Analysis of Metropolitan Nightmare

Stephen Vincent Benet 1898 (Bethlehem) – 1943 (New York City)



I rained quite a lot, that spring. You woke in the morning
And saw the sky still clouded, the streets still wet,
But nobody noticed so much, except the taxis
And the people who parade. You don't, in a city.
The parks got very green. All the trees were green
Far into July and August, heavy with leaf,
Heavy with leaf and the long roots were boring and spreading,
But nobody noticed that but the city gardeners
And they didn't talk.

Oh, on Sundays, perhaps, you'd notice:
Walking through certain blocks, by the shut, proud houses
With the windows boarded, the people gone away,
You'd suddenly see the queerest small shoots of green
Poking through cracks and crevices in the stone
And a bird-sown flower, red on the balcony,
But then you made jokes about grass growing in the streets
And politics and grass-roots –– and there were songs
And gags and a musical show called 'Hot and Wet.'
It all made a good box for the papers. When the flamingo
Flew into a meeting of the Board of Estimate,
The new Mayor acted at once and called the photographers.
When the first green creeper crawled over the Brooklyn Bridge,
They thought it was ornamental. They let it stay.

There was the year the termites came to New York
And they don't do well in cold climates –– but listen, Joe,
They're only ants and ants are nothing but insects.
It was funny and yet rather wistful, in a way
(As Heywood Broun pointed out in the
World-Telegram,
)
To think of them looking for wood in a steel city.
It made you feel about life. It was too divine.
There were funny pictures by all the smart, funny artists
And Macy's ran a terribly clever ad:
'The Widow's Termite' or something.

There was no
Disturbance. Even the Communists didn't protest
And say they were Morgan hirelings. It was too hot,
Too hot to protest, too hot to get excited,
An even, African heat, lush, fertile and steamy,
That soaked into bones and mind and never once broke.
The warm rain fell in fierce showers and ceased and fell.
Pretty soon you got used to its always being that way.

You got used to the changed rhythm, the altered beat,
To people walking slower, to the whole bright
Fierce pulse of the city slowing, to men in shorts,
To the new sun-helmets from Best's and the cops' white uniforms,
And the long noon-rest in the offices, everywhere.
It wasn't a plan or anything. It just happened.
The fingers tapped the keys slower, the office-boys
Dozed on their benches, the bookkeeper yawned at his desk.
The A. T. & T. was the first to change the shifts
And establish a siesta-room,
But they were always efficient. Mostly it just
Happened like sleep itself, like a tropic sleep,
Till even the Thirties were deserted at noon
Except for a few tourists and one damned cop.
They ran boats to see the big lilies on the North River
But it was only the tourists who really noticed
The flocks of rose-and-green parrots and parrakeets
Nesting in the stone crannies of the Cathedral.
The rest of us had forgotten when they first came.

There wasn't any real change, it was just a heat spell,
A rain spell, a funny summer, a weather-man's joke,
In spite of the geraniums three feet high
In the tin-can gardens of Hester and Desbrosses.
New York was New York. It couldn't turn inside out.
When they got the news from Woods Hole about the Gulf Stream,
The
Times
ran an adequate story.
But nobody reads those stories but science-cranks.

Until, one day, a somnolent city-editor
Gave a new cub the termite yarn to break his teeth on.
The cub was just down from Vermont, so he took the time.
He was serious about it. He went around.
He read all about termites in the Public Library
And it made him sore when they fired him.

So, one evening,
Talking with an old watchman, beside the first
Raw girders of the new Planetopolis Building
(Ten thousand brine-cooled offices, each with shower)
He saw a dark line creeping across the rubble
And turned a flashlight on it.

'Say, buddy,' he said,
'You'd better look out for those ants. They eat wood, you know,
They'll have your shack down in no time.'

The watchman spat.
'Oh, they've quit eating wood,' he said, in a casual voice,
'I thought everyone knew that.'

-- and reaching down,
He pried from the insect's jaw the bright crumb of steel.


Scheme ABCDEXAFX XXGEXDXXBHXFXG XHXGIX DXXXA HXXXDJKG XXXXXXXXXXLXXXMLCNX KJXCXXIXDX MXOXDX AXAMNX XHO PXP XX
Poetic Form
Metre 1110111110010 01011100111 11101101010 0010101110010 01110110101 10110101011 10110011010010 111011010100 01101 11101110 101101101110 101010010101 11001011111 10110100001 001110110100 1111101110001 0100110101 010010011101 111011101010010 1010101011100 011010110100100 101111100101 11110101111 11010101111 0111101101101 11010111011 1110011010001 11110100 110 1 1111101100110 111101111101 10101011011010 01010100101 01010110 111 010100100101 01101011111 11111111010 1101001110010 110110101011 011101100101 1011111111011 111101100101 11010101011 111010101101 10111011001110 001110010010 110011101110 010101100101 111100101111 00111011101 0010011 11010101011 10110110101 110010001011 01101100111 11111011010110 1111001011010 0111011001 100011010010 011110101111 1101011111011 0110101001011 01100100111 00111011001 111111101011 1110111101011 0 1 1110010 1111101101 0111010010100 1011010111111 0111110111101 111000111101 1110110001010 0111111101 1110 10111100101 110101110 110111001110 110111001010 010111 11011 1101111111111 11111011 0101 11110111001001 111011 0101 11101101111
Closest metre Iambic hexameter
Characters 4,139
Words 771
Sentences 48
Stanzas 11
Stanza Lengths 9, 14, 12, 8, 19, 10, 6, 6, 3, 3, 2
Lines Amount 92
Letters per line (avg) 36
Words per line (avg) 8
Letters per stanza (avg) 298
Words per stanza (avg) 69
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Submitted on May 13, 2011

Modified on March 05, 2023

3:55 min read
50

Stephen Vincent Benet

Stephen Vincent Benét was an American author, poet, short story writer, and novelist. more…

All Stephen Vincent Benet poems | Stephen Vincent Benet Books

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