Analysis of The Dance Of The Seven Deadly Sins



Of Februar the fiftene nicht
Full lang before the dayis licht
I lay intill a trance
And then I saw baith Heaven and Hell
Me thocht, amang the fiendis fell
Mahoun gart cry ane dance
Of shrews that were never shriven,
Agains the feast of Fastern's even,
To mak their observance.
He bad gallants gae graith a gyis,
And cast up gamountis in the skies,
As varlets do in France.

Helie harlots on hawtane wise,
Come in with mony sundry guise,
But yet leuch never Mahoun,
While priests come in with bare shaven necks;
Then all the fiends leuch, and made gecks,
Black-Belly and Bawsy Brown.

Let see, quoth he, now wha begins:
With that the foul Seven Deadly Sins
Begoud to leap at anis.
And first of all in Dance was Pride,
With hair wyld back, and bonnet on side,
Like to make vaistie wanis;
And round about him, as a wheel,
Hang all in rumples to the heel
His kethat for the nanis:7
Mony proud trumpour with him trippit;
Through scalding fire, aye as they skippit
They girned with hideous granis.

Then Ire came in with sturt and strife;
His hand was aye upon his knife,
He brandished like a beir:
Boasters, braggars, and bargainers,
After him passit in to pairs,
All bodin in feir of weir;
In jacks, and scryppis, and bonnets of steel,
Their legs were chainit to the heel,
Frawart was their affeir:
Some upon other with brands beft,
Some jaggit others to the heft,
With knives that sharp could shear.

Next in the Dance followit Envy,
Filled full of feud and felony,
Hid malice and despite:
For privy hatred that traitor tremlit;
Him followit mony freik dissemlit,
With fenyeit wordis quhyte:
And flatterers in to men's faces;
And backbiters in secret places,
To lie that had delight;
And rownaris of false lesings,
Alace! that courts of noble kings
Of them can never be quit.

Next him in Dance came Covetyce,
Root of all evil, and ground of vice,
That never could be content:
Catives, wretches, and ockeraris,
Hudpikes, hoarders, gatheraris,
All with that warlock went:
Out of their throats they shot on other
Het, molten gold, me thocht, a futher
As fire-flaucht maist fervent;
Aye as they toomit them of shot,
Fiends filled them new up to the throat
With gold of all kind prent.

Syne Sweirness, at the second bidding,
Came like a sow out of a midding,
Full sleepy was his grunyie:
Mony swear bumbard belly huddroun,
Mony slut, daw, and sleepy duddroun,
Him servit aye with sonnyie;
He drew them furth intill a chain,
And Belial with a bridle rein
Ever lashed them on the lunyie:
In Daunce they were so slaw of feet,
They gave them in the fire a heat,
And made them quicker of cunyie.

Then Lechery, that laithly corpse,
Came berand like ane baggit horse,
And Idleness did him lead;
There was with him ane ugly sort,
And mony stinking foul tramort,
That had in sin been dead:
When they were enterit in the Dance,
They were full strange of countenance,
Like torches burning red.

Then the foul monster, Gluttony,
Of wame insatiable and greedy,
To Dance he did him dress:
Him followit mony foul drunkart,
With can and collop, cup and quart,
In surfit and excess;
Full mony a waistless wally-drag,
With wames unweildable, did furth wag,
In creesh that did incress:
Drink! aye they cried, with mony a gaip,
The fiends gave them het lead to laip,
Their leveray was na less.

Nae minstrels played to them but doubt,
For gleemen there were halden out,
Be day, and eke by nicht;
Except a minstrel that slew a man,
So to his heritage he wan,
And enterit by brieve of richt.
Then cried Mahoun for a Hieland Padyane:
Syne ran a fiend to fetch Makfadyane,
Far northwast in a neuck;
Be he the coronach had done shout,
Ersche men so gatherit him about,
In hell great room they took:
Thae tarmigants, with tag and tatter,
Full loud in Ersche begoud to clatter,
And roup like raven and rook.
The Devil sae deaved was with their yell;
That in the deepest pot of hell
He smorit them with smoke!


Scheme AABCCBDDEBFB FFDXBD GGBAABHHBAAB IIJXXJHHJAAJ XDAAAAKKABXA BXABBAJJAAAA LLMDDMDDMAAM XXAAAABEA DANAANOOBPPN AAADDADDLAAQJJQCCX
Poetic Form
Metre 11011 1101011 11101 011111001 111011 11111 1110101 1011110 111010 1111101 0111001 11101 101111 10110101 111101 111011101 11011011 110011 11111101 110110101 11111 01110111 111101011 11111 01011101 1101101 11101 1011111 110101111 1111001 11101101 11110111 110101 110100 1011011 1100111 01010111 1101101 1111 10110111 1110101 111111 1001110 11110100 110001 110101101 111011 1111 0101110 0101010 111101 01111 1111101 1111011 110111 111100111 1101110 1101 111 11111 111111110 110111010 1101110 1111111 11111101 111111 11101010 11011101 110111 1011101 10110101 11111 1111101 0110101 1011101 01101111 111001001 0111011 11111 111111 0100111 11111101 0101011 110111 1101001 10111100 110101 10110100 110100010 111111 111011 1101101 0101 11001101 111111 01111 111111001 01111111 11111 11011111 1110101 110111 010101101 11110011 011111 1111011 1101111 11001 1101111 1111101 011111 1111010 11011110 0111001 010111111 10010111 11111
Closest metre Iambic tetrameter
Characters 3,790
Words 715
Sentences 27
Stanzas 10
Stanza Lengths 12, 6, 12, 12, 12, 12, 12, 9, 12, 18
Lines Amount 117
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 303
Words per stanza (avg) 70
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Submitted on May 13, 2011

Modified on April 20, 2023

3:35 min read
274

William Dunbar

William Dunbar (born 1459 or 1460–died by 1530) was a Scottish makar poet active in the late fifteenth century and the early sixteenth century. He was closely associated with the court of King James IV and produced a large body of work in Scots distinguished by its great variation in themes and literary styles. He was likely a native of East Lothian, as assumed from a satirical reference in The Flyting of Dumbar and Kennedie. His surname is also spelt Dumbar.  more…

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