Analysis of Preamble (A Rough Draft For An Ars Poetica)
Jean Cocteau 1889 (Maisons-Laffitte) – 1963 (Milly-la-Forêt)
A rough draft
for an ars poetica
Let's get our dreams unstuck
The grain of rye
free from the prattle of grass
et loin de arbres orateurs
It will sprout
But forget about
the rustic festivities
For the explosive word
falls harmlessly
eternal through
the compact generations
and except for you
nothing
denotates
its sweet-scented dynamite
Greetings
I discard eloquence
the empty sail
and the swollen sail
which cause the ship
to lose her course
My ink nicks
and there
and
there
sleeps
deep poetry
The mirror-paneled wardrobe
washing down ice-floes
the little eskimo girl
dreaming
in a heap
of moist negroes
her nose was
flattened
against the window-pane
of dreary Christmases
A white bear
adorned with chromatic moire
dries himself in the midnight sun
The huge luxury item
Slowly founders
all its lights aglow
and so
sinks the evening-dress ball
into the thousand mirrors
of the palace hotel
And now
it is I
the thin Columbus of phenomena
alone
in the front
of a mirror-paneled wardrobe
full of linen
and locking with a key
The obstinate miner
of the void
exploits
his fertile mine
the potential in the rough
glitters there
mingling with its white rock
Oh
princess of the mad sleep
listen to my horn
and my pack of hounds
I deliver you
from the forest
where we came upon the spell
Here we are
by the pen
one with the other
wedded
on the page
Isles sobs of Ariadne
Ariadnes
dragging along
Aridnes seals
for I betray you my fair stanzas
to
run and awaken
elsewhere
I plan no architecture
Simply
deaf
like you Beethoven
blind
like you
Homer
numberless old man
I elaborate
in the prairies of inner
silence
and the work of the mission
and the poem of the work
and the stanza of the poem
and the group of the stanza
and the words of the group
and the letters of the word
and the least
loop of the letters
it's your foot
of attentive satin
that I place in position
pink
tightrope walker
sucked up by the void
to the left to the right
the god gives a shake
and I walk
towards the other side
with infinite precaution
Submitted by Linda M. Gibbs
Scheme | XA A BCC D DX EFGX G AC H XIJJXX XK LK XF MCX ANXXLXX KG O P QR RXQS XB TXXMOA UVXX XKA RNXX GXS XXUXX F CAX XGOK U FXO XGUX XUI OAPTXEXQ XOOAUV HAAXO X |
---|---|
Poetic Form | Tetractys (43%) |
Metre | 011 1111 1110101 0111 1101011 11111 111 10101 0100100 100101 1100 0101 010010 00111 10 1 111010 10 101100 0101 00101 1101 1101 111 01 0 1 1 1100 010101 10111 010101 10 001 1110 011 10 010101 110100 011 01111 1010011 0110010 1010 11101 01 101011 0101010 101001 01 111 0101010100 01 001 1010101 1110 010101 010010 101 1 1101 0010001 101 1001111 1 101011 10111 01111 10101 1010 1110101 111 101 11010 10 101 111010 1 1001 11 110111110 1 10010 1 111100 10 1 11100 1 11 10 111 1010 0010110 10 0011010 0010101 00101010 0011010 001101 0010101 001 11010 111 101010 1110010 1 110 11101 101101 01101 011 010101 1100010 01011011 |
Closest metre | Iambic dimeter |
Characters | 2,172 |
Words | 384 |
Sentences | 9 |
Stanzas | 38 |
Stanza Lengths | 2, 1, 3, 1, 2, 4, 1, 2, 1, 6, 2, 2, 2, 3, 7, 2, 1, 1, 2, 4, 2, 6, 4, 3, 4, 3, 5, 1, 3, 4, 1, 3, 4, 3, 8, 6, 5, 1 |
Lines Amount | 115 |
Letters per line (avg) | 14 |
Words per line (avg) | 4 |
Letters per stanza (avg) | 44 |
Words per stanza (avg) | 11 |
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Submitted on May 13, 2011
Modified on April 13, 2023
- 1:55 min read
- 248 Views
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