Analysis of The Sycamores

John Greenleaf Whittier 1807 (Haverhill) – 1892 (Hampton Falls)



In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.

One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.

Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.

Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.

Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.

How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---

Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.

When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,

And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.

When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.

Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,

By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.

How the souls in Purgatory
Scrambled up from fate forlorn
On St. Keven's sackcloth ladder
Slyly hitched to Satan's horn.

Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!

Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"

Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.

Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.

Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!

When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---

When each war-scarred Continental
Leaving smithy, mill,.and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---

Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.

Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.

And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---

On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.

And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land."

Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.

Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.

But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.

Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;

Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.

Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taug


Scheme XABA CDED FGHG IJHJ XKXK LMXM NGEX XOHO CPQP ARXR XSES HTXT UEHE XVBV WXBX LEIE YZ1 Z EAXA U2 Q2 L3 X3 X4 N4 5 GCG XEHE ETAT W6 H6 X7 U7 X5 X5 1 6 G6 W8 5 8 C9 H9 GXYF
Poetic Form Quatrain  (94%)
Metre 0011010 1010101 1001011 10101 111001110 0010111 1010101 1110101 10111010 111111 1011110 101101 10111110 101101 11111110 0111111 01111 1110011 10101010 101111 11111010 1110111 10111010 0010101 10101010 1001101 1011110 1010111 10111110 101111 0011010 1010101 00101110 1110101 10111010 111111 10101001 1101101 10101110 1110101 11101011 0010101 10111110 0010111 10101110 1011101 10101010 0010111 1010100 1011101 111110 101111 101001110 1111111 10110010 100111 1001101110 1110111 11101010 1010101 10111010 1010101 10111110 11101 10111010 1111101 10101110 0111101 10100101 1010101 111111 1111 10101110 1011101 00101110 0010101 1111010 10111 11101010 0111111 10111010 1010101 10111110 100100111 110111 1011111 11101010 1010111 01110110 1010101 10111010 110101 1010111 1011101 1011101 110111 0110110 101111 11111010 0110101 10101101 111010 01111010 1010111 10101011 1111101 11101010 1110101 1010110 101011 1010111 1010101 10101110 10101101 1011101 1010101 101111 1010101 11111110 1011101 1010101 10101101 10111110 1110101
Closest metre Iambic tetrameter
Characters 4,052
Words 696
Sentences 31
Stanzas 31
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 124
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 104
Words per stanza (avg) 22
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Submitted on May 13, 2011

Modified on March 05, 2023

3:32 min read
116

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

All John Greenleaf Whittier poems | John Greenleaf Whittier Books

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