Analysis of Andromeda Unfettered



Chained to the years by the measureless wrong of man,
Here I hang, here I suffer, here I cry,
Since the light sprang forth from the dark, and the day began;
Since the sky was sundered and saved from the sea,
And the mouth of the beast was warm on the breast of the sod,
And the bird's feed glimmered like rings on the blossoming tree,
And the rivers ran silver with scales, and the earth was thronged
With creatures lovely and sane and wild and free;
Till the Image of God arose from the dust and trod
Woman and beast and bird into slavery.
Who has wronged me? Man who all earth has wronged:
Who has mocked me? Man, who made mock of God.

CHORUS OF FIRST WOMEN.

Nay, what do you seek?
If of men we be chained,
Our chains be of gold,
If the fetters we break
What conquest is gained?
Shall a hill-top out-spread a pavilion more safe than our palace hold?

Without toil, we are fed,
We have gold to our hire,
We have kings at out thrall,
And made smooth is our bed
For the fools of desire.
We falter the world with our eyelids, at our laughter men scatter and fall.

What is freedom but danger,
And death, and disaster?
We are safe: Fool, to crave
The unknown, the stranger!
More fettered the back than the burden; man bows; he is slave to a slave!

Yes, in most bitter waters have they drowned
My spirit, And my soul grows grey on sleep!
What if with wreaths my empty hands are bound?
I am slave for all their roses, and I keep
A tryst with cunning, and a troth with tears.
Time has kissed out my lips, and I am dumb.
I am so long called fool, I am become
That fool-of street or shrine. By body bears
Burden of men and children. I have been
All that man has desired or dreamed of me.
I have trodden a double-weary way-with Sin,
Or with Sin's pale, cold sister Chastity.
I am a thing of twilight. I am afraid.
Dull now and tame now; of myself so shamed.
Fortressed against redemption; visited
Of the old dream so seldom, as things tamed
forget the life that their wild brother leads.
I am a hurt beast flinching at the light.
I have been palaced from sun, and night
Runs in my blood, and all night's blushless deeds!

CHORUS OF SECOND WOMEN.

Oh world so blind, so dumb to our desiring,--
To the vague cry and clamour of our being!
Oh world so dark to our supreme aspiring,--
To the pitiful strange travail of our freeing!--

We weary not for love and lips to love us;
These have been ours too often and too long;
We have been hived too close; too sweet above us
Tastes the bees mouth to our honey-wearied tongue.

Not love, not love! Love was our first undoing,
We have lived too long on heart-beats. None can tame
The mind's new hunger, famished and pursuing,
Unleashed, and crying its oppressor's name.

All that the world could give man's mind inherits:
Two paths were set us. Baffled, weeping, yearning,
Tossed between God and man, rebellious spirits,
We wandered, now escaped and unreturning.

We are arming, waking, terribly unfolding,
The spent world shudders in a new creation,
A dread and pitiless flowering beholding,
Burst from the dark root of our long frustration!

Did God but build this temple for desire
That man defraud my birthright with a kiss?
Did he not give me a spirit to aspire
Beyond man's fortress and necessities?
Man chains the thing he fears, who fears the free;
No wildest beast was tamed as I was tamed,
No prey has been so tracked, no flesh so shamed;
Man hunts no quarry as he hunted me.
Of all the things created, one alone
Rose from the earth his equal; only the might
Of his brute strength could bid my soul renounce
Its claim-forswear its just, predestined right.
To what poor shape of folly am I grown,
In whom God breathed an equal spirit once!

CHORUS OF FIRST WOMEN.

Oh sheltering arms that have bound you,
Oh hearts you have shaped to your will!
The lordliest lovers have crowned you,
They have knelt as they kneel to you still.

Why speak you so ill of such lovers,
Why question the will of such lords?
From your lips, from your laughter, Love offers
The world on a litter off swords,

They have borne for you death and disasters,
They have held you with kingdoms at stake.
The kings of the earth and the masters
Were poets and fools for your sake!

Was I made free for all their swords and songs?
Do fairest songs sung to caged birds sound sweet?
Did their spears hold the door whenc


Scheme axabcbdbcbdc E fghigh jkljkl kkmkm nonopqqprbrbxsxstuut e vvvv wxwx vxvx xvxf veve kxxxbssbyuxuyx E z1 z1 2 3 2 3 2 i2 i xxf
Poetic Form
Metre 1101101111 1111110111 1011110100101 1011101101 00110111101101 0011111101001 00101101100111 11010010101 1010110110101 10010101100 1111111111 1111111111 101110 11111 111111 101111 101011 11011 101111001011110101 011111 11111010 111111 0111101 1011010 1100111011101011001 1110110 010010 111111 001010 11001101011111101 1011010111 1100111111 1111110111 11111110011 0111000111 1111110111 1111111101 1111111101 1011010111 11110101111 111001010111 1111110100 1101111101 110111111 101010100 1011110111 0101111101 1101110101 11111101 101101111 1011010 1111111100100 10110111010 111111001010 1010010111010 11011101111 11110110011 11111111011 101111010101 111111101010 11111111111 01110100010 01010111 11011111010 11011101010 10110101010 11010101 111010100010 01110001010 010100100010 110111101010 11111101010 110111101 11111010101 0111000100 1101111101 1101111111 1111111111 1111011101 1101010101 11011101001 1111111101 110111101 1111110111 0111110101 101110 110011111 11111111 0110111 111111111 111111110 11001111 1111110110 01101011 1111110010 111111011 011010010 01001111 1111111101 1101111111 1111011
Closest metre Iambic pentameter
Characters 4,250
Words 819
Sentences 55
Stanzas 18
Stanza Lengths 12, 1, 6, 6, 5, 20, 1, 4, 4, 4, 4, 4, 14, 1, 4, 4, 4, 3
Lines Amount 101
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 186
Words per stanza (avg) 45
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Submitted on May 13, 2011

Modified on March 05, 2023

4:08 min read
67

Muriel Stuart

Muriel Stuart was The daughter of a Scottish barrister was a poet particularly concerned with the topic of sexual politics though she first wrote poems about World War I She later gave up poetry writing her last work was published in the 1930s She was born Muriel Stuart Irwin She was hailed by Hugh MacDiarmid as the best woman poet of the Scottish Renaissance although she was not Scottish but English Despite this his comment led to her inclusion in many Scottish anthologies Thomas Hardy described her poetry as Superlatively good Her most famous poem In the Orchard is entirely dialogs and in no kind of verse form which makes it innovative for its time She does use rhyme a mixture of half-rhyme and rhyming couplets abab form Other famous poems of hers are The Seed Shop The Fools and Man and his Makers Muriel also wrote a gardening book called Gardeners Nightcap 1938 which was later reprinted by Persephone Books more…

All Muriel Stuart poems | Muriel Stuart Books

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