Analysis of Among the Hills

John Greenleaf Whittier 1807 (Haverhill) – 1892 (Hampton Falls)



PRELUDE
ALONG the roadside, like the flowers of gold
That tawny Incas for their gardens wrought,
Heavy with sunshine droops the golden-rod,
And the red pennons of the cardinal-flowers
Hang motionless upon their upright staves.
The sky is hot and hazy, and the wind,
Vying-weary with its long flight from the south,
Unfelt; yet, closely scanned, yon maple leaf
With faintest motion, as one stirs in dreams,
Confesses it. The locust by the wall
Stabs the noon-silence with his sharp alarm.
A single hay-cart down the dusty road
Creaks slowly, with its driver fast asleep
On the load’s top. Against the neighboring hill,
Huddled along the stone wall’s shady side,
The sheep show white, as if a snowdrift still
Defied the dog-star. Through the open door
A drowsy smell of flowers-gray heliotrope,
And white sweet clover, and shy mignonette—
Comes faintly in, and silent chorus lends
To the pervading symphony of peace.
No time is this for hands long over-worn
To task their strength; and (unto Him be praise
Who giveth quietness!) the stress and strain
Of years that did the work of centuries
Have ceased, and we can draw our breath once more
Freely and full. So, as yon harvesters
Make glad their nooning underneath the elms
With tale and riddle and old snatch of song,
I lay aside grave themes, and idly turn
The leaves of memory’s sketch-book, dreaming o’er
Old summer pictures of the quiet hills,
And human life, as quiet, at their feet.

And yet not idly all. A farmer’s son,
Proud of field-lore and harvest craft, and feeling
All their fine possibilities, how rich
And restful even poverty and toil
Become when beauty, harmony, and love
Sit at their humble hearth as angels sat
At evening in the patriarch’s tent, when man
Makes labor noble, and his farmer’s frock
The symbol of a Christian chivalry
Tender and just and generous to her
Who clothes with grace all duty; still, I know
Too well the picture has another side,—
How wearily the grind of toil goes on
Where love is wanting, how the eye and ear
And heart are starved amidst the plenitude
Of nature, and how hard and colorless
Is life without an atmosphere. I look
Across the lapse of half a century,
And call to mind old homesteads, where no flower
Told that the spring had come, but evil weeds,
Nightshade and rough-leaved burdock in the place
Of the sweet doorway greeting of the rose
And honeysuckle, where the house walls seemed
Blistering in sun, without a tree or vine
To cast the tremulous shadow of its leaves
Across the curtainless windows, from whose panes
Fluttered the signal rags of shiftlessness.
Within, the cluttered kitchen-floor, unwashed
(Broom-clean I think they called it); the best room
Stifling with cellar damp, shut from the air
In hot midsummer, bookless, pictureless,
Save the inevitable sampler hung
Over the fireplace, or a mourning piece,
A green-haired woman, peony-cheeked, beneath
Impossible willows; the wide-throated hearth
Bristling with faded pine-boughs half concealing
The piled-up rubbish at the chimney’s back;
And, in sad keeping with all things about them,
Shrill, querulous-women, sour and sullen men,
Untidy, loveless, old before their time,
With scarce a human interest save their own
Monotonous round of small economies,
Or the poor scandal of the neighborhood;
Blind to the beauty everywhere revealed,
Treading the May-flowers with regardless feet;
For them the song-sparrow and the bobolink
Sang not, nor winds made music in the leaves;
For them in vain October’s holocaust
Burned, gold and crimson, over all the hills,
The sacramental mystery of the woods.
Church-goers, fearful of the unseen Powers,
But grumbling over pulpit-tax and pew-rent,
Saving, as shrewd economists, their souls
And winter pork with the least possible outlay
Of salt and sanctity; in daily life
Showing as little actual comprehension
Of Christian charity and love and duty,
As if the Sermon on the Mount had been
Outdated like a last year’s almanac
Rich in broad woodlands and in half-tilled fields,
And yet so pinched and bare and comfortless,
The veriest straggler limping on his rounds,
The sun and air his sole inheritance,
Laughed at a poverty that paid its taxes,
And hugged his rags in self-complacency!

Not such should be the homesteads of a land
Where whoso wisely wills and acts may dwell
As king and lawgiver, in broad-acred state,
With beauty, art, taste, culture, books, to make
His hour of leisure richer than a life
Of fourscore to the barons of old time,
Our y


Scheme AXXXBXXXXXXXXXCDCEXAXFXXXGEBXHXEIJ KLXXXXXXMNXDXXAXXMNXXXXXOXBXXXBXFXXLPXXQXGXXJHOXIXBXXXRKMXPXBXXXM XXXXRQX
Poetic Form
Metre 1 0101101011 1101011101 101110101 00111010010 1100011011 0111010001 10101111101 111011101 1101011101 0101010101 1011011101 0101110101 1101110101 10110101001 1001011101 011111011 0101110101 01011101100 01110011 1100010101 1001010011 1111111101 1111010111 1101000101 1111011100 11011110111 1001111100 11110101 1101001111 1101110101 011111101 1101010101 0101110111 0111010101 11110101010 111010011 0101010001 0111010001 1111011101 1100010111 1101001101 0101010100 1001010010 1111110111 1101010101 1100011111 1111010101 01110101 1100110100 110111011 0101110100 0111111110 1101111101 10111001 101110101 010010111 10001010111 1101001111 010110111 10010111 0101010101 1111111011 1011011101 0111011 1001000101 1001010101 01110100101 0100101101 100110111010 0111010101 00110111011 110010100101 0101010111 1101010111 01001110100 101101010 110101001 10011010101 110110001 1111110001 1101110 1101010101 01000100101 11010100110 110010101011 1011010011 01011011001 1101000101 10110100010 11010001010 1101010111 10101110 101100111 01110101 011010111 0101110100 11010011110 0111010100 111101101 111010111 11010111 1101110111 11011010101 111010111 101
Closest metre Iambic pentameter
Characters 4,382
Words 754
Sentences 15
Stanzas 3
Stanza Lengths 34, 65, 7
Lines Amount 106
Letters per line (avg) 34
Words per line (avg) 7
Letters per stanza (avg) 1,186
Words per stanza (avg) 251
Font size:
 

Submitted on May 13, 2011

Modified on March 05, 2023

3:46 min read
85

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

All John Greenleaf Whittier poems | John Greenleaf Whittier Books

5 fans

Discuss this John Greenleaf Whittier poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "Among the Hills" Poetry.com. STANDS4 LLC, 2024. Web. 29 Apr. 2024. <https://www.poetry.com/poem-analysis/22838/among-the-hills>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    1
    day
    20
    hours
    9
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Who wrote "Ode to the West Wind" that inspired a political and moral change?
    A Sylvia Plath
    B Ted Hughes
    C Percy Shelley
    D William Shakespeare