Analysis of The Driver

Friedrich Schiller 1759 (Marbach am Neckar) – 1805 (Weimar)



"What knight or what vassal will be so bold
 As to plunge in the gulf below?
See! I hurl in its depths a goblet of gold,
 Already the waters over it flow.
The man who can bring back the goblet to me,
May keep it henceforward,--his own it shall be."

Thus speaks the king, and he hurls from the height
 Of the cliffs that, rugged and steep,
Hang over the boundless sea, with strong might,
 The goblet afar, in the bellowing deep.
"And who'll be so daring,--I ask it once more,--
As to plunge in these billows that wildly roar?"

And the vassals and knights of high degree
 Hear his words, but silent remain.
They cast their eyes on the raging sea,
 And none will attempt the goblet to gain.
And a third time the question is asked by the king:
"Is there none that will dare in the gulf now to spring?"

Yet all as before in silence stand,
 When a page, with a modest pride,
Steps out of the timorous squirely band,
 And his girdle and mantle soon throws aside,
And all the knights, and the ladies too,
The noble stripling with wonderment view.

And when he draws nigh to the rocky brow,
 And looks in the gulf so black,
The waters that she had swallowed but now,
 The howling Charybdis is giving back;
And, with the distant thunder's dull sound.
From her gloomy womb they all-foaming rebound.

And it boils and it roars, and it hisses and seethes,
 As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
 And wave presses hard upon wave without end.
And the ocean will never exhausted be,
As if striving to bring forth another sea.

But at length the wild tumult seems pacified,
 And blackly amid the white swell
A gaping chasm its jaws opens wide,
 As if leading down to the depths of hell:
And the howling billows are seen by each eye
Down the whirling funnel all madly to fly.

Then quickly, before the breakers rebound,
 The stripling commends him to Heaven,
And--a scream of horror is heard around,--
 And now by the whirlpool away he is driven,
And secretly over the swimmer brave
Close the jaws, and he vanishes 'neath the dark wave.

O'er the watery gulf dread silence now lies,
 But the deep sends up a dull yell,
And from mouth to mouth thus trembling it flies:
 "Courageous stripling, oh, fare thee well!"
And duller and duller the howls recommence,
While they pause in anxious and fearful suspense.

"If even thy crown in the gulf thou shouldst fling,
 And shouldst say, 'He who brings it to me
Shall wear it henceforward, and be the king,'
 Thou couldst tempt me not e'en with that precious foe;
What under the howling deep is concealed
To no happy living soul is revealed!"

Full many a ship, by the whirlpool held fast,
 Shoots straightway beneath the mad wave,
And, dashed to pieces, the hull and the mast
 Emerge from the all-devouring grave,--
And the roaring approaches still nearer and nearer,
Like the howl of the tempest, still clearer and clearer.

And it boils and it roars, and it hisses and seethes,
 As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
 And wave passes hard upon wave without end.
And, with the distant thunder's dull sound,
From the ocean-womb they all-bellowing bound.

And lo! from the darkly flowing tide
Comes a vision white as a swan,
And an arm and a glistening neck are descried,
With might and with active zeal steering on;
And 'tis he, and behold! his left hand on high
Waves the goblet, while beaming with joy is his eye.

Then breathes he deeply, then breathes he long,
And blesses the light of the day;
While gladly exclaim to each other the throng:
"He lives! he is here! he is not the sea's prey!
From the tomb, from the eddying waters' control,
The brave one has rescued his living soul!"

And he comes, and they joyously round him stand;
 At the feet of the monarch he falls,--
The goblet he, kneeling, puts in his hand,
 And the king to his beauteous daughter calls,
Who fills it with sparkling wine to the brim;
The youth turns to the monarch, and speaks thus to him:

"Long life to the king!  Let all those be glad
 Who breathe in the light of the sky!
For below all is fearful, of moment sad;
 Let not man to tempt the immortals e'er try,
Let him never desire the thing to see
That with terror and night they veil graciously."

"I was torn below with the speed of light,
 When out of a cavern of rock
Rushed towards me a sprin


Scheme ababcc dedeff cgcghh ijijkk lmlmNn OPOpcc jqjqrr nsnstt oqoqoo hchbuu vtvtww OPOpNn jxaxrr yzyz1 1 ioio2 2 3 r3 rcc dxg
Poetic Form
Metre 1111101111 11100101 11101101011 0100101011 01111101011 111111111 1101011101 10111001 1100101111 01001001001 01111011111 11101101101 0010011101 11111001 111110101 0110101011 001101011101 111111001111 111010101 10110101 111010011 01100101101 010100101 0101011001 0111110101 0100111 0101111011 01011101 01010111 10101111001 011011011001 111001011 10110101101 01101011011 00101100101 11101110101 1110110110 0101011 0101011101 1110110111 00101011111 10101011011 1100101001 010011110 0011101101 01101011110 0100100101 101011001011 100100111011 10111011 01111110011 010101111 010010011 11101001001 11011001111 011111111 11110101 111111111101 1100101101 1110101101 1100110111 1101011 0111001001 0110101001 0010010110010 1011010110010 011011011001 111001011 10110101101 01101011011 01010111 10101111001 011010101 10101101 01100100111 1101101101 01100111111 101011011111 111101111 01001101 11001111001 11111111011 1011011001 0111101101 011011111 10110111 0101101011 001111101 1111101101 01110101111 1110111111 11001101 10111101101 111110010101 11100100111 11100111100 1110110111 11101011 101101
Closest metre Iambic pentameter
Characters 4,241
Words 813
Sentences 33
Stanzas 17
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 3
Lines Amount 99
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 197
Words per stanza (avg) 47
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Submitted on May 13, 2011

Modified on March 05, 2023

4:03 min read
123

Friedrich Schiller

Johann Christoph Friedrich von Schiller was a German poet philosopher historian and playwright During the last seventeen years of his life Schiller struck up a productive if complicated friendship with already famous and influential Johann Wolfgang Goethe with whom he frequently discussed issues concerning aesthetics and encouraged Goethe to finish works he left merely as sketches this relationship and these discussions led to a period now referred to as Weimar Classicism They also worked together on Die Xenien The Xenies a collection of short but harshly satirical poems in which both Schiller and Goethe verbally attacked those persons they perceived to be enemies of their aesthetic agenda. more…

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