Analysis of Jude



When you tell mama
you are going to do something great
she looks at you
as though you were a window
she were trying to see through,
and says she hopes you will be good
instead of great.

When you are five years old
you spend the day in the Gardens.
The grass is greener than cabbages,
and orange lilies
stand up very straight
and will not curtsey to the sun
when the wind tells them.
Only pansies bow down very low.
Pansies make little purple cushions
for queen bees to stand on.
Bees
have brown silk hair on their bodies.
If you are careful
they will let you stroke them.

The trees over the marble man
catch up all the sunbeams
so the shadows have it their way—
the shadows swallow him up
like a blue shark.
When you scoop a sunbeam up on your palm
and offer it to the marble man,
he does not notice…
he looks into his stone beard.
… When you do something great
people give you a stone face,
so you do not care any more
when the sun throws gold on you
through leaf-holes the wind makes
in green bushes….
This thought makes me very sad.

Jude has eyes like tobacco
with yellow specks on it
and his hair is red as a red orange.
Jude and I
have made a garden in the field
that no one knows about.
We creep in and out
through a little place
where the barbed wire is down.
We lie in the long grass
and crush dandelions
between our two cheeks
till the milk comes out on our faces.
We hold each other tight
and the wind tip-toes all over us
and pelts us with thistle-down.

Jude isn’t afraid of shadows—
not even of the ones that have eyes in them.
And he can look in the face of the sun
without blinking at all.
Hush! don’t say sun so loud.
The sun gets angry when you stare at him.
If you peek in his glory-windows
he spreads into a great white flame
like God out of his Burning Bush…
till you put your hands up on your face
and tremble like a drop of rain upon a flower
that some one throws into the fire…
and then
the sun makes himself small,
the sun swings down out of the sky—
littler’n a star,
little as a spark
little as a fierce red spider
on a burning thread…
and then
the light goes out…
shivers into blackened bits….
You hold on to a wall that whirls around
and the gate is a black hole.
You grope your way in like a toad
that’s blinded by a stone…
and mama puts on cold wet rags
that get hot soon….
Hush! don’t let’s talk about the sun.

When you pass by the ditch where Janie is
You run very fast
and look at the other side.
Jude says Janie did love me
only she couldn’t forgive me,
and that you can love people very much
and never, never, never forgive them….
so we poked a stick in the bottle-green water.
But only weeds came up
and an old top with the paint washed off.

Jude and I
wave to the new moon
curled right up like one gold hair
on the bald-head sandhill.
Mama peeps out the window and smiles.
She thinks
I am playing with myself…
Run, Jude, run with the wind—
but hold my hand tight
or the wind,
looking for some one to play with,
will take me away from you!
Wind with no one to play with
cooees the orange-trees—
stay-at-home orange trees,
have to nurse oranges,
greeny-gold.
Wind shouts to the grass—
run-away-grass
tugs at its roots,
but the earth holds tight
and the grass falls down
and wind boos over it.
Wind whistles the bees—
bees too busy
with taking home stuff out of flowers
won’t look back—
bees always going somewhere.
Only Jude and I—
heads over shoulders
watching all roads at one time—
run with the wind,
going to nowhere.

Jude and I
were weeding our garden
when we heard his whip—
must have been a new whip
to cut off dandelion-heads at one swing….
He was the kind of boy you knew when you had Celia….
with nice clothes on and curls
crawling about his collar
like little golden slugs,
and his man was leading his horse.
I wish I hadn’t run to meet him….
If you hadn’t run to meet him
he mightn’t have trod on your garden and said:
Get out of my field you dirty little beggar…
he mightn’t have struck you with his whip….
How the daisies stared….
I hate daisies—
stupid white faces—
skinny necks
craning over the grass!
I said It is not your field,
and he struck me again.
But he didn’t make me run.
His hand


Scheme Text too long
Poetic Form
Metre 11110 111011101 1111 1110010 1010111 01111111 0111 111111 11010010 011101100 01010 11101 0111101 10111 101011101 101101010 111111 1 11111110 11110 111111 01100101 11101 1011111 011011 1011 111011111 010110101 11110 1101111 111101 1011011 11111101 1011111 111011 0110 1111101 111101 110111 0111110110 101 11010001 111101 11001 10101 1011011 110011 01100 011011 1011111010 111101 001111101 0111101 110111 11010111101 0111001101 011011 111111 0111011111 111011010 11010111 11111101 111111111 0101011101010 111101010 01 011011 01111101 101 10101 10101110 10101 01 0111 1001101 1111011101 0011011 11110101 110101 01011111 1111 11110101 1111011101 11101 0110101 1110111 1011011 0111110101 0101010011 111010010110 110111 011110111 101 11011 1111111 10111 101101001 11 111011 111101 11111 101 10111111 1110111 1111111 10101 111101 111100 11 11101 1011 1111 10111 00111 011101 11001 1110 110111110 111 11101 10101 11010 1011111 1101 1011 101 0101010 11111 111011 1111001111 1101111111110 111101 1001110 110101 01111011 11111111 1111111 1111111001 111111101010 11111111 10101 1110 10110 101 11001 1111111 011101 111111 11
Closest metre Iambic trimeter
Characters 4,080
Words 816
Sentences 47
Stanzas 8
Stanza Lengths 7, 14, 16, 16, 29, 10, 33, 24
Lines Amount 149
Letters per line (avg) 21
Words per line (avg) 5
Letters per stanza (avg) 400
Words per stanza (avg) 102
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Submitted on May 13, 2011

Modified on March 05, 2023

4:05 min read
101

Lola Ridge

Lola Ridge was an anarchist poet and an influential editor of avant-garde feminist and Marxist publications best remembered for her long poems and poetic sequences She along with other political poets of the early Modernist period has been coming under increasing critical scrutiny at the beginning of the twenty-first century more…

All Lola Ridge poems | Lola Ridge Books

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