELINE ,—the same
Bright vision that with their greeting came
Maidens four stood behind her chair,
Each one was young, and each one fair;
Yet they were but as the stars at night
When the mood shines forth in her fullness of light
On the knot of her wreathed hair was set
A blood-red ruby coronet;
But among the midnight cloud of curls
That hung o'er her brow were eastern pearls,
As if to tell their wealth of snow,
How white her forehead could look below.
Around her floated a veil of white,
Like the silvery rack round the star of twilight;
And down to the ground her mantle's fold
Spread its length of purple and gold;
And sparkling gems were around her arm,
That shone like marble, only warm,
With the blue veins wandering tide,
And the hand with its crimson blush inside.
A zone of precious stones embraced
The graceful circle of her waist,
Sparkling as if they were proud
Of the clasp to them allow'd.
But yet there was 'mid this excess
Of soft and dazzling loveliness,
A something in the eye, and hand,
And forehead, speaking of command:
An eye whose dark flash seem'd allied
To even more than beauty's pride,—
A hand as only used to wave
Its sign to worshipper and slave,—
A forehead, but that was too fair
To read of aught but beauty there!

And RAYMOND had the place of pride,
The place so envied by her side,—
The victor's seat,—and overhead
The banner he had won was spread.
His health was pledged!—he only heard
The murmur of one silver word;
The pageant seem'd to fade away,
Vanish'd the board and glad array,
The gorgeous hall around grew dim,
There shone one only light for him,
That radiant form, whose brightness fell
In power upon him like a spell,
Laid in its strength by Love to reign
Despotic over heart and brain.
Silent he stood amid the mirth,
Oh, love is timid in its birth!
Watching her lightest look or stir,
As he but look'd and breathed with her.
Gay words were passing, but he leant
In silence; yet, one quick glance sent,—
His secret is no more his own,
When has woman her power not known?

The feast broke up:—that midnight shade
Heard many a gentle serenade
Beneath the ladye's lattice. One
Breathed after all the rest were gone.

SLEEP , ladye! for the moonlit hour,
    Like peace, is shining on thy bower;
    It is so late, the nightingale
    Has ended even his love tale.

Sleep, ladye! 'neath thy turret grows,
    Cover'd with flowers, one pale white rose;
    I envy its sweet sighs, they steep
    The perfumed airs that lull thy sleep.

Perchance, around thy chamber floats
    The music of my lone lute notes,—
    Oh, may they on thine eyelids fall,
    And make thy slumbers musical!

Sleep, ladye! to thy rest be given
    The gleamings of thy native heaven,
    And thoughts of early paradise,
    The treasures of thy sleeping eyes.

I NEED not say whose was the song
The sighing night winds bore along.
RAYMOND had left the maiden's side
As one too dizzy with the tide
To breast the stream, or strive, or shrink,
Enough for him to feel, not think;
Enough for him the dim sweet fear,
The twilight of the heart, or ere
Awakening hope has named the name
Of love, or blown its spark to flame.
Restlessness, but as the winds range
    From leaf to leaf, from flower to flower;
Changefulness, but as rainbows change,
    From colour'd sky to sunlit hour.
Ay, well indeed may minstrel sing,—
What have the heart and year like spring?

Her vow was done: the castle dame
Next day to join the revellers came;
And never had a dame more gay
O'er hall or festival held sway.
And youthful knight, and ladye fair,
And juggler quaint, and minstrel rare,
And mirth, and crowds, and music, all
Of pleasure gather'd at her call.

And RAYMOND moved as in a dream
Of song and odour, bloom and beam,
As he dwelt in a magic bower,
Charm'd from all by fairy power.
—And ADELINE rode out that morn,
With hunting train, and hawk, and horn;
And broider'd rein, and curb of gold,
And housings with their purple fold
Decked the white steed o'er which she leant
Graceful as a young cypress, bent
By the first summer wind: she wore
A cap the heron plume waved o'er,
And round her wrist a golden band,
Which held the falcon on her hand.
The bird's full eye, so clear, so bright,
Match'd not her own's dark flashing light.
And RAYMOND , as he watch'd the dyes
Of her cheek rich with exercise,
Could almost deem her beauty's power
Was now in its most potent hour;
But when at night he saw her glance
The gayest of the meteor dance,
The jewels in her braided hair,
Her neck, her arms of ivory bare,
The silver veil, the broider'd vest,—
Look'd she not then her loveliest?
Ah, every change of beauty's face
And beauty's shape has its own grace!
That night his heart throbb'd when her hand
Met his touch in the saraband:
That night her smile first bade love live
On the sweet life that hope can give.—
Beautiful, but thrice wayward, wild,
Capricious as a petted child,
She was all chance, all change; but now
A smile is on her radiant brow,—
A moment and that smile is fled,
Coldness and scorn are there instead.

