Analysis of Lucy Hooper

John Greenleaf Whittier 1807 (Haverhill) – 1892 (Hampton Falls)



They tell me, Lucy, thou art dead,
That all of thee we loved and cherished
Has with thy summer roses perished;
And left, as its young beauty fled,
An ashen memory in its stead,
The twilight of a parted day
Whose fading light is cold and vain,
The heart's faint echo of a strain
Of low, sweet music passed away.
That true and loving heart, that gift
Of a mind, earnest, clear, profound,
Bestowing, with a glad unthrift,
Its sunny light on all around,
Affinities which only could
Cleave to the pure, the true, and good;
And sympathies which found no rest,
Save with the loveliest and best.
Of them--of thee--remains there naught
But sorrow in the mourner's breast?
A shadow in the land of thought?
No! Even my weak and trembling faith
Can lift for thee the veil which doubt
And human fear have drawn about
The all-awaiting scene of death.

Even as thou wast I see thee still;
And, save the absence of all ill
And pain and weariness, which here
Summoned the sigh or wrung the tear,
The same as when, two summers back,
Beside our childhood's Merrimac,
I saw thy dark eye wander o'er
Stream, sunny upland, rocky shore,
And heard thy low, soft voice alone
Midst lapse of waters, and the tone
Of pine-leaves by the west-wind blown,
There's not a charm of soul or brow,
Of all we knew and loved in thee,
But lives in holier beauty now,
Baptized in immortality!
Not mine the sad and freezing dream
Of souls that, with their earthly mould,
Cast off the loves and joys of old,
Unbodied, like a pale moonbeam,
As pure, as passionless, and cold;
Nor mine the hope of Indra's son,
Of slumbering in oblivion's rest,
Life's myriads blending into one,
In blank annihilation blest;
Dust-atoms of the infinite,
Sparks scattered from the central light,
And winning back through mortal pain
Their old unconsciousness again.
No! I have friends in Spirit Land,
Not shadows in a shadowy band,
Not others, but themselves are they.
And still I think of them the same
As when the Master's summons came;
Their change,--the holy morn-light breaking
Upon the dream-worn sleeper, waking,--
A change from twilight into day.

They 've laid thee midst the household graves,
Where father, brother, sister lie;
Below thee sweep the dark blue waves,
Above thee bends the summer sky.
Thy own loved church in sadness read
Her solemn ritual o'er thy head,
And blessed and hallowed with her prayer
The turf laid lightly o'er thee there.
That church, whose rites and liturgy,
Sublime and old, were truth to thee,
Undoubted to thy bosom taken,
As symbols of a faith unshaken.
Even I, of simpler views, could feel
The beauty of thy trust and zeal;
And, owning not thy creed, could see
How deep a truth it seemed to thee,
And how thy fervent heart had thrown
O'er all, a coloring of its own,
And kindled up, intense and warm,
A life in every rite and form,
As. when on Chebar's banks of old,
The Hebrew's gorgeous vision rolled,
A spirit filled the vast machine,
A life, 'within the wheels' was seen.

Farewell! A little time, and we
Who knew thee well, and loved thee here,
One after one shall follow thee
As pilgrims through the gate of fear,
Which opens on eternity.
Yet shall we cherish not the less
All that is left our hearts meanwhile;
The memory of thy loveliness
Shall round our weary pathway smile,
Like moonlight when the sun has set,
A sweet and tender radiance yet.
Thoughts of thy clear-eyed sense of duty,
Thy generous scorn of all things wrong,
The truth, the strength, the graceful beauty
Which blended in thy song.
All lovely things, by thee beloved,
Shall whisper to our hearts of thee;
These green hills, where thy childhood roved,
Yon river winding to the sea,
The sunset light of autumn eves
Reflecting on the deep, still floods,
Cloud, crimson sky, and trembling leaves
Of rainbow-tinted woods,
These, in our view, shall henceforth take
A tenderer meaning for thy sake;
And all thou lovedst of earth and sky,
Seem sacred to thy memory.


Scheme ABBAACDDCXEAEFFGGHGHXIIX JJKLMMXXNNNOPOPQRRQRSGSGXXDXTTCUUVVC WXWXAALLPPSSYYPPNNZZRR1 1 PKPXPX2 W2 3 3 P4 P4 XPAP5 X5 X6 6 XP
Poetic Form
Metre 11110111 111111010 111101010 01111101 110100011 0110101 11011101 01110101 11110101 11010111 10110101 0101011 11011101 01001101 11010101 01001111 110101 11110111 1100011 0100111 1101101001 11110111 01011101 01010111 101111111 01010111 01010011 10011101 01111101 01101100 111111010 11010101 01111101 11110001 11110111 11011111 11110101 110100101 0100100 11010101 11111101 11010111 11011 111101 1101111 1100011 1110011 0100101 11010100 11010101 01011101 1110001 11110101 11001001 11010111 01111101 11010101 110101110 010111010 0111011 11111011 11010101 01110111 01110101 11110101 0101001011 01010101 011101011 11110100 01010111 010111010 110101010 1011100111 01011101 01011111 11011111 01110111 1010100111 01010101 010100101 1111111 0110101 01010101 01010111 1010101 11110111 11011101 11010111 11010100 11110101 11111011 0100111 11101011 1110111 010101001 111111110 110011111 010101010 110011 11011101 110110111 1111111 11010101 0111101 01010111 110101001 11101 101011111 0110111 01111101 11011100
Closest metre Iambic tetrameter
Characters 3,808
Words 701
Sentences 22
Stanzas 4
Stanza Lengths 24, 36, 24, 27
Lines Amount 111
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 763
Words per stanza (avg) 174
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Submitted on May 13, 2011

Modified on March 05, 2023

3:34 min read
113

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

All John Greenleaf Whittier poems | John Greenleaf Whittier Books

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