Analysis of In Memory of Major Robert Gregory



Now that we're almost settled in our house
I'll name the friends that cannot sup with us
Beside a fire of turf in th' ancient tower,
And having talked to some late hour
Climb up the narrow winding stairs to bed:
Discoverers of forgotten truth
Or mere companions of my youth,
All, all are in my thoughts to-night being dead.

Always we'd have the new friend meet the old
And we are hurt if either friend seem cold,
And there is salt to lengthen out the smart
In the affections of our heart,
And quarrels are blown up upon that head;
But not a friend that I would bring
This night can set us quarrelling,
For all that come into my mind are dead.

Lionel Johnson comes the first to mind,
That loved his learning better than mankind.
Though courteous to the worst; much falling he
Brooded upon sanctity
Till all his Greek and Latin learning seemed
A long blast upon the horn that brought
A little nearer to his thought
A measureless consummation that he dreamed.

And that enquiring man John Synge comes next,
That dying chose the living world for text
And never could have rested in the tomb
But that, long travelling, he had come
Towards nightfall upon certain set apart
In a most desolate stony place,
Towards nightfall upon a race
Passionate and simple like his heart.

And then I think of old George Pollexfen,
In muscular youth well known to Mayo men
For horsemanship at meets or at racecourses,
That could have shown how pure-bred horses
And solid men, for all their passion, live
But as the outrageous stars incline
By opposition, square and trine;
Having grown sluggish and contemplative.

They were my close companions many a year.
A portion of my mind and life, as it were,
And now their breathless faces seem to look
Out of some old picture-book;
I am accustomed to their lack of breath,
But not that my dear friend's dear son,
Our Sidney and our perfect man,
Could share in that discourtesy of death.

For all things the delighted eye now sees
Were loved by him: the old storm-broken trees
That cast their shadows upon road and bridge;
The tower set on the stream's edge;
The ford where drinking cattle make a stir
Nightly, and startled by that sound
The water-hen must change her ground;
He might have been your heartiest welcomer.

When with the Galway foxhounds he would ride
From Castle Taylor to the Roxborough side
Or Esserkelly plain, few kept his pace;
At Mooneen he had leaped a place
So perilous that half the astonished meet
Had shut their eyes; and where was it
He rode a race without a bit?
And yet his mind outran the horses' feet.

We dreamed that a great painter had been born
To cold Clare rock and Galway rock and thorn,
To that stern colour and that delicate line
That are our secret discipline
Wherein the gazing heart doubles her might.
Soldier, scholar, horseman, he,
And yet he had the intensity
To have published all to be a world's delight.

What other could so well have counselled us
In all lovely intricacies of a house
As he that practised or that understood
All work in metal or in wood,
In moulded plaster or in carven stone?
Soldier, scholar, horseman, he,
And all he did done perfectly
As though he had but that one trade alone.

Some burn damp faggots, others may consume
The entire combustible world in one small room
As though dried straw, and if we turn about
The bare chimney is gone black out
Because the work had finished in that flare.
Soldier, scholar, horseman, he,
As 'twere all life's epitome.
What made us dream that he could comb grey hair?

I had thought, seeing how bitter is that wind
That shakes the shutter, to have brought to mind
All those that manhood tried, or childhood loved
Or boyish intellect approved,
With some appropriatc commentary on each;
Until imagination brought
A fitter welcome; but a thought
Of that late death took all my heart for speech.


Scheme abccdeed ffggdhhd iijjkllk mmnxgoog ppaxxppx xcqqrppr ssxxcttc uuoovwwv ppppxJjx bayypJjp nnzz1 jj1 iixx2 ll2
Poetic Form
Metre 1111100101 1101110111 01010110111010 010111110 1101010111 110101 11010111 11101111101 111011101 0111110111 0111110101 000101101 0101110111 11011111 111111 1111011111 1001010111 1111010111 11001011101 1001100 1111010101 011010111 01010111 01010111 01111111 1101010111 0101110001 111100111 0110110101 001100101 0110101 100010111 01111111 01001111101 110011111 111111110 0101111101 110010101 1010101 1011000100 10110101001 01011101110 0111010111 1111101 1101011111 11111111 1010010011 1101111 1110010111 0111011101 111101101 01011011 0111010101 10010111 01011101 111111001 110101111 11010101001 1111111 1111101 11001100101 11110111 11010101 0111010101 1110110111 1111010101 1111011001 111010100 0101011001 1010101 011100100 11101110101 110111111 01101000101 11111101 11010101 01101011 1010101 01111100 1111111101 111110101 0010110111 1111011101 01101111 0101110011 1010101 11110100 1111111111 11110110111 1101011111 11111111 1101001 11110011 0100101 01010101 1111111111
Closest metre Iambic pentameter
Characters 3,817
Words 689
Sentences 20
Stanzas 12
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 96
Letters per line (avg) 32
Words per line (avg) 7
Letters per stanza (avg) 253
Words per stanza (avg) 57
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Submitted on May 13, 2011

Modified on May 02, 2023

3:29 min read
465

William Butler Yeats

William Butler Yeats was an Irish poet and one of the foremost figures of 20th century literature. more…

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