Ended the dance, and ADELINE
Flung herself, like an eastern queen,
Upon the cushions which were laid
    Amid a niche of that gay hall,
Hid from the lamps; around it play'd
    The softness of the moonlight fall.
And there the gorgeous shapes past by
But like a distant pageantry,
In which you have yourself no share,
For all its pride, and pomp, and care.

She pass'd her hand across the chords
Of a lute near, and with soft words
Answer'd; then said, "no, thou shalt sing
Some legend of the fair and brave."
To RAYMOND'S hand the lute she gave,
Whose very soul within him burn'd
When her dark eye on his was turn'd:
One moment's pause, it slept not long,—
His spirit pour'd itself in song.


Scheme Text too long
Poetic Form
Metre 10011101 100101 10001101 1001101101 01010101 11000100 01010011 011100101 11011101 11010101 01110001 10110101 11110101 11011101 11110101 11010101 10101110101 011001101 01010101 01100111101 110111101 110010101 010111011 01010111 01001101011 110110101 01011100 11011101 101110011 111100101 1010101001 10010101 001010111 11100101111 111011111 110101101 010101011 11100111 0010100101 01101001001 0010101011 111100101 01110111 0110101101 111101 1010110101 01011101 101111011 0101011 01000101 11010101 01011001 110011111 110010100 0110101 111010101 011001 110111101 10110101 11110111 110110111 10111001011 101101111 01110101 10101111 1110010101 11111111 110101101 010100111 10100110111 011010101 11111001 010100101 11110101 10111001 0011110101 01110101 01010101 1011101 1011101 1111111 1101001 01000101 01010101 11111101 1101111 01110111 111101 01011111 11111101 01010111 01110101 01010101 01011111 11111101 01011101 01011101 10010101 01010111 11110111 110011101 010011101 10111111 01010101 10110101 11110011 10010111 11110110 110101110 01011111 11011111 111001011 0111111 11001001 0101101 11010101 1110110 111101110 11110100 11010111 1111101 101101111 11011111 00111111 01011101 01011111 1111111 0111100 11111110 01111010 0111010 01011101 11111101 01011101 1011011 11110101 11011111 01111111 01110111 0110111 010011101 11111111 10011011 1111110110 11111 11011110 11011101 11010111 01110101 111101001 01010111 101110011 0101011 010010101 01010101 11010101 01011001 1101101 111001010 11111010 0101111 11010101 0110111 01011101 1011101110 10101101 10110111 010101110 01010101 11010101 01111111 11011101 01011101 1011110 1110110 110111010 11111101 01101001 01000101 010111001 0101011 111101 11001111 0111111 11111101 111001 11011111 10111111 10011101 01010101 11111111 011101001 01001111 10011101 1001010 10111101 01010101 01011111 11010111 0101011 01010111 11010100 01110111 11110101 11010101 10110111 10111111 11010101 1110111 11010111 10111111 11011111 11010101
Closest metre Iambic tetrameter
Characters 7,716
Words 1,436
Sentences 45
Stanzas 15
Stanza Lengths 16, 10, 28, 36, 22, 4, 4, 4, 4, 4, 16, 8, 38, 10, 9
Lines Amount 213
Letters per line (avg) 28
Words per line (avg) 7
Letters per stanza (avg) 400
Words per stanza (avg) 95
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Submitted by Madeleine Quinn on June 18, 2016

Modified on April 16, 2023

7:27 min read
70

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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    "The Troubadour. Canto 2 C (The Ladye Adeline)" Poetry.com. STANDS4 LLC, 2024. Web. 28 Apr. 2024. <https://www.poetry.com/poem-analysis/44867/the-troubadour.-canto-2-c-%28the-ladye-adeline%29>.

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    The repetition of similar sounds at the ends of words or within words is known as _______.
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