Analysis of Cities

Hilda Doolittle 1886 (Bethlehem, Pennsylvania) – 1961 (Zurich)



Can we believe -- by an effort
comfort our hearts:
it is not waste all this,
not placed here in disgust,
street after street,
each patterned alike,
no grace to lighten
a single house of the hundred
crowded into one garden-space.

Crowded -- can we believe,
not in utter disgust,
in ironical play --
but the maker of cities grew faint
with the beauty of temple
and space before temple,
arch upon perfect arch,
of pillars and corridors that led out
to strange court-yards and porches
where sun-light stamped
hyacinth-shadows
black on the pavement.

That the maker of cities grew faint
with the splendour of palaces,
paused while the incense-flowers
from the incense-trees
dropped on the marble-walk,
thought anew, fashioned this --
street after street alike.

For alas,
he had crowded the city so full
that men could not grasp beauty,
beauty was over them,
through them, about them,
no crevice unpacked with the honey,
rare, measureless.

So he built a new city,
ah can we believe, not ironically
but for new splendour
constructed new people
to lift through slow growth
to a beauty unrivalled yet --
and created new cells,
hideous first, hideous now --
spread larve across them,
not honey but seething life.

And in these dark cells,
packed street after street,
souls live, hideous yet --
O disfigured, defaced,
with no trace of the beauty
men once held so light.

Can we think a few old cells
were left -- we are left --
grains of honey,
old dust of stray pollen
dull on our torn wings,
we are left to recall the old streets?

Is our task the less sweet
that the larve still sleep in their cells?
Or crawl out to attack our frail strength:
You are useless. We live.
We await great events.
We are spread through this earth.
We protect our strong race.
You are useless.
Your cell takes the place
of our young future strength.

Though they sleep or wake to torment
and wish to displace our old cells --
thin rare gold --
that their larve grow fat --
is our task the less sweet?

Though we wander about,
find no honey of flowers in this waste,
is our task the less sweet --
who recall the old splendour,
await the new beauty of cities?

The city is peopled
with spirits, not ghosts, O my love:

Though they crowded between
and usurped the kiss of my mouth
their breath was your gift,
their beauty, your life.


Scheme xabcdefxg xcxhiixjkxxx hkxlxbe xxmnnma mmoixpqxnr qdpsmx qxmfxx Dqtxxxgxgt xqxxD jsDol xx xxxr
Poetic Form
Metre 11011110 10101 111111 111001 1101 11001 11110 01011010 10011101 101101 101001 001001 101011011 1010110 010110 101011 1100100111 1111010 1111 101 11010 101011011 1011100 1100110 10011 110101 101101 110101 101 111001011 1111110 101101 11011 110011010 11 1110110 1110110100 1111 010110 11111 101011 001011 10011001 11011 1101101 00111 11101 111001 101001 1111010 11111 1110111 01111 1110 111110 111011 11111011 1101011 10111011 1111011011 111011 101101 111111 1011011 1110 11101 1101101 1111111 011011011 111 11111 1101011 111001 1110110011 1101011 11011 010110110 010110 11011111 111001 0101111 11111 11011
Closest metre Iambic trimeter
Characters 2,301
Words 417
Sentences 19
Stanzas 12
Stanza Lengths 9, 12, 7, 7, 10, 6, 6, 10, 5, 5, 2, 4
Lines Amount 83
Letters per line (avg) 22
Words per line (avg) 5
Letters per stanza (avg) 149
Words per stanza (avg) 35
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Submitted on May 13, 2011

Modified on March 31, 2023

2:05 min read
121

Hilda Doolittle

Hilda Doolittle was an American poet, novelist, and memoirist, associated with the early 20th century avant-garde Imagist group of poets, including Ezra Pound and Richard Aldington. She published under the pen name H. D. Hilda was born in Bethlehem, Pennsylvania, in 1886, and grew up just outside Philadelphia in Upper Darby, Pennsylvania, and attended Bryn Mawr College. She moved to London in 1911, where she played a central role within the then-emerging Imagist movement. Young and charismatic, she was championed by the modernist poet Ezra Pound, who was instrumental in building her career. From 1916–17, she acted as the literary editor of the Egoist journal, while her poetry appeared in the English Review and the Transatlantic Review.  more…

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