Analysis of To Brooklyn Bridge

Harold Hart Crane 1899 (Garrettsville, Ohio) – 1932 (Gulf of Mexico)



How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty-

Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
-Till elevators dropp us from our day . . .

I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;

And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,-
Implicitly thy freedom staying thee!

Out of some subway scuttle, cell or loft
A bedlamite speeds to thy parapets,
Tilting there momently, shrill shirt ballooning,
A jest falls from the speechless caravan.

Down Wall, from girder into street noon leaks,
A rip-tooth of the sky's acetylene;
All afternoon the cloud-flown derricks turn . . .
Thy cables breathe the North Atlantic still.

And obscure as that heaven of the Jews,
Thy guerdon . . . Accolade thou dost bestow
Of anonymity time cannot raise:
Vibrant reprieve and pardon thou dost show.

O harp and altar, of the fury fused,
(How could mere toil align thy choiring strings!)
Terrific threshold of the prophet's pledge,
Prayer of pariah, and the lover's cry,-

Again the traffic lights that skim thy swift
Unfractioned idiom, immaculate sigh of stars,
Beading thy path-condense eternity:
And we have seen night lifted in thine arms.

Under thy shadow by the piers I waited;
Only in darkness is thy shadow clear.
The City's fiery parcels all undone,
Already snow submerges an iron year . . .

O Sleepless as the river under thee,
Vaulting the sea, the prairies' dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.


Scheme XXAB CXDD CEXE XXXB XCXX XEXX XFXF XXXA XXBX XGXG BHXH
Poetic Form Quatrain  (36%)
Metre 11011111001 011110101 1011110101 1001110100 110100101101 111111 1111011101 1100111101 1111000101 1101011101 1001110101 0111011011 0101010101 1101111111 1101001011 0100110101 111110111 011111 101111010 011101010 1111001111 011101010 10101111 1101010101 0011110101 11101101 101001101 1001010111 1101010101 111101111 01011011 1101000101 0101011111 11000100111 111010100 0111110011 1011101110 100101111 01010010101 010111101 1101010101 1001010101 10111101 010110111
Closest metre Iambic pentameter
Characters 1,808
Words 309
Sentences 21
Stanzas 11
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 44
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 132
Words per stanza (avg) 29
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Submitted on May 13, 2011

Modified on March 05, 2023

1:34 min read
110

Harold Hart Crane

Harold Hart Crane was an American poet. Finding both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike (including Robert Lowell, Derek Walcott, Tennessee Williams, and Harold Bloom), as being one of the most influential poets of his generation.  more…

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