Analysis of Christ at Carnival



THE hand of carnival was at my door,
I listened to its knocking, and sped down:
Faith was forgotten, Duty led no more:
I heard a wonton revelry in the town;
The Carnival ran in my veins like fire!
And some unfrustrable desire
Goaded me on to catch the roses thrown
From breast to breast, and with my own
Fugitive kiss to snatch the fugitive kiss;
I broke all faith for this
One wild and worthless hour,
To dance, to run, to beckon, as a flower
Maddens the bee with half-surrendering,
Then flies back in the air with petals shut.

Fainting with laughter and pursuit
I heard shrill winds leap out and sink again,
Tracking the green bed where the Spring hath lain,
And vanished from, whose feet made audible
Music among the tall trees on the hill.
Above me leaned a nightingale
Burdened and big with song, whose throat let fall
Long notes, so poignant and so musical,
I deemed his young mate, listening,
Heard him less passionately sing
Than I a-foot at Carnival!

Above the town, swart Night came rolling in
Upon her couch of heliotrope:
A new Moon, young and thin,
Lay like a Columbine
Teasing the spent hill, her old Harlequin,
She, who of late waned on the bitter sky,
Furtive and old, a woman without hope,
Begging in long-familiar streets, where Sin
Once seeking her, now shuddered and went by.

Caught in the meshes of a merry throng,
I stumbled through the lighted Market Place;
The lanterns swung an undetermined rose
In Night's convulsive face
As we were swept along
In crazy dance and song,--
On through the mirth-mad alleys of the town,
With shrill loud laughter tumbled roughly down,
Whirled up in swift embrace.
All, all went swinging, swaying in the revel,
Laughing and reeling, kissing each and all--
A crowd that wildest jesting did dishevel--
O mad night of Carnival!

Racing along the last mean street that goes
From house to house to find the mountain track,
I loosed their hands to catch a rose
Flung from some casement; swiftly they turned back
With gusty laughter their wild mates to greet,
Swift as the footless wind along the wheat!
Fainter and fainter grew their revelling,
Deserted of a sudden, lay the street,
Silence fell on me like a famished thing,
Making my soul aware of one who stood
Beside me--one who wore a monkish hood.
I stared, as one who sees
Beneath the thin and settled sheet
Over still mysteries
Faint outline of belovèd hands and feet,
Too little loved and now too dead to care,
And suddenly becomes aware
That more than Death lies there,
That from this piteous and submissive change
Something has risen, terrible and strange.

Why fell my roses? What fear drove me, then,
To question him: "Who art thou, citizen?
Fainter and fainter grows the Carnival.
Wilt thou lock hands and turn with me again?"
He answered not, but let the hood half-fall,
Showing a thorn-plait on a forehead marred;
Trembling I cried: "Who art thou, Lord?"
"As thou sayest, I am He!
How long upn my cross am I to bleed
For thee still to deny me utterly?
Is not the hour yet come that I be freed,
How long am I to listen at thy door?"

Stricken in soul, I fell against his feet,
In rose-disorderd street,
Weeping: "I have not heard Thy foot before."
He answered: "He who hears
Loud noise of Carnival about his ears,
How shall he heed the foot with silence shod,
Or listen for the small still voice of God?
What is thy life?
Is thy sword stained in any splended strife?
Hast thou, in all thy safe, unshaken years,
Once thrown thyself upon Night's ambushed spears,
Or broken with thy tears
Thy heart against the Dawn's feet any day?
Hast thou spurned
Any earthly perishable sweet thing
To bear another's burden? Hast thou learned
At any knee but Folly's, trafficing
With every sweet delight that said thee 'yea'?
Oft hast thy goaded men to kiss thy mouth,
The flower of thy youth
Thou hast rendered up to any wind that's fleet,
But hast thou ever hastened to the Cross
To kiss My saving feet?"

"Thou knowest, Lord, thou knowest, I have not striven,
I made life easy, profitable, sweet,
I have not loved much or been much forgiven;
Of all a woman's vows the holiest--
To children that were posies at my breast--
I have forsworn, to-night, forsaking all
The ways of God to dance at Carnival.
What have I now to offer Thee Who deignest
To seek for


Scheme ABABCCDDEECCFG XHXIXXJIFFI KLKXMNLKN OPQPOOBBPIJII QRQRSSFSFTTUSUSVVVWW HMIHJXXXYXYA SSAXZ1 1 2 2 ZZX3 4 F4 F3 XXSXS MSMXXJIGA
Poetic Form
Metre 0111001111 1101110011 1101010111 1101100001 01001011110 011010 1011110101 11110111 10011101001 111111 1101010 11111101010 101110100 1110011101 10110001 1111110101 1001110111 0101111100 1001011101 01110100 1001111111 1111001100 11111100 11110001 11011100 0101111100 01011100 011101 11010 1001101100 1111110101 1001010011 1001010111 1100110011 1001010101 1101010101 010110101 010101 110101 010101 1101110101 1111010101 110101 11110100010 1001010101 0111011010 1111100 1001011111 1111110101 11111101 111110111 1101011111 110110101 10010111 0101010101 1011110101 1011011111 011111011 111111 01010101 101100 111101101 1101011111 01000101 111111 111100101 1011010001 1111011111 1101111100 1001010100 1111011101 1101110111 1001110101 100111111 111111 111111111 1111011100 11010111111 1111110111 1001110111 0111 1011111101 110111 1111000111 1111011101 1101011111 1111 111101011 1101110101 11101111 110111 1101011101 111 1010100011 1101010111 1101111 11001011111 1111011111 010111 11101110111 1111010101 111101 1111111110 1111010001 11111111010 1101010100 110101111 111110101 0111111100 1111110111 111
Closest metre Iambic pentameter
Characters 4,244
Words 775
Sentences 28
Stanzas 8
Stanza Lengths 14, 11, 9, 13, 20, 12, 23, 9
Lines Amount 111
Letters per line (avg) 30
Words per line (avg) 7
Letters per stanza (avg) 416
Words per stanza (avg) 96
Font size:
 

Submitted on May 13, 2011

Modified on March 10, 2023

3:53 min read
74

Muriel Stuart

Muriel Stuart was The daughter of a Scottish barrister was a poet particularly concerned with the topic of sexual politics though she first wrote poems about World War I She later gave up poetry writing her last work was published in the 1930s She was born Muriel Stuart Irwin She was hailed by Hugh MacDiarmid as the best woman poet of the Scottish Renaissance although she was not Scottish but English Despite this his comment led to her inclusion in many Scottish anthologies Thomas Hardy described her poetry as Superlatively good Her most famous poem In the Orchard is entirely dialogs and in no kind of verse form which makes it innovative for its time She does use rhyme a mixture of half-rhyme and rhyming couplets abab form Other famous poems of hers are The Seed Shop The Fools and Man and his Makers Muriel also wrote a gardening book called Gardeners Nightcap 1938 which was later reprinted by Persephone Books more…

All Muriel Stuart poems | Muriel Stuart Books

0 fans

Discuss this Muriel Stuart poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "Christ at Carnival" Poetry.com. STANDS4 LLC, 2024. Web. 27 Apr. 2024. <https://www.poetry.com/poem-analysis/28341/christ-at-carnival>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    3
    days
    4
    hours
    59
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Who wrote the poem "Dreams"?
    A Gerard Manley Hopkins
    B Langston Hughes
    C John Donne
    D Thomas Hardy