Analysis of The Pine Of Reminiscence

Innokenty Fedorovich Annensky 1855 (Omsk) – 1909 (St Petersburg)



I see always the page that is filled on
By the muddy-black blotches of ink.
I am able from men to be hidden,
But to where could I run from night’s brink?

All that live has become so distant,
That didn’t come – so perfectly watched,
And forgotten lines merge from that instant
Till next dawn into many a blotch.

I’m all there – in impossible answers,
Where the letters of dreams loom in sight…
I like children to be in a house –
And these children to cry in the night.


Scheme XAXA BXBX XCXC
Poetic Form Quatrain  (67%)
Metre 111011111 101011011 1110111110 111111111 111101110 11111001 0010111110 111011001 1110010010 101011101 111011001 011011001
Closest metre Iambic pentameter
Characters 480
Words 94
Sentences 5
Stanzas 3
Stanza Lengths 4, 4, 4
Lines Amount 12
Letters per line (avg) 30
Words per line (avg) 8
Letters per stanza (avg) 120
Words per stanza (avg) 31
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Submitted on May 13, 2011

Modified on April 20, 2023

28 sec read
62

Innokenty Fedorovich Annensky

Innokentiy Fyodorovich Annensky (Russian: Инноке́нтий Фёдорович А́нненский) was a poet, critic and translator, representative of the first wave of Russian Symbolism. Sometimes cited as a Slavic counterpart to the poètes maudits, Annensky managed to render into Russian the essential intonations of Baudelaire and Verlaine, while the subtle music, ominous allusions, arcane vocabulary, the spell of minutely changing colours and odours were all his own. His influence on the first post-Symbolist generation of poets (Akhmatova, Gumilyov, Mandelshtam) was paramount. more…

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