Analysis of Fragoletta



O LOVE! what shall be said of thee?
The son of grief begot by joy?
Being sightless, wilt thou see?
Being sexless, wilt thou be
Maiden or boy?

I dreamed of strange lips yesterday
And cheeks wherein the ambiguous blood
Was like a rose’s—yea,
A rose’s when it lay
Within the bud.

What fields have bred thee, or what groves
Concealed thee, O mysterious flower,
O double rose of Love’s,
With leaves that lure the doves
From bud to bower?

I dare not kiss it, lest my lip
Press harder than an indrawn breath,
And all the sweet life slip
Forth, and the sweet leaves drip,
Bloodlike, in death.

O sole desire of my delight!
O sole delight of my desire!
Mine eyelids and eyesight
Feed on thee day and night
Like lips of fire.

Lean back thy throat of carven pearl,
Let thy mouth murmur like the dove’s;
Say, Venus hath no girl,
No front of female curl,
Among her Loves.

Thy sweet low bosom, thy close hair,
Thy strait soft flanks and slenderer feet,
Thy virginal strange air,
Are these not over fair
For Love to greet?

How should he greet thee? what new name,
Fit to move all men’s hearts, could move
Thee, deaf to love or shame,
Love’s sister, by the same
Mother as Love?

Ah sweet, the maiden’s mouth is cold,
Her breast-blossoms are simply red,
Her hair mere brown or gold,
Fold over simple fold
Binding her head.

Thy mouth is made of fire and wine,
Thy barren bosom takes my kiss
And turns my soul to thine
And turns thy lip to mine,
And mine it is.

Thou hast a serpent in thine hair,
In all the curls that close and cling;
And ah, thy breast-flower!
Ah love, thy mouth too fair
To kiss and sting!

Cleave to me, love me, kiss mine eyes,
Satiate thy lips with loving me;
Nay, for thou shalt not rise;
Lie still as Love that dies
For love of thee.

Mine arms are close about thine head,
My lips are fervent on thy face,
And where my kiss hath fed
Thy flower-like blood leaps red
To the kissed place.

O bitterness of things too sweet!
O broken singing of the dove!
Love’s wings are over fleet,
And like the panther’s feet
The feet of Love.


Scheme ABAAB CDCCD XEFFE GHGGH IEIIE JFJJF KLKKL MXMMN OPOOP QXQQX KREKR SASSA PTPPT LNLLN
Poetic Form Etheree  (23%)
Metre 11111111 01110111 101111 1010111 1011 1111110 0101001001 110101 010111 0101 11111111 0111010010 110111 111101 11110 11111111 1101111 010111 100111 101 110101101 110111010 1101 111101 11110 1111111 11110101 110111 11111 0101 11110111 1111011 110011 111101 1111 11111111 11111111 111111 110101 1011 11010111 01101101 011111 110101 1001 111111001 11010111 011111 011111 0111 11010011 01011101 011110 111111 1101 11111111 1111101 111111 111111 1111 11110111 11110111 011111 1101111 1011 11001111 11010101 111101 010101 0111
Closest metre Iambic trimeter
Characters 1,985
Words 390
Sentences 25
Stanzas 14
Stanza Lengths 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5
Lines Amount 70
Letters per line (avg) 22
Words per line (avg) 6
Letters per stanza (avg) 111
Words per stanza (avg) 28
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Submitted on May 13, 2011

Modified on April 15, 2023

1:57 min read
141

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

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