Analysis of Jack's Last Muster



The first flush of grey light, the herald of daylight,
Is dimly outlining the musterer's camp,
Where over the sleeping, the stealthily creeping
Breath of the morning lies chilly and damp,

As, blankets forsaking, 'twixt sleeping and waking,
The black-boys turn out to the manager's call;
Whose order, of course, is, "Be after the horses,
And take all sorts of care you unhobble them all."

Then, each with a bridle (provokingly idle)
They saunter away his commands to fulfil -
Where, cheerily chiming, the musical rhyming
From equine bell-ringers comes over the hill.

But now the dull dawning gives place to the morning,
The sun, springing up in a glorious flood
Of golden-shot fire, mounts higher and higher,
Till the crests of the sandhills are stained with his
                 blood.

Now the hobble-chains' jingling, with the thud of hoofs
                 mingling,
Though distant, sound near - the cool air is so still -
As, urged by their whooping, the horses come trooping
In front of the boys round the point of the hill.

What searching and rushing for bridles and brushing
Of saddle marks, tight'ning of breastplate and girth;
And what a strange jumble of laughter and grumble -
Some comrade's misfortune the subject of mirth.

I recollect well how that morning Jack Bell
Had an argument over the age of a mare,
That C O B gray one, the dam of that bay one
Which Brown the storekeeper calls the young Lady
                 Clare.

How Tomboy and Vanity caused much profanity,
Scamping away with their tales in the air,
Till after a chase, at a deuce of a pace,
They ran back in the mob and we collared them
                 there.

Then the laugh and the banter, as gaily we canter,
With a pause for the nags at a miniature lake,
Where the “yellowtop” catches the sunlight in patches,
And lies like a mirror of gold in our wake.

Oh! the rush and the rattle of fast-fleeing cattle,
Whose hoofs beat a mad rataplan on the earth;
Their hot headed flight in!  Who would not delight in
The gallop that seems to hold all that life is worth.

And over the rolling plains, slowly patrolling
To the sound of the cattle's monotonous tramp,
Till we hear the sharp pealing of stockwhips,
                 revealing
The fact that our comrades have put on the camp.

From the spot where they're drafting the wind rises,
                 wafting
The dust, till it hides man and beast from our gaze,
Till, suddenly lifting and easterly drifting,
We catch a short glimpse of the scene through the
                 haze.

What a blending and blurring of swiftly recurring
Colour and movement, that pass on their way
An intricate weaving of sights and sounds, leaving
An eager desire to take part in the fray:

A dusty procession, in circling succession,
Of bullocks that bellow in impotent rage;
A bright panorama, a soul stirring drama,
The sky for its background, the earth for its stage.

How well I remember that twelfth of November,
When Jack and his little mare, Vanity, fell;
On the Diamantina there never was seen a
Pair who could cut out a beast half so well.

And yet in one second Death's finger had beckoned,
And horse and bold rider had answered the call
Brooking no hesitation, without preparation,
That sooner or later must come to us all.

Thrice a big curly horned Cobb bullock had scorned
To meekly acknowledge the ruling of fate;
Thrice Jack with a clout of his whip cut him out,
But each time the beast galloped back to his mate.

Once more, he came blund'ring along, with Jack
                 thund'ring
Beside him, his spurs in poor Vanity's flanks,
As, from some cause or other forsaking its mother,
A little white calf trotted out from the ranks.

'Twas useless, I knew it, yet I turned to pursue it;
At the same time, I gave a loud warning to Jack:
It was all unavailing, I saw him come sailing
Along as the weaner ran into his track.

Little Vanity tried to turn off on one side,
Then altered her mind and attempted to leap;
The pace was too fast, that jump was her last,
For she and her rider fell all in a heap.

I was quickly down kneeling beside him, and feeling
With tremulous hand for th


Scheme XABA BCDC ECBF BGHXG XBFBF BIEI JKLMK MKXXK HNDN EIXI BADBA DBOBPO BQBQ LRPR HJPJ XCLC XSXS TBUHU XTBT XVXV BX
Poetic Form Tetractys  (21%)
Metre 01111101011 11010011 1100100110 1101011001 110010110010 01111101001 110111110010 0111111111 111010110 1100110111 111010010 1111011001 110110111010 01101001001 110110110010 1011011111 1 10101110111 100 11011011111 111110010110 01101101101 11001011010 1101111101 010110110010 1101000111 1011111011 111001001101 111111011111 1101010110 1 110100110100 101111001 11001101101 11100101101 1 1010010110110 101101101001 1011001010 011010110101 1010010111010 111011101 111010111010 010111111111 010010110010 10110101001 11101111 010 01110111101 10111100110 10 011111011101 110010010010 1101110110 1 1010010110010 101011111 110010110110 110010111001 0100100100010 11011001001 01010011010 0111101111 111010111010 11011011001 101110110 1111101111 010110110110 01011011001 10101001010 11011011111 10110111011 11001001011 11101111111 11101101111 111110111 1 011110111 1111110010110 01011101101 1101111111011 101111011011 111010111110 0110110111 101001111111 11001001011 0111111101 11001011001 1110110011010 11001111
Closest metre Iambic pentameter
Characters 4,100
Words 719
Sentences 21
Stanzas 21
Stanza Lengths 4, 4, 4, 5, 5, 4, 5, 5, 4, 4, 5, 6, 4, 4, 4, 4, 4, 5, 4, 4, 2
Lines Amount 90
Letters per line (avg) 35
Words per line (avg) 8
Letters per stanza (avg) 148
Words per stanza (avg) 34
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Submitted on May 13, 2011

Modified on March 05, 2023

3:38 min read
130

Barcroft Henry Thomas Boake

Barcroft Henry Thomas Boake was an Australian poet. more…

All Barcroft Henry Thomas Boake poems | Barcroft Henry Thomas Boake Books

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