Analysis of Daphnis And Chloe

Andrew Marvell 1621 (Winestead) – 1678 (London)



Daphnis must from Chloe part:
Now is come the dismal Hour
That must all his Hopes devour,
All his Labour, all his Art.

Nature, her own Sexes foe,
Long had taught her to be coy:
But she neither knew t' enjoy,
Nor yet let her Lover go.

But, with this sad News surpriz'd,
Soon she let that Niceness fall;
And would gladly yield to all,
So it had his stay compriz'd.

Nature so her self does use
To lay by her wonted State,
Left the World should separate;
Sudden Parting closer glews.

He, well read in all the wayes
By which men their Siege maintain,
Knew not that the Fort to gain
Better 'twas the siege to raise.

But he came so full possest
With the Grief of Parting thence,
That he had not so much Sence
As to see he might be blest.

Till Love in her Language breath'd
Words she never spake before;
But then Legacies no more
To a dying Man bequeath'd.

For, Alas, the time was spent,
Now the latest minut's run
When poor Daphnis is undone,
Between Joy and Sorrow rent.

At that Why, that Stay my Dear,
His disorder'd Locks he tare;
And with rouling Eyes did glare,
And his cruel Fate forswear.

As the Soul of one scarce dead,
With the shrieks of Friends aghast,
Looks distracted back in hast,
And then streight again is fled.

So did wretched Daphnis look,
Frighting her he loved most.
At the last, this Lovers Ghost
Thus his Leave resolved took.

Are my Hell and Heaven Joyn'd
More to torture him that dies?
Could departure not suffice,
But that you must then grow kind?

Ah my Chloe how have I
Such a wretched minute found,
When thy Favours should me wound
More than all thy Cruelty?

So to the condemned Wight
The delicious Cup we fill;
And allow him all he will,
For his last and short Delight.

But I will not now begin
Such a Debt unto my Foe;
Nor to my Departure owe
What my Presence could not win.

Absence is too much alone:
Better 'tis to go in peace,
Than my Losses to increase
By a late Fruition.

Why should I enrich my Fate?
'Tis a Vanity to wear,
For my Executioner,
Jewels of so high a rate.

Rather I away will pine
In a manly stubborness
Than be fatted up express
For the Canibal to dine.

Whilst this grief does thee disarm,
All th' Enjoyment of our Love
But the ravishment would prove
Of a Body dead while warm.

And I parting should appear
Like the Gourmand Hebrew dead,
While he Quailes and Manna fed,
And does through the Desert err.

Or the Witch that midnight wakes
For the Fern, whose magick Weed
In one minute casts the Seed.
And invisible him makes.

Gentler times for Love are ment:
Who for parting pleasure strain
Gather Roses in the rain,
Wet themselves and spoil their Sent.

Farewel therefore all the fruit
Which I could from Love receive:
Joy will not with Sorrow weave,
Nor will I this Grief pollute.

Fate I come, as dark, as sad,
As thy Malice could desire;
Yet bring with me all the Fire
That Love in his Torches had.

At these words away he broke;
As who long has praying ly'n,
To his Heads-man makes the Sign,
And receives the parting stroke.

But hence Virgins all beware.
Last night he with Phlogis slept;
This night for Dorinda kept;
And but rid to take the Air.

Yet he does himself excuse;
Nor indeed without a Cause.
For, according to the Lawes,
Why did Chloe once refuse?


Scheme ABBA CDDC AEEA FGGF FHHX AXFX XIIX JKKJ LBMM NOON PQQP AXXX XRRX STTS UCCU XVVK GMBG WFXW XXXX LNNM XYYX AHHJ Z1 1 Z 2 BB2 3 XW3 M4 4 M FXXX
Poetic Form Quatrain  (67%)
Metre 1011101 11101010 11111010 111111 1001101 1110111 11101101 1110101 111111 1111101 0110111 111111 1010111 111011 101110 1010101 1110101 1111101 1110111 1010111 111111 1011101 1111111 1111111 1100101 1110101 1110011 1010101 1010111 101011 1110101 0110101 1111111 1010111 011111 0110101 1011111 1011101 1010101 0110111 1110101 10111 1011101 111011 1110101 1110111 1010101 1111111 1110111 1010101 111111 111110 110011 0010111 0011111 1110101 1111101 1011011 1110101 1110111 1011101 1011101 1110101 101010 1110111 1010011 110100 1011101 1010111 00101 111101 10111 1111101 1110101101 10111 1010111 0110101 101101 1110101 0110101 101111 101111 0110101 0010011 1011111 1110101 1010001 1010111 11101 1111101 1111101 1111101 1111111 11101010 11111010 1101101 1110111 11111011 1111101 0010101 1110101 111111 1110101 0111101 1110101 1010101 1010101 1110101
Closest metre Iambic tetrameter
Characters 3,097
Words 608
Sentences 34
Stanzas 27
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 108
Letters per line (avg) 23
Words per line (avg) 6
Letters per stanza (avg) 92
Words per stanza (avg) 22
Font size:
 

Submitted on May 13, 2011

Modified on March 05, 2023

3:04 min read
119

Andrew Marvell

Andrew Marvell was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678. During the Commonwealth period he was a colleague and friend of John Milton. more…

All Andrew Marvell poems | Andrew Marvell Books

0 fans

Discuss this Andrew Marvell poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "Daphnis And Chloe" Poetry.com. STANDS4 LLC, 2024. Web. 29 Apr. 2024. <https://www.poetry.com/poem-analysis/2866/daphnis-and-chloe>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    1
    day
    19
    hours
    22
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Who is the author of the poem "The Raven"?
    A Robert Frost
    B Emily Dickinson
    C Edgar Allan Poe
    D Langston Hughes