Analysis of The Road to Hogan's Gap

Andrew Barton Paterson 1864 (Orange, New South Wales) – 1941 (Sydney, New South Wales)



Now look, you see, it’s this way like,
   You cross the broken bridge
And run the crick down till you strike
   The second right-hand ridge.
The track is hard to see in parts,
   But still it’s pretty clear;
There’s been two Injin hawkers’ carts
   Along that road this year.

Well, run that right-hand ridge along—
   It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
   Where blokes went out with sheep.

But keep the crick upon your right,
   And follow pretty straight
Along the spur, until you sight
   A wire and sapling gate.

Well, that’s where Hogan’s old grey mare
   Fell off and broke her back;
You’ll see her carcase layin’ there,
   Jist down below the track.

And then you drop two mile, or three,
   It’s pretty steep and blind;
You want to go and fall a tree
   And tie it on behind.

And then you pass a broken cart
   Below a granite bluff;
And that is where you strike the part
   They reckon pretty rough.

But by the time you’ve got that far
   It’s either cure or kill,
So turn your horses round the spur
   And face ’em up the hill.

For look, if you should miss the slope
   And get below the track,
You haven’t got the whitest hope
   Of ever gettin’ back.

An’ half way up you’ll see the hide
   Of Hogan’s brindled bull;
Well, mind and keep the right-hand side,
   The left’s too steep a pull.

And both the banks is full of cracks;
   An’ just about at dark
You’ll see the last year’s bullock tracks
   Where Hogan drew the bark.

The marks is old and pretty faint—
   And grown with scrub and such;
Of course the track to Hogan’s ain’t
   A road that’s travelled much.

But turn and run the tracks along
   For half a mile or more,
And then, of course, you can’t go wrong—
   You’re right at Hogan’s door.

When first you come to Hogan’s gate
   He mightn’t show, perhaps;
He’s pretty sure to plant and wait
   To see it ain’t the traps.

I wouldn’t call it good enough
   To let your horses out;
There’s some that’s pretty extra rough
   Is livin’ round about.

It’s likely if your horses did
   Get feedin’ near the track,
It’s goin’ to cost at least a quid
   Or more to get them back.

So, if you find they’re off the place,
   It’s up to you to go
And flash a quid in Hogan’s face—
   He’ll know the blokes that know.

But listen—if you’re feelin’ dry,
   Just see there’s no one near,
And go and wink the other eye
   And ask for ginger beer.

The blokes come in from near and far
   To sample Hogan’s pop;
They reckon once they breast the bar
   They stay there till they drop.

On Sundays you can see them spread
   Like flies around the tap.
It’s like that song “The Livin’ Dead”
   Up there at Hogan’s Gap.

They like to make it pretty strong
   Whenever there’s a charnce;
So when a stranger comes along
   They always holds a dance.

There’s recitations, songs, and fights—
   A willin’ lot you’ll meet.
There’s one long bloke up there recites,
   I tell you—he’s a treat.

They’re lively blokes all right up there,
   It’s never dull a day.
I’d go meself if I could spare
   The time to get away.

.     .     .     .     .
The stranger turned his horses quick.
   He didn’t cross the bridge;
He didn’t go along the crick
   To strike the second ridge;

He didn’t make the trip, because
   He wasn’t feeling fit.
His business up at Hogan’s was
   To serve him with a writ.

He reckoned if he faced the pull
   And climbed the rocky stair,
The next to come might find his hide
A land-mark on the mountain side,
Along with Hogan’s brindled bull
   And Hogan’s old grey mare!


Scheme Text too long
Poetic Form
Metre 11111111 110101 01011111 010111 01111101 111101 1111101 011111 11111101 111111 11111111 111111 11010111 010101 01010111 0100101 1111111 110101 110111 110101 01111111 110101 11110101 011101 01110101 010101 01111101 110101 11011111 110111 11110101 011101 11111101 010101 1110101 11011 11111101 1111 11010111 011101 01011111 110111 11011101 11101 01110101 011101 1101111 011101 11010101 110111 01111111 11111 1111111 11101 11011101 111101 1111101 111101 11110101 11101 11011101 11101 11111101 111111 11111101 111111 0101011 110111 1101111 111111 01010101 011101 01101101 11011 11011101 111111 1111111 110101 1111011 11111 11111101 010101 11010101 11101 1010101 01111 11111101 111101 11011111 110101 1111111 011101 1 01011101 11101 1110101 110101 1110101 11101 1101111 111101 11011101 010101 01111111 01110101 011111 01111
Closest metre Iambic tetrameter
Characters 3,679
Words 639
Sentences 36
Stanzas 25
Stanza Lengths 8, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 5, 4, 6
Lines Amount 107
Letters per line (avg) 24
Words per line (avg) 6
Letters per stanza (avg) 102
Words per stanza (avg) 26
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Submitted on May 13, 2011

Modified on March 05, 2023

3:11 min read
39

Andrew Barton Paterson

Andrew Barton "Banjo" Paterson, was an Australian bush poet, journalist and author. He wrote many ballads and poems about Australian life, focusing particularly on the rural and outback areas, including the district around Binalong, New South Wales, where he spent much of his childhood. Paterson's more notable poems include "Clancy of the Overflow" (1889), "The Man from Snowy River" (1890) and "Waltzing Matilda" (1895), regarded widely as Australia's unofficial national anthem. more…

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