Analysis of In The

John Greenleaf Whittier 1807 (Haverhill) – 1892 (Hampton Falls)



She came and stood in the Old South Church,
A wonder and a sign,
With a look the old-time sibyls wore,
Half-crazed and half-divine.

Save the mournful sackcloth about her wound,
Unclothed as the primal mother,
With limbs that trembled and eyes that blazed
With a fire she dare not smother.

Loose on her shoulders fell her hair,
With sprinkled ashes gray;
She stood in the broad aisle strange and weird
As a soul at the judgment day.

And the minister paused in his sermon's midst,
And the people held their breath,
For these were the words the maiden spoke
Through lips as the lips of death:

'Thus saith the Lord, with equal feet
All men my courts shall tread,
And priest and ruler no more shall eat
My people up like bread!

'Repent! repent! ere the Lord shall speak
In thunder and breaking seals
Let all souls worship Him in the way
His light within reveals.'

She shook the dust from her naked feet,
And her sackcloth closer drew,
And into the porch of the awe-hushed church
She passed like a ghost from view.

They whipped her away at the tail o' the cart
Through half the streets of the town,
But the words she uttered that day nor fire
Could burn nor water drown.

And now the aisles of the ancient church
By equal feet are trod,
And the bell that swings in its belfry rings
Freedom to worship God!

And now whenever a wrong is done
It thrills the conscious walls;
The stone from the basement cries aloud
And the beam from the timber calls.

There are steeple-houses on every hand,
And pulpits that bless and ban,
And the Lord will not grudge the single church
That is set apart for man.

For in two commandments are all the law
And the prophets under the sun,
And the first is last and the last is first,
And the twain are verily one.

So, long as Boston shall Boston be,
And her bay-tides rise and fall,
Shall freedom stand in the Old South Church
And plead for the rights of all!


Scheme ABXB XCXC XDXD XEXE FGFG XHDH FIAI XJCJ AKXK LMXM XNAN XLXL XOAO
Poetic Form Quatrain 
Metre 110100111 010001 10101111 110101 101010101 1101010 111100111 101011110 11010101 110101 110011101 10110101 0010010111 0010111 110010101 1110111 11011101 111111 010101111 110111 010110111 0100101 111101001 110101 110110101 001101 0010110111 1110111 11001101101 1101101 10111011110 111101 010110101 110111 0011101101 101101 010100111 110101 011010101 00110101 11101011001 0101101 0011110101 1110111 1010101101 00101001 0011100111 001111 111101101 0011101 110100111 0110111
Closest metre Iambic tetrameter
Characters 1,835
Words 356
Sentences 15
Stanzas 13
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 52
Letters per line (avg) 28
Words per line (avg) 7
Letters per stanza (avg) 114
Words per stanza (avg) 27
Font size:
 

Submitted on May 13, 2011

Modified on March 05, 2023

1:46 min read
63

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

All John Greenleaf Whittier poems | John Greenleaf Whittier Books

5 fans

Discuss this John Greenleaf Whittier poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "In The" Poetry.com. STANDS4 LLC, 2024. Web. 1 May 2024. <https://www.poetry.com/poem-analysis/22938/in-the>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    May 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    30
    days
    22
    hours
    47
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Repeated use of words for effect and emphasis is called ________.
    A rhythm
    B rhyme
    C assonance
    D repetition