Analysis of Narrara Creek

Henry Kendall 1839 (Australia) – 1882 (Sydney)



From the rainy hill-heads, where, in starts and in spasms,
Leaps wild the white torrent from chasms to chasms—
From the home of bold echoes, whose voices of wonder
Fly out of blind caverns struck black by high thunder—
Through gorges august, in whose nether recesses
Is heard the far psalm of unseen wildernesses—
Like a dominant spirit, a strong-handed sharer
Of spoil with the tempest, comes down the Narrara.
Yea, where the great sword of the hurricane cleaveth
The forested fells that the dark never leaveth—
By fierce-featured crags, in whose evil abysses
The clammy snake coils, and the flat adder hisses—
Past lordly rock temples, where Silence is riven
By the anthems supreme of the four winds of heaven—
It speeds, with the cry of the streams of the fountains
It chained to its sides, and dragged down from the mountains!

But when it goes forth from the slopes with a sally—
Being strengthened with tribute from many a valley—
It broadens and brightens, and thereupon marches
Above the stream sapphires and under green arches,
With the rhythm of majesty—careless of cumber—
Its might in repose and its fierceness in slumber—
Till it beams on the plains, where the wind is a bearer
Of words from the sea to the stately Narrara!

Narrara! grand son of the haughty hill torrent,
Too late in my day have I looked at thy current—
Too late in my life to discern and inherit
The soul of thy beauty, the joy of thy spirit!
With the years of the youth and the hairs of the hoary,
I sit like a shadow outside of thy glory;
Nor look with the morning-like feelings, O river,
That illumined the boy in the days gone for ever!

Ah! sad are the sounds of old ballads which borrow
One-half of their grief from the listener’s sorrow;
And sad are the eyes of the pilgrim who traces
The ruins of Time in revisited places;
But sadder than all is the sense of his losses
That cometh to one when a sudden age crosses
And cripples his manhood. So, stricken by fate, I
Felt older at thirty than some do at eighty.

Because I believe in the beautiful story,
The poem of Greece in the days of her glory—
That the high-seated Lord of the woods and the waters
Has peopled His world with His deified daughters—
That flowerful forests and waterways streaming
Are gracious with goddesses glowing and gleaming—
I pray that thy singing divinity, fairer
Than wonderful women, may listen, Narrara!

O spirit of sea-going currents!—thou, being
The child of immortals, all-knowing, all-seeing—
Thou hast at thy heart the dark truth that I borrow
For the song that I sing thee, no fanciful sorrow;
In the sight of thine eyes is the history written
Of Love smitten down as the strong leaf is smitten;
And before thee there goeth a phantom beseeching
For faculties forfeited—hopes beyond reaching.

Thou knowest, O sister of deities blazing
With splendour ineffable, beauty amazing,
What life the gods gave me—what largess I tasted—
The youth thrown away, and the faculties wasted.
I might, as thou seest, have stood in high places,
Instead of in pits where the brand of disgrace is,
A byword for scoffers—a butt and a caution,
With the grave of poor Burns and Maginn for my portion.
But the heart of the Father Supreme is offended,
And my life in the light of His favour is ended;
And, whipped by inflexible devils, I shiver,
With a hollow “Too late” in my hearing for ever;
But thou—being sinless, exalted, supernal,
The daughter of diademed gods, the eternal—
Shalt shine in thy waters when time and existence
Have dwindled, like stars, in unspeakable distance.

But the face of thy river—the torrented power
That smites at the rock while it fosters the flower—
Shall gleam in my dreams with the summer-look splendid,
And the beauty of woodlands and waterfalls blended;
And often I’ll think of far-forested noises,
And the emphasis deep of grand sea-going voices,
And turn to Narrara the eyes of a lover,
When the sorrowful days of my singing are over.


Scheme AABBCABBDDAEFFGG HHECBBBB IIJJHHBB KKCCCEXH HHLLMMBB MMKKFFMM MMNNCEFFNNBBHXOO BBNNECBB
Poetic Form
Metre 1010111010010 1101101111 1011110110110 111110111110 110100110100 110111011 1010010011010 1110101101 1101110101 01001101101 1110101101 010110011010 11110110110 1010011011110 111011011010 111110111010 111111011010 1010110110010 11001000110 0101100010110 1010110010110 11001011010 1111011011010 1110110101 1111010110 110111111110 110111010010 011110011110 1011010011010 11101111110 111010110110 1010010011110 11101111011 111111010010 011011010110 010110010010 110111011110 110111010110 01011110111 110110111110 011010010010 010110011010 1011011010010 11011111010 111001010 110110010010 111110010010 1100101101 110111010110 011010110110 11111011111 1011111110010 0011111010010 111011011110 001111010010 110010010110 11110110010 11010010010 110111110110 011010010010 11111110110 011011011011 0111010010 1011110101110 1011010011010 011001111110 011010010110 1010110110110 111010101 0101110010 110110110010 110110010010 10111100110 111011110010 110111010110 00101101010 010111110010 0010011111010 0111011010 1010011110110
Closest metre Iambic hexameter
Characters 3,914
Words 694
Sentences 17
Stanzas 8
Stanza Lengths 16, 8, 8, 8, 8, 8, 16, 8
Lines Amount 80
Letters per line (avg) 39
Words per line (avg) 9
Letters per stanza (avg) 389
Words per stanza (avg) 86
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Submitted on May 13, 2011

Modified on March 05, 2023

3:28 min read
67

Henry Kendall

Thomas Henry Kendall was a nineteenth-century Australian author and bush poet, who was particularly known for his poems and tales set in a natural environment setting. more…

All Henry Kendall poems | Henry Kendall Books

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