Analysis of The Hypnotist

Andrew Barton Paterson 1864 (Orange, New South Wales) – 1941 (Sydney, New South Wales)



A man once read with mind surprised
Of the way that people were "hypnotised";
By waving hands you produced, forsooth,
A kind of trance where men told the truth!
His mind was filled with wond'ring doubt;
He grabbed his hat and he started out,
He walked the street and he made a "set"
At the first half-dozen folk he met.
He "tranced" them all, and without a joke
'Twas much as follows the subjects spoke:

First Man
"I am a doctor, London-made,
Listen to me and you'll hear displayed
A few of the tricks of the doctor's trade.
'Twill sometimes chance when a patient's ill
That a doae, or draught, or a lightning pill,
A little too strong or a little too hot,
Will work its way to a vital spot.
And then I watch with a sickly grin
While the patient 'passes his counters in'.
But when he has gone with his fleeting breath
I certify that the cause of death
Was something Latin, and something long,
And who is to say that the doctor's wrong!
So I go my way with a stately tread
While my patients sleep with the dreamless dead."

Next, Please
"I am a barrister, wigged and gowned;
Of stately presence and look profound.
Listen awhile till I show you round.
When courts are sitting and work is flush
I hurry about in a frantic rush.
I take your brief and I look to see
That the same is marked with a thumping fee;
But just as your case is drawing near
I bob serenely and disappear.
And away in another court I lurk
While a junior barrister does your work;
And I ask my fee with a courtly grace,
Although I never came near the case.
But the loss means ruin too you, maybe,
But nevertheless I must have my fee!
For the lawyer laughs in his cruel sport
While his clients march to the Bankrupt Court."

Third Man
"I am a banker, wealthy and bold --
A solid man, and I keep my hold
Over a pile of the public's gold.
I am as skilled as skilled can be
In every matter of £ s. d.
I count the money, and night by night
I balance it up to a farthing right:
In sooth, 'twould a stranger's soul perplex
My double entry and double checks.
Yet it sometimes happens by some strange crook
That a ledger-keeper will 'take his hook'
With a couple of hundred thousand 'quid',
And no one can tell how the thing was did!"

Fourth Man
"I am an editor, bold and free.
Behind the great impersonal 'We'
I hold the power of the Mystic Three.
What scoundrel ever would dare to hint
That anything crooked appears in print!
Perhaps an actor is all the rage,
He struts his hour on the mimic stage,
With skill he interprets all the scenes --
And yet next morning I give him beans.
I slate his show from the floats to flies,
Because the beggar won't advertise.
And sometimes columns of print appear
About a mine, and it makes it clear
That the same is all that one's heart could wish --
A dozen ounces to every dish.
But the reason we print those statements fine
Is -- the editor's uncle owns the mine."

The Last Straw
"A preacher I, and I take my stand
In pulpit decked with gown and band
To point the way to a better land.
With sanctimonious and reverent look
I read it out of the sacred book
That he who would open the golden door
Must give his all to the starving poor.
But I vary the practice to some extent
By investing money at twelve per cent,
And after I've preached for a decent while
I clear for 'home' with a lordly pile.
I frighten my congregation well
With fear of torment and threats of hell,
Although I know that the scientists
Can't find that any such place exists.
And when they prove it beyond mistake
That the world took millions of years to make,
And never was built by the seventh day
I say in a pained and insulted way
that 'Thomas also presumed to doubt',
And thus do I rub my opponents out.
For folks may widen their mental range,
But priest and parson, thay never change."

With dragging footsteps and downcast head
The hypnotiser went home to bed,
And since that very successful test
He has given the magic art a rest;
Had he tried the ladies, and worked it right,
What curious tales might have come to light!


Scheme Text too long
Poetic Form
Metre 01111101 10111001 11011011 011111101 11111111 111101101 110101101 101110111 111100101 111100101 11 11010101 101101101 0110110101 101110101 1011110101 01011101011 111110101 011110101 1010101100 1111111101 11010111 110100101 0111110101 1111110101 111011011 11 110100101 110100101 100111111 111100111 1100100101 111101111 1011110101 111111101 110100001 0010010111 1010100111 0111110101 11101101 1011101110 100111111 1010101101 1110110101 11 110101001 010101111 100110101 11111111 010010111 110100111 1101110101 011010101 110100101 1101101111 1010101111 1010110101 0111110111 11 111100101 010101001 1101010101 110101111 110100101 011101101 1111010101 111010101 011101111 111110111 01010110 001101101 010101111 1011111111 0101011001 1010111101 1010010101 011 010101111 01011101 110110101 1010001001 111110101 1111100101 111110101 11100101101 1010101111 0101110101 11111011 11010101 11110111 11110100 111101101 011110101 1011101111 0101110101 1100100101 110100111 0111110101 111101101 110101101 1101011 011111 011100101 1110010101 1110100111 1100111111
Closest metre Iambic pentameter
Characters 4,001
Words 773
Sentences 34
Stanzas 7
Stanza Lengths 10, 16, 18, 14, 18, 24, 6
Lines Amount 106
Letters per line (avg) 29
Words per line (avg) 7
Letters per stanza (avg) 442
Words per stanza (avg) 109
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Submitted on May 13, 2011

Modified on March 05, 2023

3:54 min read
96

Andrew Barton Paterson

Andrew Barton "Banjo" Paterson, was an Australian bush poet, journalist and author. He wrote many ballads and poems about Australian life, focusing particularly on the rural and outback areas, including the district around Binalong, New South Wales, where he spent much of his childhood. Paterson's more notable poems include "Clancy of the Overflow" (1889), "The Man from Snowy River" (1890) and "Waltzing Matilda" (1895), regarded widely as Australia's unofficial national anthem. more…

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