Analysis of Reaping

Amy Lowell 1874 (Brookline) – 1925 (Brookline)



You want to know what's the matter with me, do yer?
My! ain't men blinder'n moles?
It ain't nothin' new, be sure o' that.
Why, ef you'd had eyes you'd ha' seed
Me changin' under your very nose,
Each day a little diff'rent.
But you never see nothin', you don't.
Don't touch me, Jake,
Don't you dars't to touch me,
I ain't in no humour.
That's what's come over me;
Jest a change clear through.
You lay still, an' I'll tell yer,
I've had it on my mind to tell yer
Fer some time.
It's a strain livin' a lie from mornin' till night,
An' I'm goin' to put an end to it right now.
An' don't make any mistake about one thing,
When I married yer I loved yer.
Why, your voice 'ud make
Me go hot and cold all over,
An' your kisses most stopped my heart from beatin'.
Lord! I was a silly fool.
But that's the way 'twas.
Well, I married yer
An' thought Heav'n was comin'
To set on the door-step.
Heav'n didn't do no settin',
Though the first year warn't so bad.
The baby's fever threw you off some, I guess,
An' then I took her death real hard,
An' a mopey wife kind o' disgusts a man.
I ain't blamin' yer exactly.
But that's how 'twas.
Do lay quiet,
I know I'm slow, but it's harder to say 'n I thought.
There come a time when I got to be
More wife agin than mother.
The mother part was sort of a waste
When we didn't have no other child.
But you'd got used ter lots o' things,
An' you was all took up with the farm.
Many's the time I've laid awake
Watchin' the moon go clear through the elm-tree,
Out o' sight.
I'd foller yer around like a dog,
An' set in the chair you'd be'n settin' in,
Jest to feel its arms around me,
So long's I didn't have yours.
It preyed on me, I guess,
Longin' and longin'
While you was busy all day, and snorin' all night.
Yes, I know you're wide awake now,
But now ain't then,
An' I guess you'll think diff'rent
When I'm done.
Do you mind the day you went to Hadrock?
I didn't want to stay home for reasons,
But you said someone 'd have to be here
'Cause Elmer was comin' to see t' th' telephone.
An' you never see why I was so set on goin' with yer,
Our married life hadn't be'n any great shakes,
Still marriage is marriage, an' I was raised God-fearin'.
But, Lord, you didn't notice nothin',
An' Elmer hangin' around all Winter!
'Twas a lovely mornin'.
The apple-trees was jest elegant
With their blossoms all flared out,
An' there warn't a cloud in the sky.
You went, you wouldn't pay no 'tention to what I said,
An' I heard the Ford chuggin' for most a mile,
The air was so still.
Then Elmer come.
It's no use your frettin', Jake,
I'll tell you all about it.
I know what I'm doin',
An' what's worse, I know what I done.
Elmer fixed th' telephone in about two minits,
An' he didn't seem in no hurry to go,
An' I don't know as I wanted him to go either,
I was awful mad at your not takin' me with yer,
An' I was tired o' wishin' and wishin'
An' gittin' no comfort.
I guess it ain't necessary to tell yer all the things.
He stayed to dinner,
An' he helped me do the dishes,
An' he said a home was a fine thing,
An' I said dishes warn't a home
Nor yet the room they're in.
He said a lot o' things,
An' I fended him off at first,
But he got talkin' all around me,
Clost up to the things I'd be'n thinkin',
What's the use o' me goin' on, Jake,
You know.
He got all he wanted,
An' I give it to him,
An' what's more, I'm glad!
I ain't dead, anyway,
An' somebody thinks I'm somethin'.
Keep away, Jake,
You can kill me to-morrer if you want to,
But I'm goin' to have my say.
Funny thing! Guess I ain't made to hold a man.
Elmer ain't be'n here for mor'n two months.
I don't want to pretend nothin',
Mebbe if he'd be'n lately
I shouldn't have told yer.
I'll go away in the mornin', o' course.
What you want the light fer?
I don't look no diff'rent.
Ain't the moon bright enough
To look at a woman that's deceived yer by?
Don't, Jake, don't, you can't love me now!
It ain't a question of forgiveness.
Why! I'd be thinkin' o' Elmer ev'ry minute;
It ain't decent.
Oh, my God! It ain't decent any more either way!


Scheme Text too long
Poetic Form
Metre 111110101111 1111011 111011111 11111111 11101101 1101011 111011011 1111 111111 11011 111101 10111 1111111 111111111 111 1011011111 11111111111 11110010111 11101111 11111 11101110 1110111111 1110101 11011 11101 11111 111011 110111 10111111 01010111111 11110111 1011110101 1111010 1111 1110 1111111011111 110111111 1101110 010111101 111011101 11111111 111111101 1011101 101111011 111 11101101 1100111110 11111011 1111011 111111 101 11110110111 11111011 1111 1111111 111 111011111 1101111110 111111111 110111111110 11101111111111 1010110111011 110110111111 111101010 110101110 10101 010111100 1110111 111101001 111101111111 1110111101 01111 1101 111111 1111011 11111 11111111 101111000111 11101011011 1111111011110 111011111111 111101101 11110 1111100111101 11110 11111010 111011011 111101101 110110 110111 11101111 111101011 1110111110 10111111 11 111110 111111 11111 11110 110111 1011 1111111111 1111111 10111111101 10111111111 11110110 1111110 110111 110100111 111011 111111 101101 11101010111 11111111 110101010 11110110110 1110 1111110101101
Closest metre Iambic tetrameter
Characters 3,909
Words 804
Sentences 60
Stanzas 1
Stanza Lengths 118
Lines Amount 118
Letters per line (avg) 25
Words per line (avg) 7
Letters per stanza (avg) 2,906
Words per stanza (avg) 802
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Submitted on May 13, 2011

Modified on March 05, 2023

4:27 min read
130

Amy Lowell

Amy Lawrence Lowell was an American poet of the imagist school from Brookline, Massachusetts who posthumously won the Pulitzer Prize for Poetry in 1926. more…

All Amy Lowell poems | Amy Lowell Books

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    "Reaping" Poetry.com. STANDS4 LLC, 2024. Web. 27 Apr. 2024. <https://www.poetry.com/poem-analysis/2278/reaping>.

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