Analysis of The Growth of Love

Robert Seymour Bridges 1844 (Walmer, Kent) – 1930 (Boars Hill, Berkshire)



1
They that in play can do the thing they would,
Having an instinct throned in reason's place,
--And every perfect action hath the grace
Of indolence or thoughtless hardihood--
These are the best: yet be there workmen good
Who lose in earnestness control of face,
Or reckon means, and rapt in effort base
Reach to their end by steps well understood.
Me whom thou sawest of late strive with the pains
Of one who spends his strength to rule his nerve,
--Even as a painter breathlessly who stains
His scarcely moving hand lest it should swerve--
Behold me, now that I have cast my chains,
Master of the art which for thy sake I serve.

2
For thou art mine: and now I am ashamed
To have uséd means to win so pure acquist,
And of my trembling fear that might have misst
Thro' very care the gold at which I aim'd;
And am as happy but to hear thee named,
As are those gentle souls by angels kisst
In pictures seen leaving their marble cist
To go before the throne of grace unblamed.
Nor surer am I water hath the skill
To quench my thirst, or that my strength is freed
In delicate ordination as I will,
Than that to be myself is all I need
For thee to be most mine: so I stand still,
And save to taste my joy no more take heed.

3
The whole world now is but the minister
Of thee to me: I see no other scheme
But universal love, from timeless dream
Waking to thee his joy's interpreter.
I walk around and in the fields confer
Of love at large with tree and flower and stream,
And list the lark descant upon my theme,
Heaven's musical accepted worshipper.
Thy smile outfaceth ill: and that old feud
'Twixt things and me is quash'd in our new truce;
And nature now dearly with thee endued
No more in shame ponders her old excuse,
But quite forgets her frowns and antics rude,
So kindly hath she grown to her new use.

4
The very names of things belov'd are dear,
And sounds will gather beauty from their sense,
As many a face thro' love's long residence
Groweth to fair instead of plain and sere:
But when I say thy name it hath no peer,
And I suppose fortune determined thence
Her dower, that such beauty's excellence
Should have a perfect title for the ear.
Thus may I think the adopting Muses chose
Their sons by name, knowing none would be heard
Or writ so oft in all the world as those,--
Dan Chaucer, mighty Shakespeare, then for third
The classic Milton, and to us arose
Shelley with liquid music in the world.

5
The poets were good teachers, for they taught
Earth had this joy; but that 'twould ever be
That fortune should be perfected in me,
My heart of hope dared not engage the thought.
So I stood low, and now but to be caught
By any self-styled lords of the age with thee
Vexes my modesty, lest they should see
I hold them owls and peacocks, things of nought.
And when we sit alone, and as I please
I taste thy love's full smile, and can enstate
The pleasure of my kingly heart at ease,
My thought swims like a ship, that with the weight
Of her rich burden sleeps on the infinite seas
Becalm'd, and cannot stir her golden freight.

6
While yet we wait for spring, and from the dry
And blackening east that so embitters March,
Well-housed must watch grey fields and meadows parch,
And driven dust and withering snowflake fly;
Already in glimpses of the tarnish'd sky
The sun is warm and beckons to the larch,
And where the covert hazels interarch
Their tassell'd twigs, fair beds of primrose lie.
Beneath the crisp and wintry carpet hid
A million buds but stay their blossoming;
And trustful birds have built their nests amid
The shuddering boughs, and only wait to sing
Till one soft shower from the south shall bid,
And hither tempt the pilgrim steps of spring.

7
In thee my spring of life hath bid the while
A rose unfold beyond the summer's best,
The mystery of joy made manifest
In love's self-answering and awakening smile;
Whereby the lips in wonder reconcile
Passion with peace, and show desire at rest,--
A grace of silence by the Greek unguesst,
That bloom'd to immortalize the Tuscan style
When first the angel-song that faith hath ken'd
Fancy pourtray'd, above recorded oath
Of Israel's God, or light of poem pen'd;
The very countenance of plighted troth
'Twixt heaven and earth, where in one moment blend
The hope of one and happiness of both.

8
For beauty being the best of all we know
Sums up the unsearchable and secret aims
Of nature, and on joys whose earthly names
Were never t


Scheme ABCCBBCCBDEDEDE AFBBFFBXBGHGHGH AIJJIIJJIKLKLKL AMNOMMNOXPQPQPX ARSSRXSSBTBTUTU AVWWVVWWVXYXYXY AZ1 1 ZZ1 BZB2 B2 X2 AX3 3 S
Poetic Form Tetractys  (20%)
Metre 1 1101110111 101101011 01000110101 111101 1101111101 1101000111 1101010101 111111101 1111111101 1111111111 10101010011 1101011111 0111111111 10101111111 1 1111011101 1111111111 01110011111 1101011111 0111011111 1111011101 0101101101 110101111 1101110101 1111111111 0100010111 111111111 1111111111 0111111111 1 0111110100 1111111101 101011101 1011110100 1101000101 11111101001 010110111 101000101 11110111 11011101011 0101101101 1101100101 1101010101 1101111011 1 0101110111 0111010111 11001111100 111011101 1111111111 0101100101 01111100 1100110101 11110010101 1111101111 1111010111 110101111 0101001101 1011010001 1 0100110111 1111111101 1101101001 1111110101 1111011111 11011110111 111001111 111101111 0111010111 111111011 0101110111 1111011101 101101101001 0101010101 1 1111110101 010011111 111111011 0101010011 01001010101 0111010101 0101011 11111111 0101010101 0101111100 011111101 01001010111 1111010111 0101010111 1 0111111101 0101010101 010011110 011100001001 010101010 10110101011 011101011 11101000101 1101011111 101010101 1101111101 010100111 11001101101 0111010011 1 11010011111 11010101 1100111101 0101
Closest metre Iambic pentameter
Characters 4,299
Words 823
Sentences 16
Stanzas 8
Stanza Lengths 15, 15, 15, 15, 15, 15, 15, 5
Lines Amount 110
Letters per line (avg) 31
Words per line (avg) 7
Letters per stanza (avg) 432
Words per stanza (avg) 103
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Submitted on May 13, 2011

Modified on May 02, 2023

4:12 min read
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Robert Seymour Bridges

Robert Seymour Bridges was Poet Laureate from 1913 to 1930. A doctor by training, he achieved literary fame only late in life. His poems reflect a deep Christian faith, and he is the author of many well-known hymns. It was through Bridges’ efforts that Gerard Manley Hopkins achieved posthumous fame. more…

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