Analysis of The Brother Of Mercy



Piero Luca, known of all the town
As the gray porter by the Pitti wall
Where the noon shadows of the gardens fall,
Sick and in dolor, waited to lay down
His last sad burden, and beside his mat
The barefoot monk of La Certosa sat.

Unseen, in square and blossoming garden drifted,
Soft sunset lights through green Val d'Arno sifted;
Unheard, below the living shuttles shifted
Backward and forth, and wove, in love or strife,
In mirth or pain, the mottled web of life
But when at last came upward from the street
Tinkle of bell and tread of measured feet,
The sick man started, strove to rise in vain,
Sinking back heavily with a moan of pain.
And the monk said, ''T is but the Brotherhood
Of Mercy going on some errand good
Their black masks by the palace-wall I see.'
Piero answered faintly, 'Woe is me!
This day for the first time in forty years
In vain the bell hath sounded in my ears,
Calling me with my brethren of the mask,
Beggar and prince alike, to some new task
Of love or pity,--haply from the street
To bear a wretch plague-stricken, or, with feet
Hushed to the quickened ear and feverish brain,
To tread the crowded lazaretto's floors,
Down the long twilight of the corridors,
Midst tossing arms and faces full of pain.
I loved the work: it was its own reward.
I never counted on it to offset
My sins, which are many, or make less my debt
To the free grace and mercy of our Lord;
But somehow, father, it has come to be
In these long years so much a part of me,
I should not know myself, if lacking it,
But with the work the worker too would die,
And in my place some other self would sit
Joyful or sad,--what matters, if not I?
And now all's over. Woe is me!'--'My son,'
The monk said soothingly, 'thy work is done;
And no more as a servant, but the guest
Of God thou enterest thy eternal rest.
No toil, no tears, no sorrow for the lost,
Shall mar thy perfect bliss. Thou shalt sit down
Clad in white robes, and wear a golden crown
Forever and forever.'--Piero tossed
On his sick-pillow: 'Miserable me!
I am too poor for such grand company;
The crown would be too heavy for this gray
Old head; and God forgive me if I say
It would be hard to sit there night and day,
Like an image in the Tribune, doing naught
With these hard hands, that all my life have wrought,
Not for bread only, but for pity's sake.
I'm dull at prayers: I could not keep awake,
Counting my beads. Mine's but a crazy head,
Scarce worth the saving, if all else be dead.
And if one goes to heaven without a heart,
God knows he leaves behind his better part.
I love my fellow-men: the worst I know
I would do good to. Will death change me so
That I shall sit among the lazy saints,
Turning a deaf ear to the sore complaints
Of souls that suffer? Why, I never yet
Left a poor dog in the strada hard beset,
Or ass o'erladen! Must I rate man less
Than dog or ass, in holy selfishness?
Methinks (Lord, pardon, if the thought be sin!)
The world of pain were better, if therein
One's heart might still be human, and desires
Of natural pity drop upon its fires
Some cooling tears.'

Thereat the pale monk crossed
His brow, and, muttering, 'Madman! thou art lost!'
Took up his pyx and fled; and, left alone,
The sick man closed his eyes with a great groan
That sank into a prayer, 'Thy will be done!'
Then was he made aware, by soul or ear,
Of somewhat pure and holy bending o'er him,
And of a voice like that of her who bore him,
Tender and most compassionate: 'Never fear!
For heaven is love, as God himself is love;
Thy work below shall be thy work above.'
And when he looked, lo! in the stern monk's place
He saw the shining of an angel's face!

The Traveller broke the pause. 'I've seen
The Brothers down the long street steal,
Black, silent, masked, the crowd between,
And felt to doff my hat and kneel
With heart, if not with knee, in prayer,
For blessings on their pious care.'

Reader wiped his glasses: 'Friends of mine,
I'll try our home-brewed next, instead of foreign wine.'


Scheme ABBACC DXDEEFFGGHHIIJJKKFFGXLGMNNMIIOPOPQQRRSAASIITTTUUVVWWXXYYZZNNXX1 1 LLX SS2 2 QX3 3 X4 4 5 5 6 7 6 7 8 8 9 9
Poetic Form
Metre 101011101 101101011 101110101 100110111 1111000111 0111111 010101001010 11111111010 01010101010 1001010111 0111010111 1111110101 1011011101 0111011101 10110010111 0011111010 1101011101 1111010111 101010111 1110110101 0101110011 1011110101 1001011111 111101101 1101110111 11010101001 1101011 101110100 1101010111 1101111101 1101011101 11111011111 10110101101 111011111 0111110111 111111101 1101010111 0011110111 1011110111 0111011111 0111001111 0111010101 111110101 1111110101 1110111111 1011010101 01001101 1111010001 1111111100 0111110111 1101011111 1111111101 11100010101 1111111111 111101111 1111111101 1011110101 1101011111 01111100101 1111011101 1111010111 1111111111 1111010101 1001110101 1111011101 10110010101 11111111 1111010100 111010111 0111010101 11111100010 110010101110 1101 10111 1101001111 1111010101 0111111011 1101011111 1111011111 111101010101 01011110111 10010100101 11011110111 1101111101 0111100111 110101111 010010111 01010111 11010101 01111101 11111101 11011101 101110111 1110111011101
Closest metre Iambic pentameter
Characters 3,880
Words 769
Sentences 39
Stanzas 5
Stanza Lengths 6, 67, 13, 6, 2
Lines Amount 94
Letters per line (avg) 32
Words per line (avg) 8
Letters per stanza (avg) 605
Words per stanza (avg) 151
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Submitted on May 13, 2011

Modified on March 05, 2023

3:52 min read
77

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

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