Analysis of Prayer

Richard Crashaw 1612 (London) – 1649 (Loreto, Marche)



LO here a little volume, but great Book  
 A nest of new-born sweets;  
 Whose native fires disdaining  
 To ly thus folded, and complaining  
 Of these ignoble sheets,          
 Affect more comly bands  
 (Fair one) from the kind hands  
 And confidently look  
 To find the rest  
Of a rich binding in your Brest.         
It is, in one choise handfull, heavenn; and all  
Heavn’s Royall host; incamp’t thus small  
To prove that true schooles use to tell,  
Ten thousand Angels in one point can dwell.  
It is love’s great artillery         
Which here contracts itself, and comes to ly  
Close couch’t in their white bosom: and from thence  
As from a snowy fortresse of defence,  
Against their ghostly foes to take their part,  
And fortify the hold of their chast heart.         
It is an armory of light  
Let constant use but keep it bright,  
 You’l find it yeilds  
To holy hands and humble hearts  
 More swords and sheilds         
Then sin hath snares, or Hell hath darts.  
 Only be sure  
 The hands be pure  
That hold these weapons; and the eyes  
Those of turtles, chast and true;         
 Wakefull and wise;  
Here is a freind shall fight for you,  
Hold but this book before their heart;  
Let prayer alone to play his part,  
 But ô the heart         
 That studyes this high Art  
 Must be a sure house-keeper  
 And yet no sleeper.  
 Dear soul, be strong.  
 Mercy will come e’re long         
And bring his bosom fraught with blessings,  
Flowers of never fading graces  
To make immortall dressings  
For worthy soules, whose wise embraces  
Store up themselves for Him, who is alone         
The Spouse of Virgins and the Virgin’s son.  
But if the noble Bridegroom, when he come  
Shall find the loytering Heart from home;  
 Leaving her chast aboad  
 To gadde abroad         
Among the gay mates of the god of flyes;  
To take her pleasure and to play  
And keep the devill’s holyday;  
To dance th’sunshine of some smiling  
 But beguiling         
Spheares of sweet and sugred Lyes,  
 Some slippery Pair  
Of false, perhaps as fair,  
Flattering but forswearing eyes;  
Doubtlesse some other heart         
 Will gett the start  
Mean while, and stepping in before  
Will take possession of that sacred store  
Of hidden sweets and holy ioyes.  
Words which are not heard with Eares         
(Those tumultuous shops of noise)  
Effectuall wispers, whose still voice  
The soul it selfe more feeles then heares;  
Amorous languishments; luminous trances;  
Sights which are not seen with eyes;         
Spirituall and soul-peircing glances  
Whose pure and subtil lightning flyes  
Home to the heart, and setts the house on fire  
And melts it down in sweet desire  
 Yet does not stay         
To ask the windows leave to passe that way;  
Delicious Deaths; soft exalations  
Of soul; dear and divine annihilations;  
 A thousand unknown rites  
Of ioyes and rarefy’d delights;         
A hundred thousand goods, glories, and graces,  
 And many a mystick thing  
 Which the divine embraces  
Of the deare spouse of spirits with them will bring  
 For which it is no shame         
That dull mortality must not know a name.  
 Of all this store  
Of blessings and ten thousand more  
 (If when he come  
 He find the Heart from home)         
 Doubtlesse he will unload  
 Himself some other where,  
 And poure abroad  
 His pretious sweets  
On the fair soul whom first he meets.         
O fair, ô fortunate! O riche, ô dear!  
O happy and thrice happy she  
 Selected dove  
 Who ere she be,  
 Whose early love        
 With winged vowes  
Makes hast to meet her morning spouse  
And close with his immortall kisses.  
Happy indeed, who never misses  
To improve that pretious hour,        
 And every day  
 Seize her sweet prey  
All fresh and fragrant as he rises  
Dropping with a baulmy Showr  
A delicious dew of spices;        
O let the blissfull heart hold fast  
Her heavnly arm-full, she shall tast  
At once ten thousand paradises;  
 She shall have power  
 To rifle and deflour        
The rich and roseall spring of those rare sweets  
Which with a swelling bosome there she meets  
 Boundles and infinite  
 Bottomles treasures  
Of pure inebriating pleasures        
Happy proof! she shal discover  
 What ioy, what blisse,  
How many Heav’ns at once it is  
To have her God become her Lover.


Scheme Text too long
Poetic Form
Metre 1101010111 011111 11010010 111100010 110101 011101 111011 010001 1101 10110011 110111101 1101111 11111111 1101001111 11110100 111010111 1101110011 110101101 0111011111 010011111 11110011 11011111 1111 11010101 1101 11111111 1011 0111 11110001 1110101 101 11011111 11110111 11011111 101 11111 1101110 01110 1111 101111 011101110 101101010 11110 110111010 1101111101 0111000101 110101111 1101111 10011 1101 0101110111 11010011 01011 1111110 1010 111011 11001 110111 100111 11101 1101 11010001 1101011101 11010101 1111111 1100111 11111 01111111 10011001 1111111 101110 1101101 11010101110 011101010 1111 1101011111 010111 1110011 010011 110101 01010110010 010011 1001010 10111101111 111111 11010011101 1111 11001101 1111 110111 11101 011101 0101 111 10111111 11100111 11001101 0101 1111 1101 111 11110101 0111110 100111010 1011110 01001 1011 110101110 101011 00101110 1101111 0111111 111101 11110 11001 010111111 110101111 10100 110 11010010 10111010 1111 11011111 110101010
Closest metre Iambic tetrameter
Characters 4,260
Words 695
Sentences 16
Stanzas 1
Stanza Lengths 124
Lines Amount 124
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 3,102
Words per stanza (avg) 693
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Submitted on May 13, 2011

Modified on March 28, 2023

3:28 min read
100

Richard Crashaw

Richard Crashaw, was an English poet, styled "the divine," and known as one of the central figures associated with the Metaphysical poets in 17th Century English literature. The son of a prominent Puritan minister, Crashaw was educated at Charterhouse School and Pembroke College, Cambridge. After taking a degree, Crashaw began to publish religious poetry and to teach at Cambridge. During the English Civil War he was ejected from his college position and went into exile in Italy. While in exile he converted from Anglicanism to Roman Catholicism. Crashaw's poetry is firmly within the Metaphysical tradition. Though his oeuvre is considered of uneven quality and among the weakest examples of the genre, his work is said to be marked by a focus toward "love with the smaller graces of life and the profounder truths of religion, while he seems forever preoccupied with the secret architecture of things." more…

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