Analysis of Elmwood



Here, in the twilight, at the well-known gate
I linger, with no heart to enter more.
Among the elm-tops the autumnal air
Murmurs, and spectral in the fading light
A solitary heron wings its way
Southward--save this no sound or touch of life.
Dark is the window where the scholar's lamp
Was used to catch a pallor from the dawn.

Yet I must needs a little linger here.
Each shrub and tree is eloquent of him,
For tongueless things and silence have their speech.
This is the path familiar to his foot
From infancy to manhood and old age;
For in a chamber of that ancient house
His eyes first opened on the mystery
Of life, and all the splendor of the world.
Here, as a child, in loving, curious way,
He watched the bluebird's coming; learned the date
Of hyacinth and goldenrod, and made
Friends of those little redmen of the elms,
And slyly added to their winter store
Of hazel-nuts: no harmless thing that breathed,
Footed or winged, but knew him for a friend.
The gilded butterfly was not afraid
To trust its gold to that so gentle hand,
The bluebird fled not from the pendent spray.
Ah, happy childhood, ringed with fortunate stars!
What dreams were his in this enchanted sphere,
What intuitions of high destiny!
The honey-bees of Hybla touched his lips
In that old New-World garden, unawares.

So in her arms did Mother Nature fold
Her poet, whispering what of wild and sweet
Into his ear--the state-affairs of birds,
The lore of dawn and sunset, what the wind
Said in the tree-tops--fine, unfathomed things
Henceforth to turn to music in his brain:
A various music, now like notes of flutes,
And now like blasts of trumpets blown in wars.
Later he paced this leafy academe
A student, drinking from Greek chalices
The ripened vintage of the antique world.
And here to him came love, and love's dear loss;
Here honors came, the deep applause of men
Touched to the heart by some swift-winged word
That from his own full heart took eager flight--
Some strain of piercing sweetness or rebuke,
For underneath his gentle nature flamed
A noble scorn for all ignoble deed,
Himself a bondman till all men were free.

Thus passed his manhood; then to other lands
He strayed, a stainless figure among courts
Beside the Manzanares and the Thames.
Whence, after too long exile, he returned
With fresher laurel, but sedater step
And eye more serious, fain to breathe the air
Where through the Cambridge marshes the blue Charles
Uncoils its length and stretches to the sea:
Stream dear to him, at every curve a shrine
For pilgrim Memory. Again he watched
His loved syringa whitening by the door,
And knew the catbird's welcome; in his walks
Smiled on his tawny kinsmen of the elms
Stealing his nuts; and in the ruined year
Sat at his widowed hearthside with bent brows
Leonine, frosty with the breath of time,
And listened to the crooning of the wind
In the wide Elmwood chimneys, as of old.
And then--and then....

The after-glow has faded from the elms,
And in the denser darkness of the boughs
From time to time the firefly's tiny lamp
Sparkles. How often in still summer dusks
He paused to note that transient phantom spark
Flash on the air--a light that outlasts him!

The night grows chill, as if it felt a breath
Blown from that frozen city where he lies.
All things turn strange. The leaf that rustles here
Has more than autumn's mournfulness. The place
Is heavy with his absence. Like fixed eyes
Whence the dear light of sense and thought has fled,
The vacant windows stare across the lawn.
The wise sweet spirit that informed it all
Is otherwhere. The house itself is dead.

O autumn wind among the sombre pines,
Breathe you his dirge, but be it sweet and low.
With deep refrains and murmurs of the sea,
Like to his verse--the art is yours alone.
His once--you taught him. Now no voice but yours!
Tender and low, O wind among the pines.
I would, were mine a lyre of richer strings,
In soft Sicilian accents wrap his name.


Scheme ABCDEXFG HIXXXJKLEAMNBXXMXEXOKXX PXXQRXXXXJLXSXDXXXK XXXXXCXKXXBXNOTXQPS NTFJXI XUHXUVGXV WXKXXWRX
Poetic Form
Metre 100110111 1101111101 0101100101 100100101 010010111 1011111111 1101010101 111101101 1111010101 1101110011 111010111 1101010111 110011011 1001011101 1111010100 1101010101 11010101001 110110101 11001001 111101101 0101011101 1101110111 1011111101 010101101 1111111101 01111011 1101111001 1101010101 1111100 010111111 011111001 1001110101 01010011101 0111010111 011101101 10011111 1111110011 01001011111 0111110101 101111010 01010111 0101010011 0111110111 1101010111 110111111 1111111101 1111010101 101110101 0101110101 010111101 111111101 1101010011 0100010001 110111101 11010111 01110011101 1101010011 111010101 11111100101 1101000111 111100101 010110011 111101101 1011000101 111101111 11010111 0101010101 001110111 0101 0101110101 0001010101 111101101 1011001101 1111110101 110101111 0111111101 1111010111 111101111 11110101 1101110111 1011110111 0101010101 0111010111 11010111 110101011 1111111101 1101010101 1111011101 1111111111 1001110101 1101011101 01010010111
Closest metre Iambic pentameter
Characters 3,829
Words 703
Sentences 34
Stanzas 7
Stanza Lengths 8, 23, 19, 19, 6, 9, 8
Lines Amount 92
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 441
Words per stanza (avg) 100
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Submitted on May 13, 2011

Modified on March 05, 2023

3:32 min read
49

Thomas Bailey Aldrich

Thomas Bailey Aldrich was a poet novelist traveler and editor more…

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