Analysis of Anactoria



MY LIFE is bitter with thy love; thine eyes
Blind me, thy tresses burn me, thy sharp sighs
Divide my flesh and spirit with soft sound,
And my blood strengthens, and my veins abound.
I pray thee sigh not, speak not, draw not breath;
Let life burn down, and dream it is not death.
I would the sea had hidden us, the fire
(Wilt thou fear that, and fear not my desire?)
Severed the bones that bleach, the flesh that cleaves,
And let our sifted ashes drop like leaves.
I feel thy blood against my blood: my pain
Pains thee, and lips bruise lips, and vein stings vein.
Let fruit be crushed on fruit, let flower on flower,
Breast kindle breast, and either burn one hour.
Why wilt thou follow lesser loves? are thine
Too weak to bear these hands and lips of mine?
I charge thee for my life’s sake, O too sweet
To crush love with thy cruel faultless feet,
I charge thee keep thy lips from hers or his,
Sweetest, till theirs be sweeter than my kiss:
Lest I too lure, a swallow for a dove,
Erotion or Erinna to my love.
I would my love could kill thee; I am satiated
With seeing thee live, and fain would have thee dead.
I would earth had thy body as fruit to eat,
And no mouth but some serpent’s found thee sweet.
I would find grievous ways to have thee slain,
Intense device, and superflux of pain;
Vex thee with amorous agonies, and shake
Life at thy lips, and leave it there to ache;
Strain out thy soul with pangs too soft to kill,
Intolerable interludes, and infinite ill;
Relapse and reluctation of the breath,
Dumb tunes and shuddering semitones of death.
I am weary of all thy words and soft strange ways,
Of all love’s fiery nights and all his days,
And all the broken kisses salt as brine
That shuddering lips make moist with waterish wine,
And eyes the bluer for all those hidden hours
That pleasure fills with tears and feeds from flowers,
Fierce at the heart with fire that half comes through,
But all the flower-like white stained round with blue;
The fervent underlid, and that above
Lifted with laughter or abashed with love;
Thine amorous girdle, full of thee and fair,
And leavings of the lilies in thine hair.
Yea, all sweet words of thine and all thy ways,
And all the fruit of nights and flower of days,
And stinging lips wherein the hot sweet brine
That Love was born of burns and foams like wine,
And eyes insatiable of amorous hours,
Fervent as fire and delicate as flowers,
Coloured like night at heart, but cloven through
Like night with flame, dyed round like night with blue,
Clothed with deep eyelids under and above—
Yea, all thy beauty sickens me with love;
Thy girdle empty of thee and now not fair,
And ruinous lilies in thy languid hair.
Ah, take no thought for Love’s sake; shall this be,
And she who loves thy lover not love thee?
Sweet soul, sweet mouth of all that laughs and lives,
Mine is she, very mine; and she forgives.
For I beheld in sleep the light that is
In her high place in Paphos, heard the kiss
Of body and soul that mix with eager tears
And laughter stinging through the eyes and ears;
Saw Love, as burning flame from crown to feet,
Imperishable, upon her storied seat;
Clear eyelids lifted toward the north and south,
A mind of many colours, and a mouth
Of many tunes and kisses; and she bowed,
With all her subtle face laughing aloud,
Bowed down upon me, saying, ‘Who doth thee wrong,
Sappho?’ but thou—thy body is the song,
Thy mouth the music; thou art more than I,
Though my voice die not till the whole world die;
Though men that hear it madden; though love weep,
Though nature change, though shame be charmed to sleep.
Ah, wilt thou slay me lest I kiss thee dead?
Yet the queen laughed from her sweet heart and said:
‘Even she that flies shall follow for thy sake,
And she shall give thee gifts that would not take,
Shall kiss that would not kiss thee’ (yea, kiss me)
‘When thou wouldst not’—when I would not kiss thee!
Ah, more to me than all men as thou art,
Shall not my songs assuage her at the heart?
Ah, sweet to me as life seems sweet to death,
Why should her wrath fill thee with fearful breath?
Nay, sweet, for is she God alone? hath she
Made earth and all the centuries of the sea,
Taught the sun ways to travel, woven most fine
The moonbeams, shed the starbeams forth as wine,
Bound with her myrtles, beaten with her rods,
The young men and the maidens and the gods?
Have we not lips to love with, eyes for tears,
And summer and flower of women and of years?
Stars for the foot of morning, and for noon
Sunlight, and exaltation of the moon;
Waters t


Scheme AABBCCDDEEFFDDGGHHIJKKBLHHFFMMNNCCOOGGPPQQKKRROOGGPPQQKKRRSSTTIJUVHHWWXXYYZZ1 1 LLMMSS2 2 CCSSGG3 3 UV4 4 S
Poetic Form
Metre 1111011111 1111011111 0111010111 0111001101 1111111111 1111011111 11011101010 11110111010 1001110111 01101010111 1111011111 1101110111 111111110110 11010101110 1111010111 1111110111 1111111111 111111011 1111111011 1011110111 1111010101 111111 1111111111 11011011111 11111101111 0111110111 1111011111 01010111 11110010001 1111011111 1111111111 010001001001 0101101 110100111 111011110111 11110010111 0101010111 1100111111 010101111010 11011101110 11011101111 11010111111 01010101 1011010111 11001011101 0101010011 1111110111 01011101011 0101010111 1111110111 010100110010 101100100110 101111111 1111111111 111110001 111101111 11010110111 01001001101 1111111111 0111110111 1111111101 1111010101 111010111 001101101 11001111101 0101010101 1111011111 1010101 1110010101 011101001 1101010011 1101011001 11011101111 111110101 1101011111 1111110111 1111110111 1101111111 1111111111 1011101101 10111110111 0111111111 1111111111 1111111111 1111111111 1111010101 1111111111 1101111101 1111110111 11010100101 10111101011 01101111 1101010101 0110010001 1111111111 010010110011 1101110011 101101 101
Closest metre Iambic pentameter
Characters 4,438
Words 852
Sentences 26
Stanzas 1
Stanza Lengths 99
Lines Amount 99
Letters per line (avg) 35
Words per line (avg) 9
Letters per stanza (avg) 3,507
Words per stanza (avg) 850
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Submitted on May 13, 2011

Modified on April 17, 2023

4:15 min read
213

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

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