Analysis of The Old Man’s Love



[HERNANI, Act III.]

O mockery! that this halting love
That fills the heart so full of flame and transport,
Forgets the body while it fires the soul!
If but a youthful shepherd cross my path,
He singing on the way--I sadly musing,
He in his fields, I in my darksome alleys--
Then my heart murmurs: 'O, ye mouldering towers!
Thou olden ducal dungeon! O how gladly
Would I exchange ye, and my fields and forests,
Mine ancient name, mine ancient rank, my ruins--
My ancestors, with whom I soon shall lie,
For _his_ thatched cottage and his youthful brow!'
His hair is black--his eyes shine forth like _thine_.
Him thou might'st look upon, and say, fair youth,
Then turn to me, and think that I am old.
And yet the light and giddy souls of cavaliers
Harbor no love so fervent as their words bespeak.
Let some poor maiden love them and believe them,
Then die for them--they smile. Aye! these young birds,
With gay and glittering wing and amorous song,
Can shed their love as lightly as their plumage.
The old, whose voice and colors age has dimmed,
Flatter no more, and, though less fair, are faithful.
When _we_ love, we love true. Are our steps frail?
Our eyes dried up and withered? Are our brows
Wrinkled? There are no wrinkles in the heart.
Ah! when the graybeard loves, he should be spared;
The heart is young--_that_ bleeds unto the last.
I love thee as a spouse,--and in a thousand
Other fashions,--as sire,--as we love
The morn, the flowers, the overhanging heavens.
Ah me! when day by day I gaze upon thee,
Thy graceful step, thy purely-polished brow,
Thine eyes' calm fire,--I feel my heart leap up,
And an eternal sunshine bathe my soul.
And think, too! Even the world admires,
When age, expiring, for a moment totters
Upon the marble margin of a tomb,
To see a wife--a pure and dove-like angel--
Watch over him, soothe him, and endure awhile
The useless old man, only fit to die;
A sacred task, and worthy of all honor,
This latest effort of a faithful heart;
Which, in his parting hour, consoles the dying,
And, without loving, wears the look of love.
Ah! thou wilt be to me this sheltering angel,
To cheer the old man's heart--to share with him
The burden of his evil years;--a daughter
In thy respect, a sister in thy pity.

DONNA SOL. My fate may be more to precede than follow.
My lord, it is no reason for long life
That we are young! Alas! I have seen too oft
The old clamped firm to life, the young torn thence;
And the lids close as sudden o'er their eyes
As gravestones sealing up the sepulchre.


Scheme X AXBXCDXEXFGHXXXXXXXXXXIXXJXXXAFEHXBXDXIXGKJCAIXKE XXXXXH
Poetic Form
Metre 111 110011101 11011111001 01010111001 1101010111 11010111010 1011101110 1111011110 11010101110 11011011010 11011101110 110111111 1111001101 1111111111 11111010111 1111011111 01010101101 101111011101 11110110011 1111111111 110100101001 11111101110 0111010111 10110111110 11111111011 101110101101 1011110001 1101011111 0111111001 11110100010 1010110111 01010010010 11111111011 1101110101 11110111111 010101111 011100101 1101010101 0101010101 11010101110 11011100101 0101110111 01010101110 1101010101 101101001010 0011010111 111111110010 1101111111 01011101010 01010100110 10111111101110 1111110111 11110111111 0111110111 00111101011 1110101
Closest metre Iambic pentameter
Characters 2,464
Words 468
Sentences 33
Stanzas 3
Stanza Lengths 1, 49, 6
Lines Amount 56
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 641
Words per stanza (avg) 153
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Submitted on May 13, 2011

Modified on March 05, 2023

2:21 min read
70

Victor Marie Hugo

Victor Marie Hugo was a French poet, novelist, and dramatist of the Romantic movement. He is considered one of the greatest and best known French writers. In France, Hugo's literary fame comes first from his poetry but also rests upon his novels and his dramatic achievements. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem. Outside France, his best-known works are the novels Les Misérables, 1862, and Notre-Dame de Paris, 1831. Though a committed royalist when he was young, Hugo's views changed as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. He was buried in the Panthéon. more…

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