Analysis of The Pier-Glass

Robert Graves 1895 (Wimbledon) – 1985 (Deià)



Lost manor where I walk continually
A ghost, while yet in woman's flesh and blood;
Up your broad stairs mounting with outspread fingers
And gliding steadfast down your corridors
I come by nightly custom to this room,
And even on sultry afternoons I come
Drawn by a thread of time-sunk memory.

Empty, unless for a huge bed of state
Shrouded with rusty curtains drooped awry
(A puppet theatre where malignant fancy
Peoples the wings with fear). At my right hand
A ravelled bell-pull hangs in readiness
To summon me from attic glooms above
Service of elder ghosts; here at my left
A sullen pier-glass cracked from side to side
Scorns to present the face as do new mirrors
With a lying flush, but shows it melancholy
And pale, as faces grow that look in mirrors.

Is here no life, nothing but the thin shadow
And blank foreboding, never a wainscot rat
Rasping a crust? Or at the window pane
No fly, no bluebottle, no starveling spider?
The windows frame a prospect of cold skies
Half-merged with sea, as at the first creation,
Abstract, confusing welter. Face about,
Peer rather in the glass once more, take note
Of self, the grey lips and long hair dishevelled,
Sleep-staring eyes. Ah, mirror, for Christ's love
Give me one token that there still abides
Remote, beyond this island mystery,
So be it only this side Hope, somewhere,
In streams, on sun-warm mountain pasturage,
True life, natural breath; not this phantasma.

A rumour, scarcely yet to be reckoned sound,
But a pulse quicker or slower, then I know
My plea is granted; death prevails not yet.
For bees have swarmed behind in a close place
Pent up between this glass and the outer wall.
The combs are founded, the queen rules her court,
Bee-sergeants posted at the entrance-chink
Are sampling each returning honey-cargo
With scrutinizing mouth and commentary,
Slow approbation, quick dissatisfaction —
Disquieting rhythm, that leads me home at last
From labyrinthine wandering. This new mood
Of judgement orders me my present duty,
To face again a problem strongly solved
In life gone by, but now again proposed
Out of due time for fresh deliberation.
Did not my answer please the Master's ear?
Yet, I'll stay obstinate. How went the question,
A paltry question set on the elements
Of love and the wronged lover's obligation?
Kill or forgive? Still does the bed ooze blood?
Let it drip down till every floor-plank rot!
Yet shall I answer, challenging the judgement: —
'Kill, strike the blow again, spite what shall come.'
'Kill, strike, again, again,' the bees in chorus hum.


Scheme ABCCDEA XXAXXFXXCAC GXXXXHXXBFXAXXD XGXXXXXGAHXXAXXHXHXHBXXEE
Poetic Form
Metre 11011101000 0111010101 1111101110 010111100 1111010111 0101100111 1101111100 1001101111 1011010101 010100101010 1001111111 011110100 1101110101 1011011111 0101111111 11100111110 10101111100 01110111010 1111101011 0101010011 101110101 111101110 0101010111 11111101010 0101010101 1100011111 110110111 1101110111 1111011101 0101110100 111101111 01111101 111001111 0010111101 10110110111 1111010111 1111010011 11011100101 0111001101 1101010101 1101010101 110010100 101010010 010010111111 101100111 11010111010 1101010101 0111110101 1111110010 1111010101 11110011010 01010110100 1100110010 1101110111 11111100111 11110100010 1101011111 110101010101
Closest metre Iambic pentameter
Characters 2,486
Words 438
Sentences 21
Stanzas 4
Stanza Lengths 7, 11, 15, 25
Lines Amount 58
Letters per line (avg) 35
Words per line (avg) 7
Letters per stanza (avg) 502
Words per stanza (avg) 109
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Submitted on May 13, 2011

Modified on March 05, 2023

2:12 min read
131

Robert Graves

Robert von Ranke Graves was an English poet, scholar/translator/writer of antiquity specializing in Classical Greece and Rome, novelist and soldier in World War One. more…

All Robert Graves poems | Robert Graves Books

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