Analysis of Thespis: Act I
William Schwenck Gilbert 1836 – 1911
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT I - Ruined Temple on the Summit of Mount Olympus
[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]
CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.
SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.
[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the
chorus, she takes these things off and discovers herself dressed
in the usual costume of the Lunar Diana, the goddess of the moon.
DIA. [shuddering] Ugh. How cold the nights are. I don't know how
it is, but I seem to feel the night air a good deal more than I
used to. But it is time for the sun to be rising. [Calls] Apollo.
AP. [within] Hollo.
DIA. I've come off duty--it's time for you to be getting up.
[Enter Apollo. He is an elderly "buck" with an air of assumed
juvenility and is dressed in dressing gown and smoking cap.
AP. [yawning] I shan't go out today. I was out yesterday and the
day before and I want a little rest. I don't know how it is,but I
seem to feel my work a great deal more than I used to.
DIA. I am sure these short days can't hurt you. Why you don't
rise til six and you're in bed again by five; you should have a
turn at my work and see how you like that--out all night.
AP. My dear sister, I don't envy you--though I remember when I
did--but that was when I was a younger sun. I don't think I'm
quite well. Perhaps a little change of air will do me good. I've
a mind to show myself in London this winter. They'll be very glad
to see me. No. I shan't go out today. I shall send them this
fine, thick wholesome fog and they won't miss me. It's the best
substitute for a blazing sun--and like most substitutes, nothing
at all like the real thing.
[Fog clears away and discovers the scene described. Hurried
music. Mercury shoots up from behind precipice at the back of
stage. He carries several parcels afterwards described. He sits
down, very much fatigued.]
MER. Home at last. A nice time I've had of it.
DIA. You young scamp you've been out all night again. This is the
third time you've been out this week.
MER. Well you're a nice one to blow me up for that.
DIA. I can't help being out all night.
MER. And I can't help being down all night. The nature of Mercury
requires that he should go down when the sun sets, and rise again
when the sun rises.
DIA. And what have you been doing?
MER. Stealing on commission. There's a set of false teeth and a
box of Life Pills for Jupiter--an invisible peruke and a bottle
of hair dye--that's for Apollo--a respirator and a pair of
galoshes--that's for Cupid--a full bottomed chignon, some
auricomous fluid, a box of pearl-powder, a pot of rouge, and a
hare's foot--that's for Venus.
DIA. Stealing. You ought to be ashamed of yourself.
MER. Oh, as the god of thieves I must do something to justify my
position.
DIA.and AP. [contemptuously] Your position.
MER. Oh, I know it's nothing to boast of even on earth. Up here,
it's simply contemptible. Now that you gods are too old for your
work, you've made me the miserable drudge of Olympus--groom,
valet, postman, butler, commissionaire, maid of all work, parish
beadle, and original dustman.
AP. Your Christmas boxes ought to be something considerable
Scheme | AAAAB CDDCCDCABD C EXDECAAXXX CCCC DDFF BGGAD XHI I X AX GHA AGA HXXACAFF AECA A GX A A BDC F GJEXGC X HD D XXXXD J |
---|---|
Poetic Form | |
Metre | 10011 01011 111 01011 100 1 1 1 1 1 11 1 1 10 1 111010101011010 1010100101011101 10101001010011 10100101110011010110 101011101011011 11001101010101 11100010101101101 01001001010101010 10111110110111 110010111011101 101011111 11010010 1101110010 11111110 110110010 11011111110 111111010 110111010 01111110 10101001011001011100 1101110001110010 1000010010101100 10111110010011 00100011010010010101 1011110111111 1111111011011111 11111110111101010 111 1011110111111101 100101111001111101 101101010101 1111111011111000 10101101011111111 1111101111111 10111111111111 111010101111110 1111011111111 11110111011101011 111111101011111 110101011111111 0111101011011101 1111111110111111 1110101111101 10101010111010 111011 11010010010110 10100111011001011 111010101000111 110101 11110111111 101111111101110 1111111 111011111111 1011110111 10111101110101100 0101111110110101 10110 100111110 110101010111100 111111001010010010 1111101001000011 0101110011011 110011110011100 111110 1010111101101 1110111111101101 010 1111010 1111110111101111 1100100111111111 111101000110101 0110101111110 100010010 1110101111001000 |
Closest metre | Iambic hexameter |
Characters | 4,254 |
Words | 773 |
Sentences | 88 |
Stanzas | 27 |
Stanza Lengths | 5, 10, 1, 10, 4, 4, 5, 3, 1, 1, 2, 3, 3, 8, 4, 1, 2, 1, 1, 3, 1, 6, 1, 2, 1, 5, 1 |
Lines Amount | 89 |
Letters per line (avg) | 37 |
Words per line (avg) | 9 |
Letters per stanza (avg) | 120 |
Words per stanza (avg) | 29 |
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Submitted on May 13, 2011
Modified on March 05, 2023
- 4:01 min read
- 98 Views
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