Analysis of Gloria Mundi

Walter de la Mare 1873 (Charlton, London) – 1956 (Twickenham)



Upon a bank, easeless with knobs of gold,
Beneath a canopy of noonday smoke,
I saw a measureless Beast, morose and bold,
With eyes like one from filthy dreams awoke,
Who stares upon the daylight in despair
For very terror of the nothing there.

This beast in one flat hand clutched vulture-wise
A glittering image of itself in jet,
And with the other groped about its eyes
To drive away the dreams that pestered it;
And never ceased its coils to toss and beat
The mire encumbering its feeble feet.

Sharp was its hunger, though continually
It seemed a cud of stones to ruminate,
And often like a dog let glittering lie
This meatless fare, its foolish gaze to sate;
Once more convulsively to stoop its jaw,
Or seize the morsel with an envious paw.

Indeed, it seemed a hidden enemy
Must lurk within the clouds above that bank,
It strained so wildly its pale, stubborn eye,
To pierce its own foul vapours dim and dank;
Till, wearied out, it raved in wrath and foam,
Daring that Nought Invisible to come.

Ay, and it seemed some strange delight to find
In this unmeaning din, till, suddenly,
As if it heard a rumour on the wind,
Or far away its freer children cry,
Lifting its face made-quiet, there it stayed,
Till died the echo its own rage had made.

That place alone was barren where it lay;
Flowers bloomed beyond, utterly sweet and fair;
And even its own dull heart might think to stay
In livelong thirst of a clear river there,
Flowing from unseen hills to unheard seas,
Through a still vale of yew and almond trees.

And then I spied in the lush green below
Its tortured belly, One, like silver, pale,
With fingers closed upon a rope of straw,
That bound the Beast, squat neck to hoary tail;
Lonely in all that verdure faint and deep,
He watched the monster as a shepherd sheep.

I marvelled at the power, strength, and rage
Of this poor creature in such slavery bound;
Fettered with worms of fear; forlorn with age;
Its blue wing-stumps stretched helpless on the ground;
While twilight faded into darkness deep,
And he who watched it piped its pangs asleep.


Scheme ABABCC DXDXEE FGHGII FJHJXX KFKHLL MCMCNN XOIOPP QRQRPP
Poetic Form
Metre 010111111 010100111 110110101 1111110101 110101001 1101010101 1101111101 01001010101 0101010111 1101011101 0101111101 0111101 11110101000 110111110 01010111001 1101110111 1111111 11010111001 0111010100 1101010111 1111011101 111111101 1101110101 1011010011 1011110111 01111100 111100101 1101110101 1011110111 1101011111 1101110111 10101100101 01011111111 011101101 1010111011 1011110101 0111001101 1101011101 1101010111 1101111101 100111101 1101010101 111010101 11110011001 1011110111 1111110101 111001101 0111111101
Closest metre Iambic pentameter
Characters 2,064
Words 375
Sentences 9
Stanzas 8
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6
Lines Amount 48
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 203
Words per stanza (avg) 47
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Submitted on May 13, 2011

Modified on April 02, 2023

1:52 min read
63

Walter de la Mare

Walter John de la Mare was an English poet short story writer and novelist best remembered for his works for children and The Listeners He was born in Kent and was educated at St Pauls Cathedral School His first book Songs of Childhood was published under the name Walter Ramal His 1921 novel Memoirs of a Midget won the James Tait Black Memorial Prize for fiction more…

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