Analysis of The Father



The evening found us whom the day had fled,
Once more in bitter anger, you and I,
Over some small, some foolish, trivial thing
Our anger would not decently let die,
But dragged between us, shamed and shivering
Until each other's taunts we scarcely heard,
Until we lost the sense of all we said,
And knew not who first spoke the fatal word.
It seemed that even every kiss we wrung
We killed at birth with shuddering and hate,
As if we feared a thing too passionate.
However close we clung
One hour the next hour found us separate,
Estranged, and Love most bitter on our tongue.

To-night we quarrelled over one small head,
Our fruit of last year's maying, the white bud
Blown from our stormy kisses and the dead
First rapture of our wild, estranging blood.
You clutched him: there was panther in your eyes,
We breathed like beasts in thickets, on the wall
Our shadows in huge challenge seemed to rise,
The room grew dark with anger. Yet through all
The shame and hurt and pity of it you were
Still strangely and imperishably dear,
As one who loves the wild day none the less
That breaks in bitter hands the buds of Spring,
Whose cold hand stops the breath of loveliness,
And drives the wailing ghost of beauty past,
Making the rose, — even the rose, a thing
For pain to be remembered by at last.

I said: 'My son shall wear his father's sword.'
You said: 'Shall hands once blossoms at my breast
Be stained with blood?' I answered with a word
More bitter, and your own, the bitterest
Stung me to sullen anger, and I said:
'My son shall be no coward of his line
Because his mother choose'; you turned your head
And your eyes grew implacable in mine.
And like a trodden snake you turned to meet
The foe with sudden hissing… then you smiled,
And broke our life in pieces at my feet,
'Your child?' you said: 'Your child?'


Scheme ABCBCDADEFXEFE AGAGHIHIXXXCHJCJ XXDXAKAKLMLM
Poetic Form
Metre 0101110111 1101010101 10111101001 10101110011 1101110100 0111011101 0111011111 0111110101 11110100111 1111110001 1111011100 10111 11001101110 01011101101 111110111 1011111011 11101010001 110110111 1111110011 1111010101 1010110111 0111110111 01010101110 110011 1111011101 1101010111 11110111 0101011101 1001100101 1111010111 1111111101 1111110111 1111110101 1100110100 1111010011 1111110111 0111011111 0111010001 0101011111 0111010111 01101010111 111111
Closest metre Iambic pentameter
Characters 1,785
Words 344
Sentences 12
Stanzas 3
Stanza Lengths 14, 16, 12
Lines Amount 42
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 471
Words per stanza (avg) 113
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Submitted on May 13, 2011

Modified on March 05, 2023

1:43 min read
66

Muriel Stuart

Muriel Stuart was The daughter of a Scottish barrister was a poet particularly concerned with the topic of sexual politics though she first wrote poems about World War I She later gave up poetry writing her last work was published in the 1930s She was born Muriel Stuart Irwin She was hailed by Hugh MacDiarmid as the best woman poet of the Scottish Renaissance although she was not Scottish but English Despite this his comment led to her inclusion in many Scottish anthologies Thomas Hardy described her poetry as Superlatively good Her most famous poem In the Orchard is entirely dialogs and in no kind of verse form which makes it innovative for its time She does use rhyme a mixture of half-rhyme and rhyming couplets abab form Other famous poems of hers are The Seed Shop The Fools and Man and his Makers Muriel also wrote a gardening book called Gardeners Nightcap 1938 which was later reprinted by Persephone Books more…

All Muriel Stuart poems | Muriel Stuart Books

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