Analysis of The Spanish Chapel

Felicia Dorothea Hemans 1793 (Liverpool, Lancashire) – 1835 (Dublin, County Dublin)



I made a mountain-brook my guide
Thro' a wild Spanish glen,
And wandered, on its grassy side,
Far from the homes of men.

It lured me with a singing tone,
And many a sunny glance,
To a green spot of beauty lone,
A haunt for old romance.

A dim and deeply-bosom'd grove
Of many an aged tree,
Such as the shadowy violets love,
The fawn and forest-bee.

The darkness of the chestnut bough
There on the waters lay,
The bright stream reverently below,
Check'd its exulting play;

And bore a music all subdued,
And led a silvery sheen,
On thro' the breathing solitude
Of that rich leafy scene.

For something viewlessly around
Of solemn influence dwelt,
In the soft gloom and whispery sound,
Not to be told, but felt;

While sending forth a quiet gleam
Across the wood's repose,
And o'er the twilight of the stream,
A lowly chapel rose.

A pathway to that still retreat
Thro' many a myrtle wound,
And there a sight–how strangely sweet!
My steps in wonder bound.

For on a brilliant bed of flowers,
Even at the threshold made,
As if to sleep thro' sultry hours,
A young fair child was laid.

To sleep?–oh! ne'er on childhood's eye,
And silken lashes press'd,
Did the warm living slumber lie,
With such a weight of rest!

Yet still a tender crimson glow
Its cheek's pure marble dyed–
'Twas but the light's faint streaming flow
Thro' roses heap'd beside.

I stoop'd–the smooth round arm was chill,
The soft lip's breath was fled,
And the bright ringlets hung so still–
The lovely child was dead!

'Alas!' I cried, 'fair faded thing!
Thou hast wrung bitter tears,
And thou hast left a wo, to cling
Round yearning hearts for years!'

But then a voice came sweet and low–
I turn'd, and near me sate
A woman with a mourner's brow,
Pale, yet not desolate.

And in her still, clear, matron face,
All solemnly serene,
A shadow'd image I could trace
Of that young slumberer's mien.

'Stranger! thou pitiest me,' she said,
With lips that faintly smil'd,
'As here I watch beside my dead,
My fair and precious child.

'But know, the time-worn heart may be
By pangs in this world riven,
Keener than theirs who yield, like me,
An angel thus to Heaven!'


Scheme ABAB CDCD XEXE FGHG IJIJ KLKL MNMN OKOK PQPQ RSRS HAHA TUTU VXVX HXFX WJWJ UXUX EYEY
Poetic Form Quatrain  (88%)
Metre 11010111 101101 01011101 110111 11110101 0100101 10111101 011101 0101011 110111 1101001001 010101 0101011 110101 011100001 110101 01010101 0101001 1101010 111101 110101 1101001 0011011 111111 11010101 010101 01001101 010101 0111101 1100101 01011101 110101 110101110 101011 111111010 011111 1111111 010101 10110101 110111 11010101 111101 11011101 110101 11011111 011111 0011111 010111 01111101 111101 01110111 110111 11011101 110111 0101011 111100 00011101 110001 01010111 11111 1011111 111101 11110111 110101 11011111 1101110 10111111 1101110
Closest metre Iambic tetrameter
Characters 2,113
Words 390
Sentences 22
Stanzas 17
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 68
Letters per line (avg) 24
Words per line (avg) 6
Letters per stanza (avg) 95
Words per stanza (avg) 23
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Submitted on May 13, 2011

Modified on March 05, 2023

2:01 min read
84

Felicia Dorothea Hemans

Felicia Dorothea Hemans was an English poet. Two of her opening lines, "The boy stood on the burning deck" and "The stately homes of England", have acquired classic status. more…

All Felicia Dorothea Hemans poems | Felicia Dorothea Hemans Books

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