Analysis of The Code—Heroics

Robert Frost 1874 (San Francisco) – 1963 (Boston)



There were three in the meadow by the brook,
Gathering up windrows, piling haycocks up,
With an eye always lifted toward the west,
Where an irregular, sun-bordered cloud
Darkly advanced with a perpetual dagger
Flickering across its bosom. Suddenly
One helper, thrusting pitchfork in the ground,
Marched himself off the field and home. One stayed.
The town-bred farmer failed to understand.

What was there wrong?
Something you said just now.
What did I say?
About our taking pains.
To cock the hay?—because it's going to shower?
I said that nearly half an hour ago.
I said it to myself as much as you.

You didn't know. But James is one big fool.
He thought you meant to find fault with his work.
That's what the average farmer would have meant.
James had to take his time to chew it over
Before he acted; he's just got round to act.

He is a fool if that's the way he takes me.
Don't let it bother you. You've found out something.
The hand that knows his business won't be told
To do work faster or better—those two things.
I'm as particular as anyone:
Most likely I'd have served you just the same:
But I know you don't understand our ways.
You were just talking what was in your mind,
What was in all our minds, and you weren't hinting.
Tell you a story of what happened once.
I was up here in Salem, at a man's
Named Sanders, with a gang of four or five,
Doing the haying. No one liked the boss.
He was one of the kind sports call a spider,
All wiry arms and legs that spread out wavy
From a humped body nigh as big as a biscuit.
But work!—that man could work, especially
If by so doing he could get more work
Out of his hired help. I'm not denying
He was hard on himself: I couldn't find
That he kept any hours—not for himself.
Day-light and lantern-light were one to him:
I've heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn't lead he'd get behind
And drive, the way you can, you know, in mowing
Keep at their heels and threaten to mow their legs off.
I'd seen about enough of his bulling tricks—
We call that bulling. I'd been watching him.
So when he paired off with me in the hayfield
To load the load, thinks I, look out for trouble!
I built the load and topped it off; old Sanders
Combed it down with the rake and said, 'O. K.'
Everything went right till we reached the barn
With a big take to empty in a bay.
You understand that meant the easy job
For the man up on top of throwing down
The hay and rolling it off wholesale,
Where, on a mow, it would have been slow lifting.
You wouldn't think a fellow 'd need much urging
Under those circumstances, would you now?
But the old fool seizes his fork in both hands,
And looking up bewhiskered out of the pit,
Shouts like an army captain, 'Let her come!'
Thinks I, d'ye mean it? 'What was that you said?'
I asked out loud so's there'd be no mistake.
'Did you say, let her come?' 'Yes, let her come.'
He said it over, but he said it softer.
Never you say a thing like that to a man,
Not if he values what he is. God, I'd as soon
Murdered him as left out his middle name.
I'd built the load and knew just where to find it.
Two or three forkfuls I picked lightly round for
Like meditating, and then I just dug in
And dumped the rackful on him in ten lots.
I looked over the side once in the dust
And caught sight of him treading-water-like,
Keeping his head above. 'Damn ye,' I says,
'That gets ye!' He squeaked like a squeezed rat.

That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping the hayseed from my neck,
And sort of waiting to be asked about it,
One of the boys sings out, 'Where's the old man?'
'I left him in the barn,—under the hay.
If you want him you can go and dig him out.'
They realized from the way I swobbed my neck
More than was needed, something must be up.
They headed for the barn I stayed where I was.
They told me afterward: First they forked hay,
A lot of it, out into the barn floor.
Nothing! They listened for him. Not a rustle!

I guess they thought I'd spiked him in the temple
Before I buried him, else I couldn't have managed.
They excavated more. 'Go keep his wife
Out of the barn.'
Some one looked in a window;
And curse me, if he wasn't in the kitchen,
Slumped way down in a chair, with both his feet
Stuck in the oven, the hottest day that summer.
He looked so mad in back, an


Scheme XAXXBCXXX XDEXBFX XGXBX CHXXIJXKHXXXXBCXCGHKXLXXKHMXLXNXEOEXXXHHDXPQXXQBRXJPSXXXXXX LMTPREXTAXESN NXXOFIXBR
Poetic Form
Metre 101001101 100111011 1111100101 1101001101 100110010010 10001110100 110101001 1011010111 011101101 1111 101111 1111 0110101 110101110110 11110111001 111111111 1101111111 1111111111 11010010111 11111111110 01110111111 11011101111 11110111110 0111110111 11110110111 110100110 1101111101 1111101101 1011011011 1101101011010 1101011101 1111010101 1101011111 1001011101 11110111010 11010111110 101101111010 111111010 1111011111 11110111010 1111011101 11110101101 1101010111 1111000111 1111111010 1111011101 01011111010 111101011111 1101011111 111111101 1111111001 11011111110 11010111110 1111010111 101111101 1011110001 101110101 1011111101 01010111 11011111110 110101011110 101100111 10111011011 010111101 1111010101 11111111111 1111111101 1111011101 11110111110 10110111101 111101111111 1011111101 11010111111 1111111011 1100011110 010111011 1110011001 0111110101 1011011111 111111011 1101111111 1101011111 1111001111 01110111011 1101111011 1110011001 11111110111 1101011111 1111010111 11010111111 1111001111 0111101011 10110111010 11111110010 0111011110110 110011111 1101 1110010 01111100010 1110011111 100100101110 1111011
Closest metre Iambic pentameter
Characters 4,376
Words 867
Sentences 71
Stanzas 6
Stanza Lengths 9, 7, 5, 59, 13, 9
Lines Amount 102
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 555
Words per stanza (avg) 142
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Submitted on May 13, 2011

Modified on April 18, 2023

4:26 min read
136

Robert Frost

Robert Lee Frost was an American poet. His work was initially published in England before it was published in America. He is highly regarded for his realistic depictions of rural life and his command of American colloquial speech. more…

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