Analysis of An Ode in Time of Hesitation



After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted negro regiment, the Fifty-fourth Massachusetts.

Before the solemn bronze Saint Gaudens made
To thrill the heedless passer's heart with awe,
And set here in the city's talk and trade
To the good memory of Robert Shaw,
This bright March morn I stand,
And hear the distant spring come up the land;
Knowing that what I hear is not unheard
Of this boy soldier and his negro band,
For all their gaze is fixed so stern ahead,
For all the fatal rhythm of their tread.
The land they died to save from death and shame
Trembles and waits, hearing the spring's great name,
And by her pangs these resolute ghosts are stirred.

Through street and mall the tides of people go
Heedless; the trees upon the Common show
No hint of green; but to my listening heart
The still earth doth impart
Assurance of her jubilant emprise,
And it is clear to my long-searching eyes
That love at last has might upon the skies.
The ice is runneled on the little pond;
A telltale patter drips from off the trees;
The air is touched with southland spiceries,
As if but yesterday it tossed the frond
Of pendant mosses where the live-oaks grow
Beyond Virginia and the Carolines,
Or had its will among the fruits and vines
Of aromatic isles asleep beyond
Florida and the Gulf of Mexico.

Soon shall the Cape Ann children shout in glee,
Spying the arbutus, spring's dear recluse;
Hill lads at dawn shall hearken the wild goose
Go honking northward over Tennessee;
West from Oswego to Sault Sainte-Marie,
And on to where the Pictured Rocks are hung,
And yonder where, gigantic, wilful, young,
Chicago sitteth at the northwest gates,
With restless violent hands and casual tongue
Moulding her mighty fates,
The Lakes shall robe them in ethereal sheen;
And like a larger sea, the vital green
Of springing wheat shall vastly be outflung
Over Dakota and the prairie states.
By desert people immemorial
On Arizonan mesas shall be done
Dim rites unto the thunder and the sun;
Nor shall the primal gods lack sacrifice
More splendid, when the white Sierras call
Unto the Rockies straightway to arise
And dance before the unveiled ark of the year,
Sounding their windy cedars as for shawms,
Unrolling rivers clear
For flutter of broad phylacteries;
While Shasta signals to Alaskan seas
That watch old sluggish glaciers downward creep
To fling their icebergs thundering from the steep,
And Mariposa through the purple calms
Gazes at far Hawaii crowned with palms
Where East and West are met, --
A rich seal on the ocean's bosom set
To say that East and West are twain,
With different loss and gain:
The Lord hath sundered them; let them be sundered yet.

Alas! what sounds are these that come
Sullenly over the Pacific seas, --
Sounds of ignoble battle, striking dumb
The season's half-awakened ecstasies?
Must I be humble, then,
Now when my heart hath need of pride?
Wild love falls on me from these sculptured men;
By loving much the land for which they died
I would be justified.
My spirit was away on pinions wide
To soothe in praise of her its passionate mood
And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay
On me and the companions of my day.
I would remember now
My country's goodliness, make sweet her name.
Alas! what shade art thou
Of sorrow or of blame
Liftest the lyric leafage from her brow,
And pointest a slow finger at her shame?

Lies! lies! It cannot be! The wars we wage
Are noble, and our battles still are won
By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat
And scramble in the market-place of war;
Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son,
This delicate and proud New England soul
Who leads despisèd men, with just-unshackled feet,
Up the large ways where death and glory meet,
To show all peoples that our shame is done,
That once more we are clean and spirit-whole.

Crouched in the sea fog on the moaning sand
All night he lay, speaking some simple word
From hour to hour to the slow minds that heard,
Holding each poor life gently in his hand
And breathing on the base reje


Scheme A BXBXCCDCEEFFD GGHHIIIJKAJGAXJG LMMLLNNONOPPGOXQQXXIRARAKSSTTUUVVU WKWAXYXYYYZZ1 1 2 F2 F2 F 3 Q3 X4 XXQ5 4 4 Q5 CDDC3
Poetic Form
Metre 1010110011101111101101101101010101000101010 010101111 11011111 0110010101 1011001101 111111 0101011101 1011111101 1111001101 1111111101 1101010111 0111111101 101100111 0101110111 1101011101 101010101 11111111001 011101 0101010001 0111111101 1111110101 011110101 011011101 0111111 111101101 1101010111 01010001 1111010101 101010101 100001110 1101110101 10011101 111111011 110101001 1101011101 0111010111 010101011 0111011 110100101001 100101 01111001001 0101010101 110111011 1001000101 110100100 101001111 1110010001 110101110 1101010101 100101101 01010011101 1011010111 1101 110111 1101010101 1111010101 11110100101 001010101 101101111 110111 0111010101 11110111 1100101 0111111111 01111111 11000101 1101010101 01010101 111101 11111111 1111111101 1101011111 11110 110101111 11011011001 011111110 1101010111 1100010111 110101 11011101 011111 110111 10101101 010110101 1111010111 11001010111 1101111101 1111101100 0101011111 0100010111 010111101 1101010011 1100011101 11111110101 1011110101 11110110111 1111110101 1001110101 1111101101 110110101111 1011110011 0101011
Closest metre Iambic pentameter
Characters 4,251
Words 765
Sentences 24
Stanzas 7
Stanza Lengths 1, 13, 16, 34, 20, 13, 5
Lines Amount 102
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 481
Words per stanza (avg) 108
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Submitted on May 13, 2011

Modified on March 05, 2023

3:51 min read
137

William Vaughn Moody

William Vaughn Moody was an American dramatist and poet. more…

All William Vaughn Moody poems | William Vaughn Moody Books

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