Analysis of Greek Funeral Chant Or Myriologue

Felicia Dorothea Hemans 1793 (Liverpool, Lancashire) – 1835 (Dublin, County Dublin)



A WAIL was heard around the bed, the death-bed of the young,
Amidst her tears the Funeral Chant a mournful mother sung.
-'Ianthis! dost thou sleep?-Thou sleep'st!-but this is not the rest,
The breathing and the rosy calm, I have pillow'd on my breast!
I lull'd thee not to this repose, Ianthis! my sweet son!
As in thy glowing childhood's time by twilight I have done!
-How is it that I bear to stand and look upon thee now?
And that I die not, seeing death on thy pale glorious brow?

'I look upon thee, thou that wert of all most fair and brave!
I see thee wearing still too much of beauty for the grave!
Though mournfully thy smile is fix'd, and heavily thine eye
Hath shut above the falcon-glance that in it lov'd to lie;
And fast is bound the springing step, that seem'd on breezes borne,
When to thy couch I came and said,-'Wake, hunter, wake! 'tis morn!'
Yet art thou lovely still, my flower! untouch'd by slow decay,
-And I, the wither'd stem remain-I would that grief might slay!

'Oh! ever when I met thy look, I knew that this would be!
I knew too well that length of days was not a gift for thee!
I saw it in thy kindling cheek, and in thy bearing high;-
A voice came whispering to my soul, and told me thou must die!
That thou must die, my fearless one! where swords were flashing red.-
-Why doth a mother live to say-my first-born and my dead?
They tell me of thy youthful fame, they talk of victory won-
-Speak thou, and I will hear! my child, Ianthis! my sweet son!'

A wail was heard around the bed, the deathbed of the young,
A fair-hair'd bride the Funeral Chant amidst her weeping sung.
-'Ianthis! look'st thou not on me? -Can love indeed be fled?
When was it woe before to gaze upon thy stately head?
I would that I had follow'd thee, Ianthis, my belov'd!
And stood as woman oft hath stood where faithful hearts are prov'd!
That I had bound a breastplate on, and battled at thy side-
-It would have been a blessed thing together had we died!

'But where was I when thou didst fall beneath the fatal sword?
Was I beside the sparkling fount, or at the peaceful board?
Or singing some sweet song of old, in the shadow of the vine,
Or praying to the saints for thee, before the holy shrine?
And thou wert lying low the while, the life-drops from thy heart
Fast gushing like a mountain-spring!-and couldst thou thus depart?
Couldst thou depart, nor on my lips pour out thy fleeting breath?
-Oh! I was with thee but in joy, that should have been in death!

'Yes! I was with thee when the dance through mazy rings was led,
And when the lyre and voice were tun'd, and when the feast was spread;
But not where noble blood flow'd forth, where sounding javelins flew-
-Why did I hear love's first sweet words, and not its last adieu?
What now can breathe of gladness more, what scene, what hour, what tone?
The blue skies fade with all their lights, they fade, since thou art gone!
Ev'n that must leave me, that still face, by all my tears unmov'd-
-Take me from this dark world with thee, Ianthis! my belov'd!'

A wail was heard around the bed, the death-bed of the young,
Amidst her tears the Funeral Chant a mournful sister sung.
'Ianthis! brother of my soul!-oh! where are now the days
That laugh'd among the deep green hills, on all our infant plays?
When we two sported by the streams, or track'd them to their source,
And like a stag's, the rocks along, was thy fleet fearless course!
-I see the pines there waving yet, I see the rills descend,
I see thy bounding step no more-my brother and my friend!

'I come with flowers-for spring is come!-Ianthis! art thou here?
I bring the garlands she hath brought, I cast them on thy bier!
Thou shouldst be crown'd with victory's crown-but oh! more meet they seem,
The first faint violets of the wood, and lilies of the stream!
More meet for one so fondly lov'd, and laid thus early low-
-Alas! how sadly sleeps thy face amidst the sunshine's glow:
The golden glow that through thy heart was wont such joy to send,
-Woe, that it smiles, and not for thee!-my brother and my friend!'


Scheme Aabbccdd eeffgghh iiffjjcc aajjklmm nnooppqq jjrrxxlk Aassttuu vvwwxxuu
Poetic Form
Metre 01110101011101 010101001010101 1111111111101 01000101111111 111111011111 101101111111 11111111010111 011111011111001 11011111111101 11110111110101 111111010011 11010101101111 01110101111101 11111101110111 111101110011101 01010101111111 11011111111111 11111111110111 11101101001101 011100111011111 11111101110101 11010111111011 111111011111001 110111111111 0111010101101 011101001010101 1111111110111 11110111011101 111111011101 01110111110111 1111011010111 1111011010111 11111111010101 11010101110101 11011111001101 11010111010101 01110101011111 11010101011101 11011111111101 11111101111101 1111110111111 01010101010111 1111011111011 11111111011101 11111111111011 01111111111111 111111111111101 111111111101 01110101011101 010101001010101 110111111101 110101111110101 11110101111111 01010101111101 11011101110101 11110111110011 1111011111111 1101111111111 1111111111111 011100101010101 11111101011101 0111011101011 01011111111111 11110111110011
Closest metre Iambic heptameter
Characters 3,980
Words 768
Sentences 65
Stanzas 8
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 64
Letters per line (avg) 48
Words per line (avg) 12
Letters per stanza (avg) 384
Words per stanza (avg) 94
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Submitted on May 13, 2011

Modified on March 05, 2023

3:58 min read
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Felicia Dorothea Hemans

Felicia Dorothea Hemans was an English poet. Two of her opening lines, "The boy stood on the burning deck" and "The stately homes of England", have acquired classic status. more…

All Felicia Dorothea Hemans poems | Felicia Dorothea Hemans Books

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