Analysis of Prayer

Hilda Doolittle 1886 (Bethlehem, Pennsylvania) – 1961 (Zurich)



White, O white face—
from disenchanted days
wither alike dark rose
and fiery bays:
no gift within our hands,
nor strength to praise,
only defeat and silence;
though we lift hands, disenchanted,
of small strength, nor raise
branch of the laurel
or the light of torch,
but fold the garment
on the riven locks,
yet hear, all-merciful, and touch
the fore-head, dim, unlit of pride and thought,
Mistress–be near!
Give back the glamour to our will,
the thought; give back the tool,
the chisel; once we wrought
things not unworthy,
sandal and steel-clasp;
silver and steel, the coat
with white leaf-pattern
at the arm and throat:
silver and metal, hammered for the ridge
of shield and helmet-rim;
white silver with the darker hammered in,
belt, staff and magic spear-shaft
with the gilt spark at the point and hilt.


Scheme ABCBDBEFBGHIJKLMNOLPQRSRTUVWX
Poetic Form
Metre 1111 100101 100111 01001 1101101 1111 1001010 11110010 11111 11010 10111 11010 10101 11110001 011111101 1011 110101101 011101 010111 11010 10011 100101 11110 10101 1001010101 110101 1101010100 1101011 101110101
Closest metre Iambic trimeter
Characters 816
Words 140
Sentences 3
Stanzas 1
Stanza Lengths 29
Lines Amount 29
Letters per line (avg) 22
Words per line (avg) 5
Letters per stanza (avg) 634
Words per stanza (avg) 138
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Submitted on May 13, 2011

Modified on March 28, 2023

42 sec read
43

Hilda Doolittle

Hilda Doolittle was an American poet, novelist, and memoirist, associated with the early 20th century avant-garde Imagist group of poets, including Ezra Pound and Richard Aldington. She published under the pen name H. D. Hilda was born in Bethlehem, Pennsylvania, in 1886, and grew up just outside Philadelphia in Upper Darby, Pennsylvania, and attended Bryn Mawr College. She moved to London in 1911, where she played a central role within the then-emerging Imagist movement. Young and charismatic, she was championed by the modernist poet Ezra Pound, who was instrumental in building her career. From 1916–17, she acted as the literary editor of the Egoist journal, while her poetry appeared in the English Review and the Transatlantic Review.  more…

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