Analysis of At the Long Sault: May, 1660

Archibald Lampman 1861 (Upper Canada) – 1899 (Ottawa, Canada)



Under the day-long sun there is life and mirth
     In the working earth,
   And the wonderful moon shines bright
     Through the soft spring night,
   The innocent flowers in the limitless woods are springing
     Far and away
     With the sound and the perfume of May,
   And ever up from the south the happy birds are winging,
     The waters glitter and leap and play
    While the grey hawk soars.

But far in an open glade of the forest set
    Where the rapid plunges and roars,
  Is a ruined fort with a name that men forget,--
    A shelterless pen
    With its broken palisade,
    Behind it, musket in hand,
    Beyond message or aid
    In this savage heart of the wild,
    Mere youngsters, grown in a moment to men,
    Grim and alert and arrayed,
    The comrades of Daulac stand.
    Ever before them, night and day,
    The rush and skulk and cry
    Of foes, not men but devils, panting for prey;
  Behind them the sleepless dream
  Of the little frail-walled town, far away by the plunging stream,
    Of maiden and matron and child,
  With ruin and murder impending, and none but they
  To beat back the gathering horror
  Deal death while they may,
    And then die.

Day and night they have watched while the little plain
  Grew dark with the rush of the foe, but their host
  Broke ever and melted away, with no boast
  But to number their slain;
  And now as the days renew
  Hunger and thirst and care
  Were they never so stout, so true,
  Press at their hearts; but none
  Falters or shrinks or utters a coward word,
  Though each setting sun
  Brings from the pitiless wild new hands to the Iroquois horde,
  And only to them despair.

Silent, white-faced, again and again
  Charged and hemmed round by furious hands,
  Each for a moment faces them all and stands
  In his little desperate ring; like a tired bull moose
  Whom scores of sleepless wolves, a ravening pack,
  Have chased all night, all day
  Through the snow-laden woods, like famine let loose;
  And he turns at last in his track
  Against a wall of rock and stands at bay;
  Round him with terrible sinews and teeth of steel
  They charge and recharge; but with many a furious plunge and wheel,
  Hither and thither over the trampled snow,
  He tosses them bleeding and torn;
  Till, driven, and ever to and fro
  Harried, wounded, and weary grown,
  His mighty strength gives way
  And all together they fasten upon him and drag him down.

So Daulac turned him anew
  With a ringing cry to his men
  In the little raging forest glen,
  And his terrible sword in the twilight whistled and slew.
  And all his comrades stood
  With their backs to the pales, and fought
  Till their strength was done;
  The thews that were only mortal flagged and broke
  Each struck his last wild stroke,
  And they fell one by one,
  And the world that had seemed so good
  Passed like a dream and was naught.

And then the great night came
  With the triumph-songs of the foe and the flame
  Of the camp-fires.
  Out of the dark the soft wind woke,
  The song of the rapid rose alway
  And came to the spot where the comrades lay,
  Beyond help or care,
  With none but the red men round them
  To gnash their teeth and stare.

All night by the foot of the mountain
    The little town lieth at rest,
  The sentries are peacefully pacing;
    And neither from East nor from West

Is there rumour of death or of danger;
    None dreameth tonight in his bed
  That ruin was near and the heroes
    That met it and stemmed it are dead.

But afar in the ring of the forest,
    Where the air is so tender with May
  And the waters are wild in the moonlight,
    They lie in their silence of clay.

The numberless stars out of heaven
    Look down with a pitiful glance;
  And the lilies asleep in the forest
    Are closed like the lilies of France.


Scheme AABBCDDCDE FEFGHIHJGHIDKDLLJDMDK NOONPQPRXRXQ GSSTUDTUDVVWXWXDX PGGPXYRZZRXY 1 1 XZDDQXQ R2 C2 M3 X3 4 DBD R5 4 5
Poetic Form
Metre 10011111101 00101 00100111 10111 010010001001110 1001 101000111 01011010101110 010100101 10111 110110110101 10101001 101011011101 011 111001 0111001 011011 01101101 1101001011 1001001 01111 10011101 010101 11111101011 0110101 101011110110101 11001001 1100100100111 111010010 11111 011 10111110101 11101101111 11001001111 111011 0110101 100101 01101111 111111 10111100101 11101 11010011110101 0101101 101101001 101111001 11010101101 0110101101011 111101011 111111 10110111011 01111011 0101110111 11110010111 1100111100100101 1001100101 11011001 110010101 10100101 110111 010101100110111 111101 10101111 001010101 0110010011001 01111 11110101 11111 01101010101 111111 011111 00111111 1101011 010111 10101101001 10110 11010111 01101011 011011011 01111 11101111 111101 111011010 0101111 010110010 01011111 110111110 1101011 110110010 11101111 1010011010 101111011 001011001 11011011 0111110 11101001 0010010010 11101011
Closest metre Iambic tetrameter
Characters 3,798
Words 675
Sentences 13
Stanzas 10
Stanza Lengths 10, 21, 12, 17, 12, 9, 4, 4, 4, 4
Lines Amount 97
Letters per line (avg) 29
Words per line (avg) 7
Letters per stanza (avg) 283
Words per stanza (avg) 67
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Submitted on May 13, 2011

Modified on April 09, 2023

3:22 min read
67

Archibald Lampman

Archibald Lampman FRSC was a Canadian poet. "He has been described as 'the Canadian Keats;' and he is perhaps the most outstanding exponent of the Canadian school of nature poets." The Canadian Encyclopedia says that he is "generally considered the finest of Canada's late 19th-century poets in English." Lampman is classed as one of Canada's Confederation Poets, a group which also includes Charles G.D. Roberts, Bliss Carman, and Duncan Campbell Scott. more…

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