Analysis of The Zenana



WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,
Where, hidden from the common eye,
The past's long buried secrets lie,
Those mysteries of the first great creed,
Whose mystic fancies were the seed
Of every wild and vain belief,
That held o'er man their empire brief,
And turned beneath a southern sky,
All that was faith to poetry.
Hence had the Grecian fables birth,
And wandered beautiful o'er earth;
Till every wood, and stream, and cave,
Shelter to some bright vision gave:
For all of terrible and strange,
That from those gloomy caverns sprung,

From Greece received a graceful change,
That spoke another sky and tongue,
A finer eye, a gentler hand,
Than in their native Hindoo land.

'Twas thence Nadira came, and still
Her memory kept that lofty hill;
The vale below, her place of birth,
That one charmed spot, her native earth.
Still haunted by that early love,
Which youth can feel, and youth alone;
An eager, ready, tenderness,
To all its after-life unknown.
When the full heart its magic flings,
Alike o'er rare and common things,
The dew of morning's earliest hour,
Which swells but once from leaf and flower,

From the pure life within supplied,
A sweet but soon exhausted tide.

There falls a shadow on the gloom,
There steals a light step through the room,
Gentle as love, that, though so near,
No sound hath caught the list'ning ear.
A moment's fond watch o'er her keeping.
Murad beholds Nadira weeping;
He who to win her lightest smile,
Had given his heart's best blood the while.
She turned—a beautiful delight
Has flushed the pale one into rose,
Murad, her love, returned to-night,
Her tears, what recks she now of those?
Dried in the full heart's crimson ray,
Ere he can kiss those tears away—

And she is seated at his feet,
Too timid his dear eyes to meet;
But happy; for she knows whose brow
Is bending fondly o'er her now.
And eager, for his sake, to hear
The records red of sword and spear,
For his sake feels the colour rise,
His spirit kindle in her eyes,
Till her heart beating joins the cry
Of Murad, and of Victory.

City of glories now no more,
His camp extends by Bejapore,
Where the Mahratta's haughty race
Has won the Moslem conqueror's place;
A bolder prince now fills the throne,
And he will struggle for his own.

'And yet,' he said, 'when evening falls
Solemn above those mouldering walls,
Where the mosques cleave the starry air,
Deserted at their hour of prayer,
And rises Ibrahim's lonely tomb,
'Mid weed-grown shrines, and ruined towers,
All marked with that eternal gloom
Left by the past to present hours.
When human pride and human sway
Have run their circle of decay;
And, mocking—the funereal stone,
Alone attests its builder gone.
Oh! vain such temple, o'er the sleep
Which none remain to watch or we


Scheme Text too long
Poetic Form
Metre 11110111 10010101 11010101 011100 11010101 11010101 11010101 11010101 0101010110 11010101 11111111 0101101 1101011 11110101 010010110 11111101 11010101 11011101 11001111 11010101 110100001 110110011 011111 11010101 11010111 01111101 01110101 11011101 10011101 11111101 11011101 010111110 01011100 110111010 01011101 11010101 11110111 1101001 11010111 11111101 11011111 11010101 11110101 01110101 01110101 01001101 11010101 01110101 110010111 11010001 110010101 1110111001 01010101 11111100 11010101 010100101 110010101 10111101 11110001 11110101 11010101 11010101 01010101 1011011 111101 010011101 01010111 11110101 11011101 11110101 11010100 11110101 10111101 011010101 0111010010 111111010 10110101 01110101 1101101 11011101 10111111 11110111 0101110010 101110 11110101 110111101 11010001 11011011 10010111 01111111 10011101 11111101 01110111 11011111 11011111 110101001 01011111 00111101 1111011 11010001 10110101 11001100 10110111 110111 101101 110101001 01011101 01110111 01111101 1001111 10110101 010111011 0101101 111101010 11110101 110111010 11010101 11110101 010011 01011101 111101001 11011111
Closest metre Iambic tetrameter
Characters 4,216
Words 772
Sentences 24
Stanzas 12
Stanza Lengths 8, 4, 12, 18, 18, 4, 12, 2, 14, 10, 6, 14
Lines Amount 122
Letters per line (avg) 28
Words per line (avg) 6
Letters per stanza (avg) 282
Words per stanza (avg) 64
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Submitted on May 13, 2011

Modified on March 05, 2023

3:58 min read
98

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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