Analysis of On Hearing Of A Death

Rainer Maria Rilke 1875 (Prague) – 1926 (Montreux)



We lack all knowledge of this parting. Death
does not deal with us. We have no reason
to show death admiration, love or hate;
his mask of feigned tragic lament gives us

a false impression. The world's stage is still
filled with roles which we play. While we worry
that our performances may not please,
death also performs, although to no applause.

But as you left us, there broke upon this stage
a glimpse of reality, shown through the slight
opening through which you dissapeared: green,
evergreen, bathed in sunlight, actual woods.

We keep on playiing, still anxious, our difficult roles
declaiming, accompanied by matching gestures
as required. But your presence so suddenly
removed from our midst and from our play, at times

overcomes us like a sense of that other
reality: yours, that we are so overwhelmed
and play our actual lives instead of the performance,
forgetting altogehter the applause.

Translated by Albert Ernest Flemming


Scheme XXXX XAXB XXXX XXAX XXXB X
Poetic Form
Metre 1111011101 1111111110 111010111 1111100111 0101001111 1111111110 1100100111 1100111101 11111110111 011101101 10011111 101011001 1111110101001 1010011010 101011101100 0111010110111 1011011110 101111101 011010010110010 0101001 0101101010
Closest metre Iambic hexameter
Characters 928
Words 158
Sentences 9
Stanzas 6
Stanza Lengths 4, 4, 4, 4, 4, 1
Lines Amount 21
Letters per line (avg) 36
Words per line (avg) 7
Letters per stanza (avg) 126
Words per stanza (avg) 26
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Submitted on May 13, 2011

Modified on April 26, 2023

47 sec read
236

Rainer Maria Rilke

René Karl Wilhelm Johann Josef Maria Rilke — better known as Rainer Maria Rilke — was a Bohemian-Austrian poet and novelist, "widely recognized as one of the most lyrically intense German-language poets", writing in both verse and highly lyrical prose. more…

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