Analysis of Satyr II. To T:--- M.---y. On Law.



Health & advice an old acquaintance sends,
Health & advice, the wish & debt of friends,
Tis fitt I teach the templar how to thrive,
Who teaches me with temperance to live.
Be still then murmuring Clients for a while,
Ye noisy four Court walls awhile be still,
Splitt with hard banter, & the Lawyers tongue,
Now Give a gentler Eccho to my song.
Of Law I sing, inspire my weaker pen,
Lost Suits, & pleaders little usd to gain.

That angry Justice to her heaven went
There seems not so confessd an argument,
As Lawyers thriving in her name below,
When were she here again, again she'd go.
Thus courtiers, if a Kings from care wthdrawn,
Rise without meritt, & with fraud rule on.

All Law was conscience once, unmixd wth tricks,
Found out by interest, or for politicks:
To his award each happy village stands,
Whose awfull virtue most respect commands,
Nor bribes, nor favour swayd the rigid man,
But all his acts in golden order ran;
Till love of gain, or fame, found out ye croud,
& rose by seeming good, above the good.
From this gross error to relieve their lands
Projecting patriots gave their helping hands:
Then Laws were putt in writing, courts were reard,
& Men for forehead, & strong lungs preferrd,
A friend or whore became a heightning clause,
& mony grew the meritt of the cause.

Woud you be taught your paths of gain to tread,
But man wants little teaching to be bad,
Gett impudence, each nation has its share,
Or something which does wondrous like appear,
Scotch confidence, the vanity of France,
The surly English air, the Irish ignorance,
All stand for this, or up to this advance.
Letts hear the other side, the Judge commands,
& Tully rises with his brief in hand,
Tully so known, so little heard of late,
But bauling Matho wont give over yet,
Forbid & shameless still he quotes ye lawes
Till want of time & his unceasing noise,
Staves of a Judgement or obtains the cause.
Thus what the first of every term he gaines,
So great a family so well maintaines.
Poor modesty, as old records declare,
Was starvd to death behind the foremost barr.
Have many words, nor spare ye breath you sell,
Your Clients pleasd you labour, tho' you fail;
Hence fluent Nevolus his great success,
Smoothly he utters, finds his words with ease,
his reasons places in the clearest light,
& pleads with humour, where he has not right.
Livy, whose country talks upon his words,
Shows reason, reason if the cause affords,
& by his happy fault of speaking long
Makes some believe he shows it in ye wrong.
Your terms are too of wondrous consequence,
To dazzle ignorance, & puzzle sence.
& many private tricks besides are known,
Which practise finds, or custom has sett down.
Young Brutus, who so quickly came in play,
To gainfull fame found this effectuall way,
In formâ pauperis much he undertook,
As men who fish take worm upon ye hook,
& to be often heard, for nothing often spoke.
With this last rule I close my whole advice,
Take all you can, he looses who deny's,
Who by one side is usd may honest be,
But he is rich who takes of both his fee.
& least you want a story of your art,
Hear how began this double-dealing part.

In times of yore, & Æsops vocall grove,
When fingers talkd of something else then Love,
The hands fell out, the plaintiff, left maintaind,
The right in all things tho unjustly reignd.
Then this her plea, that had her answer heard,
This brought deponents, that Cross bills preferrd.
After a Long debate to make them pay,
(for you as well may hope to gett away,
for nought, as allmost nought) the Judges say,
What ere the world in other things intends,
To shew how much we wish relations friends,
As often as we can, the court decrees,
To use you both alike in taking fees


Scheme AABBXXXCDX EXFFDX XAGGHHEXGGEEIJ XXKXLMLGXXXIXJXAKXXXXNOOXXCCMAXXPPQQXXARRSS XXEEXEPPPAANN
Poetic Form
Metre 101110101 10101111 1111010111 1101110011 11110010101 1101110111 111100101 110101111 1111011101 11110111 1101010101 111111100 1101000101 1011010111 1100101111 101101111 111101111 11110111 1101110101 111010101 111110101 1111010101 1111111111 111010101 1111010111 01010011101 1101010101 1110111 011101011 101010101 1111111111 1111010111 11110111 1101110101 1100010011 010101010100 1111111101 1101010101 101011101 1011110111 11111101 011011111 111110101 1101010101 11011100111 110100111 1100110101 111101011 1101111111 110111111 11011101 1011011111 1101000101 11111111 111010111 1101010101 111011101 1101111011 1111110100 110100101 101010111 111110111 1101110101 1111111 0111101 1111110111 11101110101 1111111101 111111011 1111111101 1111111111 111010111 1101110101 0111111 1101110111 011101011 0101110101 1101110101 1111111 1001011111 1111111101 111110101 1101010101 1111110101 1101110101 1111010101
Closest metre Iambic pentameter
Characters 3,609
Words 676
Sentences 21
Stanzas 5
Stanza Lengths 10, 6, 14, 43, 13
Lines Amount 86
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 572
Words per stanza (avg) 135
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Submitted on May 13, 2011

Modified on March 05, 2023

3:23 min read
110

Thomas Parnell

Thomas Parnell was an Anglo-Irish poet and clergyman who was a friend of both Alexander Pope and Jonathan Swift. He was the son of Thomas Parnell of Maryborough, Queen's County now Port Laoise, County Laoise}, a prosperous landowner who had been a loyal supporter of Cromwell during the English Civil War and moved to Ireland after the restoration of the monarchy. Thomas was educated at Trinity College, Dublin and collated archdeacon of Clogher in 1705. He however spent much of his time in London, where he participated with Pope, Swift and others in the Scriblerus Club, contributing to The Spectator and aiding Pope in his translation of The Iliad. He was also one of the so-called "Graveyard poets": his 'A Night-Piece on Death,' widely considered the first "Graveyard School" poem, was published posthumously in Poems on Several Occasions, collected and edited by Alexander Pope and is thought by some scholars to have been published in December of 1721 (although dated in 1722 on its title page, the year accepted by The Concise Oxford Chronology of English Literature; see 1721 in poetry, 1722 in poetry). It is said of his poetry 'it was in keeping with his character, easy and pleasing, ennunciating the common places with felicity and grace. more…

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