Analysis of Pan the Fallen



1     He wandered into the market
2         With pipes and goatish hoof;
3     He wandered in a grotesque shape,
4         And no one stood aloof.
5     For the children crowded round him,
6         The wives and greybeards, too,
7     To crack their jokes and have their mirth,
8         And see what Pan would do.

9     The Pan he was they knew him,
10       Part man, but mostly beast,
11   Who drank, and lied, and snatched what bones
12       Men threw him from their feast;
13   Who seemed in sin so merry,
14       So careless in his woe,
15   That men despised, scarce pitied him,
16       And still would have it so.

17   He swelled his pipes and thrilled them,
18       And drew the silent tear;
19   He made the gravest clack with mirth
20       By his sardonic leer.
21   He blew his pipes full sweetly
22       At their amused demands,
23   And caught the scornful, earth-flung pence
24       That fell from careless hands.

25   He saw the mob's derision,
26       And took it kindly, too,
27   And when an epithet was flung,
28       A coarser back he threw;
29   But under all the masking
30       Of a brute, unseemly part,
31   I looked, and saw a wounded soul,
32       And a god-like, breaking heart.

33   And back of the elfin music,
34       The burlesque, clownish play,
35   I knew a wail that the weird pipes made,
36       A look that was far away,—
37   A gaze into some far heaven
38       Whence a soul had fallen down;
39   But the mob only saw the grotesque beast
40       And the antics of the clown.

41   For scant-flung pence he paid them
42       With mirth and elfin play,
43   Till, tired for a time of his antics queer,
44       They passed and went their way;
45   Then there in the empty market
46       He ate his scanty crust,
47   And, tired face turned to heaven, down
48       He laid him in the dust.

49   And over his wild, strange features
50       A softer light there fell,
51   And on his worn, earth-driven heart
52       A peace ineffable.
53   And the moon rose over the market,
54       But Pan the beast was dead;
55   While Pan the god lay silent there,
56       With his strange, distorted head.

57   And the people, when they found him,
58       Stood still with awesome fear.
59   No more they saw the beast's rude hoof,
60       The furtive, clownish leer;
61   But the lightest in that audience
62       Went silent from the place,
63   For they knew the look of a god released
64       That shone from his dead face.


Scheme ABXBCDED CFXFGHCH IJEGGKXK LDXDXMXM XNXNLOFO INPNAQOQ XXMXARJR CPBGXSFS
Poetic Form
Metre 11001010 11011 11000011 011101 10101011 01011 11110111 011111 0111111 111101 11010111 111111 1101110 110011 1101111 011111 1111011 010101 11010111 110101 1111110 110101 01010111 111101 1101010 011101 0111011 010111 1101010 1010101 11010101 0011101 01101010 00111 110110111 0111101 01011110 1011101 1011010011 0010101 1111111 110101 11010111101 110111 11001010 111101 010111101 111001 01011110 010111 01111101 010100 001110010 110111 11011101 1110101 00101111 111101 11110111 01011 101001100 110101 1110110101 111111
Closest metre Iambic tetrameter
Characters 2,426
Words 445
Sentences 13
Stanzas 8
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 64
Letters per line (avg) 26
Words per line (avg) 11
Letters per stanza (avg) 211
Words per stanza (avg) 90
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Submitted on May 13, 2011

Modified on March 05, 2023

2:14 min read
61

William Wilfred Campbell

William Wilfred Campbell (1 June ca. 1860 – 1 January 1918) was a Canadian poet. He is often classed as one of the country's Confederation Poets, a group that included fellow Canadians Charles G. D. Roberts, Bliss Carman, Archibald Lampman, and Duncan Campbell Scott; he was a colleague of Lampman and Scott. By the end of the 19th century, he was considered the "unofficial poet laureate of Canada." Although not as well known as the other Confederation poets today, Campbell was a "versatile, interesting writer" who was influenced by Robert Burns, the English Romantics, Edgar Allan Poe, Ralph Waldo Emerson, Henry Wadsworth Longfellow, Thomas Carlyle, and Alfred Tennyson. Inspired by these writers, Campbell expressed his own religious idealism in traditional forms and genres.  more…

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