Analysis of The Sorcerer: Act II



Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers  

(Twelve hours are supposed to elapse between Acts I and II)

ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight

Scene--Exterior of Sir Marmaduke's mansion by moonlight.  All the
     peasantry are discovered asleep on the ground, as at the end
     of Act I.

Enter Mr. Wells, on tiptoe, followed by Alexis and Aline. Mr. Wells
     carries a dark lantern.

TRIO--ALEXIS, ALINE, and MR. WELLS

'Tis twelve, I think,
                      And at this mystic hour
                 The magic drink
                      Should manifest its power.
                 Oh, slumbering forms,
                      How little ye have guessed
                 That fire that warms
                      Each apathetic breast!

ALEXIS.           But stay, my father is not here!

ALINE.            And pray where is my mother dear?

MR. WELLS.        I did not think it meet to see
                 A dame of lengthy pedigree,
                 A Baronet and K.C.B.
                 A Doctor of Divinity,
                 And that respectable Q.C.,
                 All fast asleep, al-fresco-ly,
                 And so I had them taken home
                 And put to bed respectably!
                 I trust my conduct meets your approbation.

ALEXIS.           Sir, you have acted with discrimination,
                 And shown more delicate appreciation
                 Than we expect of persons of your station.

MR. WELLS.        But stay--they waken one by one --
                 The spell has worked--the deed is done!
                 I would suggest that we retire
                 While Love, the Housemaid, lights her kitchen
                      fire!

(Exeunt Mr. Wells, Alexis and Aline, on tiptoe, as the villagers
     stretch their arms, yawn, rub their eyes, and sit up.)

MEN.        Why, where be oi, and what be oi a doin',
                 A sleepin' out, just when the dews du rise?
GIRLS.      Why, that's the very way your health to ruin,
                 And don't seem quite respectable likewise!
MEN (staring at girls).      Eh, that's you!
                                  Only think o' that now!
GIRLS (coyly).               What may you be at, now?
                                  Tell me, du!
MEN (admiringly).            Eh, what a nose,
                                  And eh, what eyes, miss!
                            Lips like a rose,
                                  And cheeks likewise, miss!
GIRLS (coyly).               Oi tell you true,
                                  Which I've never done, sir,
                            Oi loike you
                                  As I never loiked none, sir!
ALL.                         Eh, but oi du loike you!
MEN.                         If you'll marry me, I'll dig for you and
                                  rake for you!
GIRLS.                       If you'll marry be, I'll scrub for you
                                  and bake for you!
MEN.                         If you'll marry me, all others I'll
                                  forsake for you!
ALL.                               All this will I du, if you marry
                                        me!
GIRLS.                       If you'll marry me, I'll cook for you
                                  and brew for you!
MEN.                         If you'll marry me, I've guineas not a
                                  few for you!
GIRLS.                       If you'll marry me, I'll take you in and
                                  du for you!
ALL.                         All this will I du, if you'll marry me!
                                  Eh, but I do loike you!

(At end of dance, enter Constance in tears, leading Notary, who
     carries an ear-trumpet)

Dear friends, take pity on my lot,
                      My cup is not of nectar!
                 I long have loved--as who would not?--
                      Our kind and reverend r


Scheme A B X C X D E E C F X GXF HX H IEIEJKJK X X LLXLIXXLB BBB BBXBE CX BMBMNOONPDPDNENENQNNNXNLLNNGNQNLN NA RERX
Poetic Form Tetractys  (26%)
Metre 11011100100 010101111 1101011 110011110011100100 101010110100 0101011010 10101100 10010 101100 110101101011101 1111110101 101001110101110 1001010011011101 111 1010111101010001101 100110 1010010101 1111 0111010 0101 110110 11001 110111 11011 10101 01011110111 0101111101 10111111111 01110100 010001 01010100 0101001 11011101 01111101 01110100 1110111010 0101111010010 0111000010 11011101110 10111110111 01110111 11011101 11011010 10 11010100011110100 1111111011 11111011101 011110111 111010111110 011101001 11011111 101111 110111111 111 101001101 01111 1101 0111 1101111 111011 111 1110111 1111111 11110111110 111 1111011111 0111 1111011101 0111 1111111110 1 1111011111 0111 11110111010 111 11110111100 111 11111111101 111111 1111101001101001 101110 11110111 1111110 11111111 10101001
Closest metre Iambic tetrameter
Characters 4,310
Words 536
Sentences 72
Stanzas 24
Stanza Lengths 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 3, 2, 1, 8, 1, 1, 9, 3, 5, 2, 33, 2, 4
Lines Amount 85
Letters per line (avg) 25
Words per line (avg) 10
Letters per stanza (avg) 90
Words per stanza (avg) 35
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Submitted on May 13, 2011

Modified on March 05, 2023

2:46 min read
53

William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

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