Analysis of Sunday at Hampstead



(AN VERY IDLE IDYLL BY A VERY HUMBLE MEMBER OF THE GREAT AND NOBLE LONDON MOB.)

This is the Heath of Hampstead,
This is the Dome of Saint Paul’s;
Beneath, on the serried house-tops,
A chequered luster falls:

And the might city of London,
Under the clouds and the light,
Seems a low, wet beach, half shingle,
With a few sharp rocks upright.

Here we sit, my darling,
And dream an hour away:
The donkeys are hurried and worried,
But we are not donkeys to-day:

Through all the weary week, dear,
We toil in the murk down there,
Tied to a desk and a counter,
A patient, stupid pair!

But on Sunday we slip our thether,
And away from the smoke and the smirch;
Too grateful to God for His Sabbath
To shut its hours in a church.

Away to the green, green country,
Under the open sky;
Where the earth’s sweet breath is incense
And the lark sings psalms on high.

On Sunday we’re Lord and Lady,
With ten times the love and glee
Of those pale, languid rich ones
Who are always and never free.

The drawl and stare and simper,
So fine and cold and staid,
Like exquisite waxwork figures
That must be kept in the shade.

We can laugh out loud when merry,
We can romp at kiss-in-the-ring,
We can take our beer at a public,
We can loll on the grass and sing.

Would you grieve very much, my darling,
If all yon low wet shore
Were drowned by a mighty flood tide,
And we never toiled there more?

Wicked—there is no sin, dear,
In an idle dreamer’s head;
He turns the world topsy-turvy
To prove that his soul’s not dead.

I am sinking, sinking, sinking;
It’s hard to sit upright!
Your lap is the softest pillow!
Good night, my love, good night!

How your eyes dazzle down into my soul!
I drink and drink of their deep violet wine,
And ever thirst the more, although my whole
Dazed being whirls in drunkenness divine.

Pout down your lips for that bewildering smile,
And kiss me for the interruption, Sweet!
I had escaped you: floating for awhile
In that far cloud ablaze with living heat:

I floated with it though the solemn skies,
I melted with it up the Crystal Sea
Into the heaven of Heavens; and shut my eyes
To fell eternal rest enfolding me . . .

Well, I prefer on tyrannous girl down here,
You jealous violet-eyed Bewitcher, you!
To being lord in Mohammed's seventh sphere
Of meekest hours threescore ten and two!

Was it hundreds of years ago, my Love,
Was it thousands of miles away,
The two poor creatures we know, my Love,
Were toiling day by day;
Were toiling weary, weary.,
With many myriads more,
In a City dark and dreary
On a sullen river’s shore?

Was it truly a fact or a dream, my Love?
I think my brain still reels,
And my ears still throbbing seem, my Love,
With the rush and clang of wheels;
Of vast machinery roaring
Forever in skyless gloom;
Where the poor slaves peach imploring,
Found peace alone in the tomb.

Was it hundreds of years ago, my Love,
Was it thousands of miles away?
Or was it a dream to show, my Love,
The rapture of today?
This day of holy splendor,
This Sabbath of rich rest,
Wherein to God we render
All praise by being blest.

Eight of us promised to meet here
And tea together at five:
And -- who would ever believe it? --
We are the first to arrive!

Oh, shame on us, in darling;
It is a monstrous crime
To make a tryst with others
And be before our time!

Lizzie is off with William,
Quite happy for her part;
Our sugar in her pocket,
And the sweet love in her heart.

Mary and Dick so grandly
Parade suburban streets;
His waistcoat and her bonnet
Proving the best of treats.

And Fanny plagues big Robert
With tricks of the wildest glee:
0 Fanny, you'll get in hot water
If you do not bring us our tea!

Why, bless me, look at that table,
Every one of them there! --
'Ha, here at last we have them,
The always behindhand pair!

'When the last trumpet-solo
Strikes up instead of the lark,
They'll turn in their sleep just grunting
Who's up so soon in the dark?'

Babble and gabble, you rabble,
A thousand in full yell!
And this is your Tower of Babel,
This not-to-be-finished Hotel. *

* THOMSON'S NOTE: Since finished, i


Scheme x abxb xcdc efxf ghih gjxj klxl kkxk imnm kexe eoxo gaka ecpc qrqr stst ukuk vwgw XFxfkoko xyxyezez XFxfi1 i1 v2 x2 e3 n3 x4 5 4 k6 5 6 xkik dhxh p7 e7 d8 d8 l
Poetic Form
Metre 110101010101010101010101 110111 1101111 0110111 01101 00110110 1001001 10111110 1011101 111110 0111001 010110010 11111011 1101011 1100111 11010010 010101 11111101 001101001 110111110 11110001 01101110 100101 10111101 0011111 1101010 1110101 1111011 1110101 0101010 110101 1100110 1111001 11111110 11111001 1111011010 11110101 111101110 111111 01101011 0110111 1011111 0110101 11011010 1111111 11101010 111101 11101010 111111 1111010111 11011111001 010101111 1101010001 11111101001 011100101 1101110101 0111011101 1101110101 1101110101 010101100111 11010111 110111111 110100111 110101101 11101101 1110110111 11101101 011101111 010111 0101010 11011 00101010 1010101 11100110111 111111 011110111 1010111 11010010 010011 10111010 1101001 1110110111 11101101 111011111 010101 1111010 110111 0111110 111101 11110111 0101011 01110011 1101101 1111010 110101 1101110 0101101 1011110 110101 10100010 0011001 1001110 010101 110010 100111 0101110 1110101 10110110 111111101 11111110 1001111 1111111 0111 101101 1101101 11011110 1111001 1001110 010011 011110110 11111001 1011101
Closest metre Iambic tetrameter
Characters 4,056
Words 766
Sentences 40
Stanzas 29
Stanza Lengths 1, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 8, 8, 8, 4, 4, 4, 4, 4, 4, 4, 4, 1
Lines Amount 122
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 107
Words per stanza (avg) 26
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Submitted on May 13, 2011

Modified on March 05, 2023

3:51 min read
135

James Thomson

James Thomson, who wrote under the pseudonym Bysshe Vanolis, was a Scottish Victorian-era poet famous primarily for the long poem The City of Dreadful Night, an expression of bleak pessimism in a dehumanized, uncaring urban environment. more…

All James Thomson poems | James Thomson Books

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