Analysis of The Combat. By Etty

Letitia Elizabeth Landon 1802 (Chelsea) – 1838 (Cape Coast)



THEY fled,--for there was for the brave
Left only a dishonour'd grave.
The day was lost; and his red hand
Was now upon a broken brand,
The foes were in his native town,
The gates were forced, the walls were down,
The burning city lit the sky,--
What had he then to do but fly;
Fly to the mountain-rock, where yet
Revenge might strike, or peace forget!

They fled,--for she was by his side,
Life's last and loveliest link, his bride,--
Friends, fame, hope, freedom, all were gone,
Or linger'd only with that one.
They hasten'd by the lonely way
That through the winding forest lay,
Hearth, home, tower, temple, blazed behind,
And shout and shriek came on the wind;
And twice the warrior turn'd again
And cursed the arm that now in vain,
Wounded and faint, essay'd to grasp
The sword that trembled in its clasp.

At last they reach'd a secret shade
Which seem'd as for their safety made;
And there they paused, for the warm tide
Burst in red gushes from his side,
And hung the drops on brow and cheek,
And his gasp'd breath came thick and weak.
She took her long dark hair, and bound
The cool moss on each gaping wound,
And in her closed-up hands she brought
The water which his hot lip sought,--
And anxious gazed upon his eye,
As asking, shall we live or die?
Almost as if she thought his breath
Had power o'er his own life and death.

But, hark!--'tis not the wind deceives,
There is a step among the leaves:
Her blood runs cold, her heart beats high,
It is their fiercest enemy;
He of the charm'd and deadly steel,
Whose stroke was never known to heal,--
He of the sword sworn not to spare,--
She flung her down in her despair!

The dying chief sprang to his knee,
And the staunch'd wounds well'd fearfully;
But his gash'd arm, what is it now?
Livid his lip, and black his brow,
While over him the slayer stood,
As if he almost scorn'd the blood
That cost so little to be won,--
He strikes,--the work of death is done!


Scheme AABBCCDDEE FFXGHHIIXXJJ KKFFLLMMNNDDOO PPDQRRSS QRTTXXGG
Poetic Form
Metre 11111101 110011 01110111 11010101 01001101 01010101 01010101 11111111 11010111 01111101 11111111 1101111 11110101 11010111 11010101 11010101 111010101 01011101 010100101 01011101 1001111 01110011 11110101 11111101 01111011 10110111 01011101 01111101 11011101 01111101 00011111 01011111 01010111 11011111 1111111 1101011101 1111011 11010101 01110111 11110100 11010101 11110111 11011111 11010001 01011111 001111 11111111 10110111 11010101 1111101 11110111 11011111
Closest metre Iambic tetrameter
Characters 1,874
Words 371
Sentences 12
Stanzas 5
Stanza Lengths 10, 12, 14, 8, 8
Lines Amount 52
Letters per line (avg) 28
Words per line (avg) 7
Letters per stanza (avg) 291
Words per stanza (avg) 72
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Submitted on May 13, 2011

Modified on March 05, 2023

1:56 min read
82

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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