Analysis of Bianca's Dream - A Venetian Story



BIANCA!—fair Bianca!—who could dwell
With safety on her dark and hazel gaze,
Nor find there lurk'd in it a witching spell,
Fatal to balmy nights and blessed days?
The peaceful breath that made the bosom swell,
She turn'd to gas, and set it in a blaze;
Each eye of hers had Love's Eupyrion in it,
That he could light his link at in a minute.

So that, wherever in her charms she shone,
A thousand breasts were kindled into flame;
Maidens who cursed her looks forgot their own,
And beaux were turn'd to flambeaux where she
came;
All hearts indeed were conquer'd but her own,
Which none could ever temper down or tame:
In short, to take our haberdasher's hints,
She might have written over it,—'from Flints.'

She was, in truth, the wonder of her sex,
At least in Venice—where with eyes of brown
Tenderly languid, ladies seldom vex
An amorous gentle with a needless frown;
Where gondolas convey guitars by pecks,
And Love at casements climbeth up and down,
Whom for his tricks and custom in that kind,
Some have considered a Venetian blind.

Howbeit, this difference was quickly taught,
Amongst more youths who had this cruel jailer,
To hapless Julio—all in vain he sought
With each new moon his hatter and his tailor;
In vain the richest padusoy he bought,
And went in bran new beaver to assail her—
As if to show that Love had made him smart
All over—and not merely round his heart.

In vain he labour'd thro' the sylvan park
Bianca haunted in—that where she came,
Her learned eyes in wandering might mark
The twisted cypher of her maiden name,
Wholesomely going thro' a course of bark:
No one was touched or troubled by his flame,
Except the Dryads, those old maids that grow
In trees,—like wooden dolls in embryo.

In vain complaining elegies he writ,
And taught his tuneful instrument to grieve,
And sang in quavers how his heart was split,
Constant beneath her lattice with each eve;
She mock'd his wooing with her wicked wit,
And slash'd his suit so that it matched his sleeve,
Till he grew silent at the vesper star,
And, quite despairing, hamstring'd his guitar.

Bianca's heart was coldly frosted o'er
With snows unmelting—an eternal sheet,
But his was red within him, like the core
Of old Vesuvius, with perpetual heat;
And oft he longed internally to pour
His flames and glowing lava at her feet,
But when his burnings he began to spout.
She stopp'd his mouth, and put the crater out.

Meanwhile he wasted in the eyes of men,
So thin, he seem'd a sort of skeleton-key
Suspended at death's door—so pale—and then
He turn'd as nervous as an aspen tree;
The life of man is three score years and ten,
But he was perishing at twenty-three,
For people truly said, as grief grew stronger,
'It could not shorten his poor life—much longer.'

For why, he neither slept, nor drank, nor fed,
Nor relished any kind of mirth below;
Fire in his heart, and frenzy in his head,
Love had become his universal foe,
Salt in his sugar—nightmare in his bed,
At last, no wonder wretched Julio,
A sorrow-ridden thing, in utter dearth
Of hope,—made up his mind to cut her girth!

For hapless lovers always died of old,
Sooner than chew reflection's bitter cud;
So Thisbe stuck herself, what time 'tis told,
The tender-hearted mulberries wept blood;
And so poor Sappho when her boy was cold,
Drown'd her salt tear drops in a salter flood,
Their fame still breathing, tho' their breath be past,
For those old suitors lived beyond their last.

So Julio went to drown,—when life was dull,
But took his corks, and merely had a bath;
And once he pull'd a trigger at his skull,
But merely broke a window in his wrath;
And once, his hopeless being to annul,
He tied a pack-thread to a beam of lath,
A line so ample, 'twas a query whether
'Twas meant to be a halter or a tether.

Smile not in scorn, that Julio did not thrust
His sorrows thro'—'tis horrible to die!
And come down, with our little all of dust,
That dun of all the duns to satisfy:
To leave life's pleasant city as we must,
In Death's most dreary spunging-house to lie,
Where even all our personals must go
To pay the debt of nature that we owe!

So Julio liv'd:—'twas nothing but a pet
He took at life—a momentary spite;
Besides, he hoped that time would some day get
The better of love's flame, howover bright;
A thing that time has never compass'd yet,
For love, we know, is an immortal light.
Like that old fire, that, quite be


Scheme ABABABCX DEDFEDEGG HIHIBIJJ KLKLXLMM NENENEOO CPCPCPQQ LRSRSRTT UFUFUFLL VOVOVOWW XCXYXYZZ 1 2 1 2 1 2 LL 3 4 3 4 3 4 OO 5 6 5 6 5 6 F
Poetic Form
Metre 0101010111 1101010101 1111010101 101101011 0101110101 1111011001 111011101 11111110010 1101000111 0101010011 1011010111 01011111 1 1101010101 1111010111 01111011 1111010111 1101010101 1101011111 1001010101 11001010101 1100010111 01111101 1111010011 1101000101 111001101 01111111010 11010010111 11111100110 01010111 01011101010 1111111111 1100110111 011110101 0101001111 011010011 0101010101 11010111 1111110111 010111111 011101010 01010111 0111010011 0101011111 1001010111 1111010101 0111111111 1111010101 010101101 111101010 11110101 1111011101 110100101001 0111010011 1101010101 1111010111 1111010101 111000111 11110111001 0101111101 1111011101 0111111101 1111001101 11010111110 11110111110 1111011111 1101011101 10011010011 110110101 101101011 1111010100 0101010101 1111111101 110101111 10111101 111011111 01010111 011110111 1011100101 1111011111 1111010111 11001111111 1111010101 0111010111 1101010011 0111010110 1101110111 01110101010 11110101010 11011100111 1101110011 01111010111 111101110 1111010111 011101111 11011010011 1101110111 11001110101 111101001 0111111111 01011111 011111011 1111110101 11110111
Closest metre Iambic pentameter
Characters 4,300
Words 800
Sentences 19
Stanzas 13
Stanza Lengths 8, 9, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 7
Lines Amount 104
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 260
Words per stanza (avg) 61
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Submitted on May 13, 2011

Modified on March 05, 2023

4:08 min read
123

Thomas Hood

Thomas Hood was a British humorist and poet. His son, Tom Hood, became a well known playwright and editor. more…

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