Analysis of Eclogue the Second Hassan

William Taylor Collins 1721 (Sussex) – 1759 (Sussex)



SCENE, the Desert TIME, Mid-day
10   In silent horror o'er the desert-waste
The driver Hassan with his camels passed.
One cruse of water on his back he bore,
And his light scrip contained a scanty store;
A fan of painted feathers in his hand,
To guard his shaded face from scorching sand.
The sultry sun had gained the middle sky,
And not a tree and not an herb was nigh.
The beasts with pain their dusty way pursue,
Shrill roared the winds and dreary was the view!
20   With desperate sorrow wild, the affrighted man
Thrice sighed, thrice struck his breast, and thus began:
`Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
`Ah! little thought I of the blasting wind,
The thirst or pinching hunger that I find!
Bethink thee, Hassan, where shall thirst assuage,
When fails this cruse, his unrelenting rage?
Soon shall this scrip its precious load resign,
Then what but tears and hunger shall be thine?

30   `Ye mute companions of my toils, that bear
In all my griefs a more than equal share!
Here, where no springs in murmurs break away,
Or moss-crowned fountains mitigate the day,
In vain ye hope the green delights to know,
Which plains more blest or verdant vales bestow.
Here rocks alone and tasteless sands are found,
And faint and sickly winds for ever howl around.
Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
40   `Cursed be the gold and silver which persuade
Weak men to follow far-fatiguing trade.
The Lily-Peace outshines the silver store,
And life is dearer than the golden ore.
Yet money tempts us o'er the desert brown,
To every distant mart and wealthy town:
Full oft we tempt the land and oft the sea;
And are we only yet repaid by thee?
Ah! why was ruin so attractive made,
Or why fond man so easily betrayed?
50   Why heed we not, whilst mad we haste along,
The gentle voice of Peace or Pleasure's song?
Or wherefore think the flowery mountain's side,
The fountain's murmurs and the valley's pride,
Why think we these less pleasing to behold
Than dreary deserts, if they lead to gold?
Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
`O cease, my fears! all frantic as I go,
When thought creates unnumbered scenes of woe,

60   What if the lion in his rage I meet!
Oft in the dust I view his printed feet:
And fearful! oft, when Day's declining light
Yields her pale empire to the mourner Night,
By hunger roused, he scours the groaning plain,
Gaunt wolves and sullen tigers in his train:
Before them death with shrieks directs their way,
Fills the wild yell and leads them to their prey.
Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way!
70   `At that dead hour the silent asp shall creep,
If aught of rest I find, upon my sleep;
Or some swoll'n serpent twist his scales around,
And wake to anguish with a burning wound.
Thrice happy they, the wise contented poor,
From lust of wealth and dread of death secure.
They tempt no deserts and no griefs they find;
Peace rules the day, where reason rules the mind.
Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
80   `O hapless youth! for she thy love hath won,
The tender Zara, will be most undone!
Big swelled my heart and owned the powerful maid,
When fast she dropped her tears, as thus she said:
``Farewell the youth whom sighs could not detain,
``Whom Zara's breaking heart implored in vain;
``Yet as thou goest, may every blast arise,
``Weak and unfelt as these rejected sighs!
``Safe o'er the wild, no perils mayst thou see,
``No griefs endure, nor weep, false youth, like me.''
  O let me safely to the fair return,
Say with a kiss, she must not, shall not mourn.
Go teach my heart to lose its painful fears,
Recalled by Wisdom's voice and Zara's tears.'

He said, and called on heaven to bless the day,
When back to Schiraz' walls he bent his way.


Scheme axxbbccddeeffAAgghhii jjaakkllAAmmbbnnoommppqqrrAAkk ssttuuaaAAvvllxxggAAwwmxuuxxooxxxx aa
Poetic Form
Metre 1010111 01010100101 0100111101 1111011111 0111010101 0111010011 1111011101 0101110101 0101011111 0111110101 1101010101 110101011 1111110101 11010010101 111111111 1101110101 0111010111 110111101 111110101 1111110101 1111010111 1101011111 0111011101 1111010101 111101001 0111010111 1111110101 1101010111 010101110101 11010010101 111111111 1101010101 1111010101 010110101 0111010101 11011100101 11001010101 1111010101 0111010111 1111010101 1111110001 1111111101 010111111 1110100101 011000101 1111110101 1101011111 11010010101 111111111 1111110111 11011111 1101001111 1001111101 0101110101 10110010101 11011100101 1101010011 0111110111 1011011111 11010010101 111111111 11110010111 1111110111 1111011101 0111010101 1101010101 1111011101 1111001111 1101110101 11010010101 111111111 1101111111 0101011101 11110101001 1111011111 101111101 111010101 11111100101 101110101 11001110111 1101111111 1111010101 1101111111 1111111101 01111011 11011101101 111111111
Closest metre Iambic pentameter
Characters 3,929
Words 725
Sentences 38
Stanzas 4
Stanza Lengths 21, 30, 34, 2
Lines Amount 87
Letters per line (avg) 35
Words per line (avg) 8
Letters per stanza (avg) 762
Words per stanza (avg) 184
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Submitted on May 13, 2011

Modified on March 05, 2023

3:40 min read
64

William Taylor Collins

William Collins was an English poet. Second in influence only to Thomas Gray, he was an important poet of the middle decades of the 18th century. more…

All William Taylor Collins poems | William Taylor Collins Books

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