Analysis of The Harps of Heaven



On a solemn day
I clomb the shining bulwark of the skies:
Not by the beaten way,
But climbing by a prayer,
That like a golden thread hung by the giddy stair
Fleck'd on the immemorial blue,
By the strong step-stroke of the brave and few,
Who, stirr'd by echoes of far harmonies,
Must either lay them down and die of love,
Or dare
Those empyrean walls that mock their starward eyes.
But midway in the dread emprize
The faint and fainter footsteps cease;
And, all my footing gone,
Like one who gathers samphire, I hold on,
And in the swaying air look up and down:
And up and down through answering vasts descry
Nor Earth nor Heaven;
Above,
The sheer eternal precipice; below,
The sheer eternal precipice.
Then when I,
Gigantic with my desperate agony,
Felt even
The knotted grasp of bodily despair
Relaxing to let go,
A mighty music, like a wind of light,
Blew from the imminent height,
And caught me in its splendour; and, as flame
That flickers and again aspires,
Rose in a moment thither whence it came;
And I, that thought me lost,
Pass'd to the top of all my dear desires,
And stood among the everlasting host.
Then turn'd I to a seraph whose swift hands,
That lived angelic passion, struck his soul
Upon a harp-a seraph fair and strong,
And faultless for his harp and for his throne,
And yet, among
The Strength and Beauty of the heavenly bands,
No more to be remember'd than some one
Poor warrior, when a king of many kings
Stamps on the fields, and rears his glittering crop
Of standing steel, and the vex'd spirit wings
Above the human harvest, and in vain
Begins from morn till eve to sum the embattled plain;
Or when,
After a day of peace, sudden and late
The beacon flashes and the war-drums roll,
And through the torches of the city gate,
All the long winter night a martial race
Streams to the nation's gathering-place,
And, like as water-drop to water-drop,
Pour on in changeless flood the innumerable men.
I turn'd, and as from footing in mid-seas
Looking o'er lessening waves thou may'st behold
The round horizon of unshadow'd gold,
I, standing on an amethyst, look'd round
The moving Heaven of Harpers throned and crown'd,
And said, 'Was it from these
I heard the great sound?' And he said, 'What sound?'
Then I grown bolder, seeing I had thriven
To win reply-'This that I hear from thee,
This that everywhere I hear,
Rolling a sea of choristry
Up and down the jewel of Heaven;
A sea which from thy seat of light,
That seems more loud and bright
Because more near,
To the white twinkle of yon furthest portal,
Swells up those circling shores of chrysolite,
And, like an odorous luminous mist, doth leap the eternal walls,
And falls
In wreaths of melody
Adown the azure mountain of the sky;
And round its lower slopes bedew'd
Breathes lost beatitude;
And far away,
Low, low, below the last of all its lucent scarps,
Sprinkles bewildering drops of immortality.
O angel fair, thou know'st what I would say-
This sound of harpers that I hear,
This sound of harpers harping on their harps.'
Then he bent his head
And shed a tear
And said,
'I perceive thou art a mortal.'
Then I to him-'Not only, O thou bright
Seraphic Pity! to a mortal ear
These sacred sounds are dear,
Or why withholdest not thy ceaseless hand?
And why,
Far as my dazzled eye
Can pierce the lustre of the radiant land,
See I the rapt celestial auditory,
Each, while he blessed hears, gives back his bliss
With never-tiring touch from golden harps like this?'
Then he to me-'Oh, wherefore hast thou trod
Beyond the limit of thine earthly lot?
These that we bear
Within our hands are instruments of glory,
Wherewith, day without night,
We make the glory of immortal light
In the eyes of God.
As for the sound, we hear it not;
Yet, speaking to thee, child of ignorance,
I do remember that I loved it once,
In the sweet lower air.'
Yet he spake once more,-
'But thou return to the remember'd shore;
Why shouldst thou leave thy nation,
Thy city, and the house of all most dear?
Do we not all dwell in eternity?
For we have been as thou, and thou
Shalt be as we.'
And he lean'd and kissèd me,
Saying, 'But now
Rejoice, O child, in other joys than mine
Hear the dear music of thy mortal ear
While yet it is the time with thee,
Nor make haste to thine exaltation,
Though our state be better than thine.'


Scheme Text too long
Poetic Form
Metre 10101 1101010101 110101 110101 110101110101 11001001 1011110101 1111011100 1101110111 11 11111111 110011 0101011 011101 111101111 0001011101 0101110011 11110 01 0101010001 01010100 111 0101110100 110 0101110001 010111 0101010111 1101001 011011011 110001010 100101111 011111 11011111010 010100101 111101111 111010111 010101101 011110111 0101 01010101001 1111010111 11001011101 11010111001 1101001101 0101010001 0111111100101 11 1001111001 0101000111 0101010101 1011010101 110101001 0111011101 110110010001 1101110011 1010100111101 01010111 1101110011 01010110101 011111 1101101111 1111010111 1101111111 111011 100111 101010110 01111111 111101 0111 10110111010 111100111 01110010011100101 01 011100 101010101 0111011 111 0101 110101111101 100100110100 11011111111 11110111 1111010111 11111 0101 01 10111010 1111110111 11010101 110111 11111101 01 111101 11010101001 1101010100 111111111 110101110111 111111111 0101011101 1111 011011100110 11011 1101010101 00111 11011111 1101111100 1101011111 001101 11111 1101100101 1111110 1100011111 1111100100 11111101 1111 0110111 1011 0111010111 1011011101 11110111 111111 110111011
Closest metre Iambic tetrameter
Characters 4,162
Words 795
Sentences 20
Stanzas 1
Stanza Lengths 122
Lines Amount 122
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 3,321
Words per stanza (avg) 784
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Submitted on May 13, 2011

Modified on March 05, 2023

4:02 min read
72

Sydney Thompson Dobell

Sydney Thompson Dobell, English poet and critic, was born at Cranbrook, Kent. more…

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